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England is prospering under the reign of Elizabeth I. Mistress Lacey, however, finds her own prospects marred when her betrothed declares his conscience will not permit him to submit to the Queen's latest decrees concerning church attendance.
A fierce war rages for your soul. Are you ready for battle? Like it or not, you are at war. You face a powerful enemy out to destroy you. You live on the battlefield, so you can’t escape the conflict. It’s a spiritual war with crucial consequences in your everyday life and its outcome will determine your eternal destiny. You must engage the Enemy. And as you fight, you need a Manual for Spiritual Warfare. This guide for spiritual warriors will help you recognize, resist, and overcome the Devil’s attacks. Part One, “Preparing for Battle,” answers these critical questions: • Who is Satan, and what powers does he have? • What are his typical strategies? • Who fights him alongside us in battle? • What spiritual weapons and armor do we possess? • How do we keep the Enemy out of our camp? Part Two, “Aids in Battle,” provides you these essential resources: • Teaching about spiritual warfare from Scripture and Church documents • Scripture verses for battle • Wisdom and inspiration from saints who fought Satan • Prayers for protection, deliverance, and victory • Rosary meditations, hymns, and other devotions for spiritual combat St. Paul urges us to “fight the good fight of the faith” (1 Tim 6:12). Take this Manual for Spiritual Warfare with you into battle. The beautiful Premium UltraSoft gift edition features sewn binding, ribbon marker and silver edges.
Literal Figures is the most important work on John Bunyan to appear in many years, and a significant contribution to the history and theory of representation. Beginning with mainstream Puritan responses to a challenge to orthodoxy—a man who claims he has been literally transformed into Christ and his companion who claims to be the "Spouse of Christ"—and concluding with an analysis of The Pilgrim's Progress, which John Bunyan described as a "fall into Allegory," Thomas Luxon presents detailed analyses of key moments in the Reformation crisis of representation. Why did Puritan Christianity repeatedly turn to allegorical forms of representation in spite of its own intolerance of "Allegorical fancies?" Luxon demonstrates that Protestant doctrine itself was a kind of allegory in hiding, one that enabled Puritans to forge a figural view of reality while championing the "literal" and the "historical". He argues that for Puritanism to survive its own literalistic, anti-symbolic, and millenarian challenges, a "fall" back into allegory was inevitable. Representative of this "fall," The Pilgrim's Progress marks the culminating moment at which the Reformation's war against allegory turns upon itself. An essential work for understanding both the history and theory of representation and the work of John Bunyan, Literal Figures skillfully blends historical and critical methods to describe the most important features of early modern Protestant and Puritan culture.
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Haunted English explores the role of language in colonization and decolonization by examining how Anglo-Celtic modernists W. B. Yeats, Hugh MacDiarmid, and Marianne Moore “de-Anglicize” their literary vernaculars. Laura O'Connor demonstrates how the poets’ struggles with and through the colonial tongue are discernible in their signature styles, using aspects of those styles to theorize the dynamics of linguistic imperialism—as both a distinct process and an integral part of cultural imperialism. O'Connor argues that the advance of the English Pale and the accompanying translation of the receding Gaelic culture into a romanticized Celtic Fringe represents multilingual British culture as if it were exclusively English-speaking and yet registers, on a subliminal level, some of the cultural losses entailed by English-only Anglicization. Taking the fin-de-siècle movements of the Gaelic revival and the Irish Literary Renaissance as her point of departure, O'Connor examines the effort to undo cultural cringe through language and literary activism.
In this extraordinary and ambitious book, Peter Lake examines how different sections of sixteenth- and early seventeenth-century England - protestant, puritan and catholic, the press and the popular stage - sought to enlist these pamphlets to their own ideological and commercial purposes.".
When Doug's father refuses to return to suburban New York from one of his lengthy business trips, his mother swallows a bottle of sleeping pills and Doug and sister Constance move in with their mother's mother in Rochester, who takes them in temporarily. At the end of the school year, Constance goes on to college and Grandma unloads Doug, putting him on a plane to Chicago to live with Carleton, the father he barely knows, and his father's young, beautiful, Native American wife. Doug finds himself living two blocks from the infamous Cabrini-Green housing projects, in an area where whites had mostly fled and black gangs are taking control. Carleton moved in with Mary a year earlier, marrying her two weeks after his wife died, and they remain in her apartment in the changing neighborhood because he'd lost another job due to his drinking and because Mary didn't like to be surrounded by white people anyway. Doug is immediately thrust into a world of petty crime, violence, and racial hatred, some of which emanates from Mary, who loves his father but despises herself for living with a white man. And yet, on her good days, she becomes more of a mother to Doug than he'd ever had, teaching him how to treat a lady and how to find his way in the inner-city. On her bad days, she locks him out of their apartment. So Doug comes of age in the streets, dates girls who live in the projects, and sees people beaten and killed. The people he comes to trust and learn from are people who are not white. They're Indian, they're Hispanic, and mostly they're Black. So who is he, he wonders, who thought of himself as White? This is the story of how it turns out.