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"From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and advertisements. Reprinted in their entirety for the first time, Paolozzi's works for Ambit tackle the war in Vietnam, the acceleration of Japanese technology, and the utopias of mass advertising. The Jet Age Compendium reproduces the Paolozzi pages from Ambit along with magazine covers, poems and advertisements that originally appeared alongside the artist's work. The book is housed in a day-glo pink sleeve that also contains an essay written by David Brittain which puts Paolozzi's work for the magazine into context"-- Publisher's website.
"This re-designed and fully updated and expanded edition of the National Portrait Gallery's Complete Illustrated Catalogue is a comprehensive listing of every painting, drawing, miniature, print, photograph and sculpture in the main collection." ... "The culmination of years of research, this exhaustive and authoritative catalogue includes over 10,500 entries, organised alphabetically by sitter and provides the title, date, attribution, media and acquisition details for every work. Portraits of the same subject by different artists and at different times can be compared." "An indispensable reference tool for scholars, researchers, historians and art historians, with over 8,000 illustrations, this catalogue now forms the largest printed survey of British portraiture in existence, a miniature National Portrait Gallery in itself."--Jacket.
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
Eduardo Paolozzi is a major figure in postwar British art: a father of pop art, a creator of key icons of the nuclear age, a brilliant manipulator of the images produced by the media, an iconoclast and traditionalist, an outsider and academician. This copiously illustrated book, produced on the occasion of the opening of the Dean Gallery in Edinburgh, celebrates the artist's generous gift of work to the National Galleries of Scotland. It provides a chronological survey of Paolozzi's career and artistic development and is an indispensable guide to his work. SELLING POINTS: The publication of this book celebrates a gift by Sir Eduardo Paolozzi of a large body of his work to the National Galleries of Scotland The gallery has the finest and most comprehensive collection of Paolozzi's work in the world 60 colour & 47 b/w illustrations