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This volume offers a detailed interpretation of Plato’s texts and Platonic philosophy in its various forms and shapes as a living force in the history of philosophy, from the Hellenistic age, through the Middle Ages and Renaissance Italy, to modern England, America, Japan, and Israel. Most of the contributions here deal with the afterlife and influence of Plato’s dialogues in later Greek philosophy and in various places and periods, and approach a number of dialogues and issues from new perspectives, shedding new light on some ancient problems. These studies represent no single approach, and illustrate, in their various ways, some different methods of approaching the original and ever-surprising author that Plato has always been.
This book details how Kallimachos' hymns individually and collectively examine the nature of power, authority, and good governance by situating these praise poems at the intersection of a literary tradition stretching back to archaic Greek poetry and a contemporary political discourse on kingship emerging in the early Hellenistic world.
By interrogating the terms and concepts most central to cultural change, Future Theory interrogates how theory can play a central role in dynamic transition. It demonstrates how entangled the highly politicized spheres of cultural production, scientific invention, and intellectual discourse are in the contemporary world and how new concepts and forms of thinking are crucial to embarking upon change. Future Theory is built around five key concepts – boundaries, organization, rupture, novelty, futurity – examined by leading international thinkers to build a vision of how theory can be applied to a constantly shifting world.
Transcending dominant debates of whether Plato's Republic is about the ideal state, the soul, art, or education, Ivor Ludlam's analysis treats the dialogue as pure conversation. Returning to the original Greek, Ludlam examines the dialogue both in its details and in its entirety. The result is a holistic interpretation wherein Ludlam reveals how each character becomes a paradigm for an aspect of the Republic's central theme—the apparent good. Ultimately, it is the individual aspects of apparent good that the characters represent that determines the final course of the dialogue. Revisioning the central theme of the Republic through the motivations and interactions of its characters, Ludlam provides an innovative, holistic, and dramatic analysis of this foundational work.
This book studies the social and ethical formation of youthful characters in Greek epic and tragedy. It investigates Cheiron the Centaur, ancient Greece's first teacher; traces the influential trajectory of the Iliadic Achilles; and offers readings of the Odyssey, Sophocles' Ajax and Philoctetes, and Euripides' Hippolytus and Iphigenia in Aulis.
The Art of Isis Sousa & Guests is a highly inspirational tool for you who are a Fantasy Art lover and are developing your artistic skills.The book is bound with beautiful, high-end Fantasy and Dark Fantasy works from Isis Sousa and renowned guests: Uwe Jarling, Kirsi Salonen, Jezabel Nekranea, Ertaç Altinöz, Rochelle Green, Alexander Nanitchkov, Marius Bota, Marilena Mexi, Mariana Veira and Nathie Block.Take a learning and insightful journey through the dozens of tips, articles, tutorials, lectures, video classes and nonetheless, fantastic artworks which make this one-of-a-kind art-book experience.
In this first comprehensive treatment of Plato’s political thought in a long time, John Wallach offers a "critical historicist" interpretation of Plato. Wallach shows how Plato’s theory, while a radical critique of the conventional ethical and political practice of his own era, can be seen as having the potential for contributing to democratic discourse about ethics and politics today. The author argues that Plato articulates and "solves" his Socratic Problem in his various dialogues in different but potentially complementary ways. The book effectively extracts Plato from the straightjacket of Platonism and from the interpretive perspectives of the past fifty years—principally those of Karl Popper, Leo Strauss, Hannah Arendt, M. I. Finley, Jacques Derrida, and Gregory Vlastos. The author’s distinctive approach for understanding Plato—and, he argues, for the history of political theory in general—can inform contemporary theorizing about democracy, opening pathways for criticizing democracy on behalf of virtue, justice, and democracy itself.
Offering an incisive analysis of all surviving public speeches of contemporaries and bitter rivals Demosthenes and Aeschines, this volume examines how democratic politicians in classical Athens created versions of the city's past to persuade mass decision-making audiences, cement their own authority, and compete for public endorsement.