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This volume discusses the development of Isaac of Nineveh's eschatology through an examination of his use of Syriac source material.
Uncovered in 1941 near Cairo, the Tura papyri brought to light numerous works attributed to Didymus the Blind, including commentaries and grammatical lessons on the Psalms and Ecclesiastes. Previously thought to reflect exercises in exegesis or instruction in virtue, the lessons include 300 authentic student questions, demonstrating that grammar in late antiquity was based not on Homer or Menander, but on the Old Testament. Blossom Stefaniew argues that these lessons constitute an unusual instance of non-confessional reading and study of the Bible, directed at conveying general knowledge of the linguistic, moral, physical and social orders to young people. Grammar was about knowledge of the general order of things, not only how to read and speak well, but how to behave properly and know what is appropriate. Didymus’s work epitomizes this transformation of education and civic culture, raising a claim that language, comportment, and common sense were governed by a Christian order. By reanalyzing the paradigms of religion and pedagogy, Christian Reading intervenes in existing scholarship by focusing on the history of Christianity as part of the history of reading, study, and scholarship.
Every year, the Bibliography catalogues the most important new publications, historiographical monographs, and journal articles throughout the world, extending from prehistory and ancient history to the most recent contemporary historical studies. Within the systematic classification according to epoch, region, and historical discipline, works are also listed according to author’s name and characteristic keywords in their title.
This volume comprises 16 studies focused on the last extant part of Clement's 'Stromateis'. Written by specialists from seven countries, it is a compendium of contemporary scholarship dealing with major aspects of Clement's thought in general.
This volume explores the relationship between the Qur’an and the Jewish and Christian traditions, considering aspects of continuity and reform. The chapters examine the Qur’an’s retelling of biblical narratives, as well as its reaction to a wide array of topics that mark Late Antique religious discourse, including eschatology and ritual purity, prophetology and paganism, and heresiology and Christology. Twelve emerging and established scholars explore the many ways in which the Qur’an updates, transforms, and challenges religious practice, beliefs, and narratives that Late Antique Jews and Christians had developed in dialogue with the Bible. The volume establishes the Qur’an’s often unique perspective alongside its surprising continuity with Judaism and Christianity. Chapters focus on individual suras and on intra-Qur’anic parallels, on the Qur’an’s relationship to pre-Islamic Arabian culture, on its intertextuality and its literary intricacy, and on its legal and moral framework. It illustrates a move away from the problematic paradigm of cultural influence and instead emphasizes the Qur’an’s attempt to reform the religious landscape of its time. The Qur'an's Reformation of Judaism and Christianity offers new insight into the Islamic Scripture as a whole and into recent methodological developments, providing a compelling snapshot of the burgeoning field of Qur’anic studies. It is a key resource for students and scholars interested in religion, Islam, and Middle Eastern Studies.
It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and ’material’ world-view of classical antiquity to an inner-directed, ’spiritual’ mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the ’spiritual’ interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
Sotiris Mitralexis offers a contemporary look at Maximus the Confessor’s (580–662 CE) understanding of temporality, logoi, and deification, through the perspective of contemporary philosopher and theologian Christos Yannaras, as well as John Zizioulas and Nicholas Loudovikos. Mitralexis argues that Maximus possesses both a unique theological ontology and a unique threefold theory of temporality: time, the Aeon, and the radical transformation of temporality and motion in an ever-moving repose. With these three distinct modes of temporality, a Maximian theory of time can be reconstructed, which can be approached via his teaching on the logoi and deification. In this theory, time is not merely measuring ontological motion, but is more particularly measuring a relationship, the consummation of which effects the transformation of time into a dimensionless present devoid of temporal, spatial, and generally ontological distance — thereby manifesting a perfect communion-in-otherness. In examining Maximian temporality, the book is not focussing on only one aspect of Maximus’ comprehensive Weltanschauung, but looks at the Maximian vision as a whole through the lens of temporality and motion.
The social and religious phenomenon popularly known as the “prosperity gospel” has made huge inroads in sub-Saharan Africa and raises many questions surrounding Christian giving. In this book, Dr Habarurema applies biblical scholarship, historical enquiry and contemporaneous analysis to generosity and financial reward in 2 Corinthians 8–9, as well as to the prosperity gospel movement. With a clear focus on the concepts of divine charis and autarkeia, this study provides insight into the apostle Paul’s exhortations to care for the poor and vulnerable in society as a manifestation by the church of God’s compassion and grace. The author concludes with a series of hermeneutical and theological recommendations to promote a reading which is faithful to Paul’s thoughts in 2 Corinthians 8–9, fully integrated in Paul’s overall theology, and welcoming insights provided by Pentecostal hermeneutics.
In De cura pro mortuis gerenda Augustine interweaves an assessment of burial near the memorial of a martyr with a series of dream narratives. The seeming lack of coherence between argument and narrative in this treatise has puzzled many scholars. Combining an analysis of the overall structure of the argument and a detailed philological commentary, this study shows that Augustine’s text forms a well-composed unity. The study is based on discourse-linguistic and narratological concepts as well as an analysis of the global structure of the narratives. Relying on this combined approach Rose demonstrates how Augustine explores the full breadth of his narrative material in the service of his argument. In addition, this book situates Augustine’s text in its cultural-historical context.