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The Acc07.143 instalment comprises pencil, proof and published music scores. It includes works hitherto missing from the W001-W305 series, belonging to Series 9 held at MS 9676 (2 fol. boxes).
MS 9676 is an extensive collection that documents fully Peter Sculthorpe's career as one of Australia's most distinguished composer. Commencing with early newspaper cuttings and other items about himself, Sculthorpe has amassed a large archive of papers relating to all aspects of his career. The papers comprise correspondence, music scores, subject files, writings by and about Sculthorpe, programs, reviews, financial records, general administrative papers and photographs. The correspondence and music scores are particular strengths of the collection. Apart from general correspondence, there is correspondence with family, including early letters written by Sculthorpe to his mother, with other composers, writers and artists and with Faber Music. As well as reflecting the mutual encouragement and discussion that takes place between Sculthorpe and other artists, the correspondence provides an insight into the role of music publishing in the composition process. Correspondents include Don Banks, Barbara Blackman, Ann Boyd, Benjamin Britten, Frank Callaway, Stuart Challender, Manning Clark, Roger Covell, Russell Drysdale, Ross Edwards, Robert Helpmann, Bernard Heinze, Wilfrid Mellers, Randolph Stow, Margaret Sutherland, Peggy van Praagh, Patrick White, Michael Wilding, John Williams and Roger Woodward.
The collection includes a biography, list of works and discography of Peter Sculthorpe (1993); Memento Mori music manuscript with pencilled annotations; original and photocopied manuscripts; and the complete score of Eric Gross' Concerto No 2 for Violin and Orchestra (1985).
This compilation of the classic artwork of Peter Sculthorpe spans four decades. By considering light, the passage of time, the use of different mediums and sizes, and inspiring locations, Peter brings to life moments and subjects that are important to classic art. Here, find 116 beautiful paintings that capture early domestic architecture, vast open landscapes, the rocky coastline, changing weather, and domestic farms--the cornerstones of his work. Along with pure landscapes; historic buildings; innocent creatures; the still of the moon; the wind, weather, sea, and stone of seacoasts; and found and cherished still life, Peter provides heartfelt essays as his introduction to timeless refuges that continue to renew. Whether the painting captures a moment when the late afternoon sun strikes the side of a building or the morning sun shimmers on a body of water, you will find these treasures significant to time and its passage.
The collection comprises Peter Sculthorpe's original quartet manuscripts given to Donald Hazelwood and his quartet, the Austral String Quartet.
An analytical survey of the music of Peter Sculthorpe.
Peter Sculthorpe, who died in 2014, remains Australia’s best-known composer and is widely held to be the most important creative musical spirit the country has produced. Beautifully written and fastidiously researched, this authorised biography provides an insight into Sculthorpe’s formation years: his quest for personal voice, and his arrival – through many creative friendships and collaborations – at a place in the collective heart of the nation. It charts the realisation of a youthful vocation to become not merely a composer, but an Australian composer. Graeme Skinner’s biography is also a social history, examining Sculthorpe’s unique role in the creation of Australian musical modernism in the 1960s – an important era in Australia’s cultural evolution.
PAUL SCULTHORPE is the man who was born to be a superstar. Touted as a future Great Britain skipper before he even played his first game as a professional, he has more than lived up to the billing over the ensuing years. The only player to ever be named Man of Steel in successive years, the St Helens captain is arguably the most talented man to grace a rugby league field in modern times. Yet Sculthorpe did not always have his sights set on Challenge Cup and Grand Final glory. As a youngster he spent his time booting a football around with brother Lee - and actually had to be forced into playing his first game of rugby. From that moment a star was born, as he went on to captain every side he represented, even though he was often playing a year above his age group. Warrington were the first to spot that potential, snapping him up on schoolboy terms, and helping shape the greatest player in Super League history. When he went hunting a bigger stage, St Helens had no hesitation paying a world record £370,000 - a transfer fee that quickly looked a bargain. Since then various rugby union clubs have sounded out the chances of tempting him into a code switch, while the biggest names in Australia would love to take the prize Pom Down Under. Throughout it all Scully has stayed true to his roots, even though that loyalty was sorely tested when knee injuries led to a whispering campaign that he was finished. Now Sculthorpe lifts the lid on a remarkable career. The highs and the lows; the friendships and the fall-outs; and where he feels his future REALLY lies. It's a no-holds barred account of one man's incredible rise to the top - and the steely determination which keeps him there.
Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.