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When Jack Johnson defeated white heavyweight champion Jim Jeffries in 1910, it was America's notions of racial superiority that staggered under his blows. Amid riots and lynchings, the search began for the Great White Hope who could put the "uppity" new champion in his place. Here is the startling true story of the most famous--and most hated--black American of his day. "Papa Jack" takes us into a violent and sordid world. It is an astonishing tale of black defiance--and white retribution--set against the dramatic canvas of sports and spectacle in Jim Crow America.
An enchanting, magical novel set in a mysterious toyshop - perfect for fans of Erin Morgenstern's The Night Circus, Stephanie Garber's Caraval and Jessie Burton's The Miniaturist. The Christmas Emporium opens with the first sign of frost . . . It is 1917, and while war wages across Europe, in the heart of London, there is a place of hope and enchantment. The Emporium sells toys that capture the imagination of children and adults alike: patchwork dogs that seem alive, toy boxes that are bigger on the inside, soldiers that can fight battles of their own. Into this family business comes young Cathy Wray, running away from a shameful past. The Emporium takes her in, makes her one of its own. But Cathy is about to discover that the Emporium has secrets of its own . . . Complete your collection with Paris by Starlight, the next novel from the author of the The Toymakers, out now ***** 'This vivid, haunting novel is both vast and intimate. A wonderful and thought-provoking read.' KATHERINE ARDEN, author of The Warm Hands of Ghosts Engaging and enchanting . . . A fairytale for adults, with all the wonder – and terror – that that entails.' GUARDIAN 'There is magic at the heart of The Toymakers, a glittery inventiveness that shimmers through the dark corners of a story about love, war and sibling rivalry.' SUNDAY EXPRESS 'I was gripped, and thrilled, and touched, and above all I was completely swept into the magic of the book . . . Just astonishing' ADAM ROBERTS, author of Jack Glass 'Anyone who’s ever stepped inside a traditional toyshop and marvelled at the wonders on display will instantly be captivated by this book' CULTUREFLY
In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the “shadow archive” of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, shedemonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.
Lawyer, judge, public servant, trailblazer: these are only a few words to describe the remarkable accomplishments of the Honorable Marvin S. Arrington, Sr., of Atlanta, Georgia. It's the story of a dedicated man, born in to the segregated South who went on to break down racial barriers and build walls of inclusion and harmony. Judge Arrington was the first African American to become partner at an all-white Atlanta law firm and then, later, established one of the largest and most successful minority law firms in the country. Today, Marvin Arrington is a distinguished judge on the Fulton County Superior Court who continues now to address the great challenges of the 21st century.
Floyce believed that she would live in Vicksburg forever where she and her husband, George, had lived for more than forty years and raised their children. Everything changed practically overnight, however, when George died suddenly and Floyce, at the age of seventy-two, moved to Florida to live near two of her children. She could never have imagined what God's plan had in store for her for the rest of her life. "For I know the plans I have for you," declares the Lord, "plans to prosper you and not to harm you, plans to give you hope and a future." Jeremiah 29:11 (NIV)
The book of short stories COURAGE TO LEAVE is about Marion Heliconia, who has survived the traumas that no human should have to bear in life. It is the only life she knew, and as she grew, Marion only knew this kind of life until it was almost too late. Most people only encounter a few of the things that happened to her, and then only the least severe ones. But Marion has been battered, traumatized, and assaulted relentlessly by everyone that she loved or cared about, and some she didnt even know. And yet, she has survived!
This book of twelve original essays will bring together two themes of American culture: law and race. The essays fall into four groups: cases that are essential to the history of race in America; cases that illustrate the treatment of race in American history; cases of great fame that became the trials of the century of their time; and cases that made important law. Some of the cases discussed include Amistad, Dred Scott, Plessy v. Ferguson, Scottsboro, Korematsu v. US, Brown v. Board, Loving v. Virginia, Regents v. Bakke, and OJ Simpson. All illustrate how race often determined the outcome of trials, and how trials that confront issues of racism provide a unique lens on American cultural history. Cases include African-Americans, Asian-Americans, and Caucasians. Contributors include a mix of junior and senior scholars in law schools and history departments.
Providing a critical humanities approach to ageing, this book addresses new directions in age studies: the meaning and workings of "ageism" in the twenty-first century, the vexed relationship between age and disability studies, the meanings and experiences of "queer" aging; the fascinating, yet often elided work of age activists; and, finally, the challenges posed by AI and, more generally, transhumanism in the context of caring for an ageing population. Divided into four parts: Part I: What Does It Mean to Grow Old? Part II: Aging: Old Age and Disability Part III: Aging, Old Age, and Activism Part IV: Old Age and Humanistic Approaches to Care the volume provides an innovative, two-part structure that facilitates rather than merely encourages interdisciplinary collaboration across the humanities and social sciences. Each essay is thus followed by two short critical responses from disciplinary viewpoints that diverge from that of the essay’s author. Drawing on work from across the humanities - philosophy, fine arts, religion, and literature, this book will be a useful supplemental text for courses on age studies, sociology and gerontology at both undergraduate and graduate levels.
NEW YORK TIMES BESTSELLER • In this unforgettable memoir, Ashley Judd describes her odyssey, as a lost child attains international prominence as a fiercely dedicated advocate. In 2002, award-winning film and stage actor Ashley Judd found her true calling: as a humanitarian and voice for those suffering in neglected parts of the world. After her first trip to the notorious brothels, slums, and hospices of southeast Asia, Ashley knew immediately that she wanted to advocate on behalf of the vulnerable. During her travels, Ashley started to write diaries that detailed extraordinary stories of survival and resilience. But along the way, she realized that she was struggling with her own emotional pain, stemming from childhood abandonment and abuse. Seeking in-patient treatment in 2006 for the grief that had nearly killed her, Ashley found not only her own recovery and an enriched faith but the spiritual tools that energized and advanced her feminist social justice work. Her story ranges from anger to forgiveness, isolation to interdependence, depression to activism. In telling it, she resoundingly answers the ineffable question about the relationship between healing oneself and service to others. Praise for All That Is Bitter and Sweet “Ashley Judd has given us magnetic and searingly honest portrayals of diverse women on screen. Now with the same honesty and magnetism, she brings us her true self on the page. From her childhood to her revolutionary empathy with women and girls living very different lives, her path will inspire readers on journeys of their own.”—Gloria Steinem “Over the last decade I have watched my gifted, brilliant friend grow as an artist, but more importantly, as a wise, deeply empathetic woman. I have read the diaries that are the heart of this memoir since she began traveling the world, fearing for her safety and sanity, baffled why she chooses these grueling missions. All That Is Bitter and Sweet will be a revelation to readers, exposing Ashley Judd for what I have known for years she is: an amazing woman doing extraordinary work.”—Morgan Freeman “All That Is Bitter and Sweet is all that is enlightening and inspiring. Ashley Judd has composed a memoir that teaches while it entrances and finds hope and faith in the most unlikely places. The book is full of real-life stories that reflect both the compassion of its author and the need for healing in the world.”—Madeleine K. Albright