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In this beautifully designed book, Roversi presents for the first time his nudes of the luminous faces of our times--an exquisite work from one of today's most famed photographers. 50 quadratones.
"Paolo Roversi is known internationally for his romantic, intense, and ethereal fashion images and portraits — images that quiver on the edge of their own seemingly fragile existence. A typical Roversi photograph appears as if captured in the process — it develops on the page right before our very eyes or, depending on your perspective, might simply vanish into the ether. Since 1980 Roversi has worked primarily in 8-by-10 Polaroid, and rarely on location. Studio is a milestone in his burgeoning bibliography. The book, designed as a series of gatefolds, appears to be a collection of empty pages at first glance. The experience of looking is akin to that of peeling away the leaves of a Polaroid — out of the blackness, an image is revealed as if by magic. The images collected here — a self-portrait of the artist and a portrait of the place that stands at the center of his work — represent nearly two decades of work and are a mix of both the published and the highly personal: landscapes, portraits, fashion images, and photos of the studio itself"--http://www.steidlville.com/books/168-Studio.html.
This book presents the design and history of Poliform from a unique perspective--that of fashion photographer Paolo Roversi. This is the story in pictures of a dimension of living that differs from every other. While there have been attempts to create a philosophy of interior design, there has rarely been an effort to discover the soul of furniture and objects. That is what Paolo Roversi has tried to do with his camera in these pages, which are devoted to Poliform, the Italian company that has successfully transformed ancient Italian artisanal traditions into contemporary furniture. By using what have always been his raw materials--time, light, space--Roversi leads us on a photographic journey to the middle of the Poliform universe, helping us to relive the company's story and capture the mysterious, unmistakable soul that makes the surfaces and volumes of its objects vibrate.
An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times), by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson. Richard Avedon was arguably the world’s most famous photographer—as artistically influential as he was commercially successful. Over six richly productive decades, he created landmark advertising campaigns, iconic fashion photographs (as the star photographer for Harper’s Bazaar and then Vogue), groundbreaking books, and unforgettable portraits of everyone who was anyone. He also went on the road to find and photograph remarkable uncelebrated faces, with an eye toward constructing a grand composite picture of America. Avedon dazzled even his most dazzling subjects. He possessed a mystique so unique it was itself a kind of genius—everyone fell under his spell. But the Richard Avedon the world saw was perhaps his greatest creation: he relentlessly curated his reputation and controlled his image, managing to remain, for all his exposure, among the most private of celebrities. No one knew him better than did Norma Stevens, who for thirty years was his business partner and closest confidant. In Avedon: Something Personal—equal parts memoir, biography, and oral history, including an intimate portrait of the legendary Avedon studio—Stevens and co-author Steven M. L. Aronson masterfully trace Avedon’s life from his birth to his death, in 2004, at the age of eighty-one, while at work in Texas for The New Yorker (whose first-ever staff photographer he had become in 1992). The book contains startlingly candid reminiscences by Mike Nichols, Calvin Klein, Claude Picasso, Renata Adler, Brooke Shields, David Remnick, Naomi Campbell, Twyla Tharp, Jerry Hall, Mikhail Baryshnikov, Bruce Weber, Cindy Crawford, Donatella Versace, Jann Wenner, and Isabella Rossellini, among dozens of others. Avedon: Something Personal is the confiding, compelling full story of a man who for half a century was an enormous influence on both high and popular culture, on both fashion and art—to this day he remains the only artist to have had not one but two retrospectives at the Metropolitan Museum of Art during his lifetime. Not unlike Richard Avedon’s own defining portraits, the book delivers the person beneath the surface, with all his contradictions and complexities, and in all his touching humanity.
The illegitimate son of a fortune teller, Ezio Comparoni (1920-52) never knew his father, rarely left his home town, and admitted no one to his home. His deliberate obscurity was compounded by his use of many pseudonyms, including Silvio d'Arzo, under which he wrote the remarkable novella and three stories collected in The House of Others. The novella The House of Others is among the rare perfect works of twentieth century fiction. In a desolate mountain village an old woman visits the parish priest, ostensibly to ask about dissolving a marriage. Gradually, as she probes for information on "special cases"--cases in which what is obviously wrong can also be irrefutably right--it becomes clear her true question is whether or not she might take her own life. The question is metaphysical, involving not only the woman's life but the priest's; and to it he has no answer.
The London based photography duo Lucilla Barbieri and Fabrizio Coppi met in Milan in the early 90s and started to work together as Coppi Barbieri. In the following decades they have become among the most sought after still life photographers in the world crafting meticulous images for the likes of Apple, Chanel, Cartier, Estee Lauder, Fendi, Gucci, Harry Winston, Louis Vuitton, and Van Cleef & Arpels. Early Works 1992-1997 presents for the first time the experimental images they created together before their commercial career took off. Their first experiments involved flowers immersed in water, common household objects such as plastic bottles, and glassware, and back-lit dresses animated by fans. Their inspiration was the work of historical photographers and artists such as André Kertész, Baron Adolph de Meyer, Josef Sudek and the painter Morandi. But they also injected the sensibility of fashion photographers working at that time such as Paolo Roversi and Javier Vallhonrat. Their slow process involved using single 5x7 film which lends the pictures in this book a unique quality and the feeling of belonging to another world.
Discover the secrets behind the city of fashion and opera. The mysteries and legends of Milan are unveiled through the interactive pages of the WhaiWhai guidebook: an unconventional guide for tourists and travelers who are looking for an out-of-the-ordinary experience. In the WhaiWhai guidebook series, readers will experience an interactive treasure hunt through six cities, unlocking their mysteries and discovering their most charming corners. To play, all you need is the WhaiWhai guide and a mobile phone. Send a text message to WhaiWhai that includes a special code and immediately receive your first clue. As you travel to each new location throughout the city, a new clue is revealed. Each city has a different treasure, and finding it will be an exciting experience. WhaiWhai combines history and fantasy, allowing readers to step into a story that plays out inside the city, sparking their curiosity and making them the hero of an adventure. In Milan: The Diamond--before starting his campaign against the French, Ludovico il Moro, lord of Milan, entrusts his treasure into the hands of his brother Ascanio and of some friends of his. Ludovico gives orders to pawn his jewels to gather the money necessary to support the war. The fabulous diamond called Lupo, worth twelve-thousand ducats, is pawned with the moneylender Giovanni Beolco together with the other jewels. Presently the diamond exhibited in a private collection, is stolen by a cunning robber. Milan police are after him. Here begins a sort of challenge between the robber and the policemen in and around the streets and the most renown places in town, haunted by the dark lady who dwells among the Cathedral spires and by the night ghosts of the Castello Sforzesco, by the Porta Venezia dragon and by the mysteries flourishing around the arch of the Vittorio Emanuele Gallery.
The newest title in this affordable photography series highlights the work of Paolo Roversi.
Prior to his thirty-year career in the first-ever academic Buddhist studies program in the United States, Geshe Sopa was the son of peasant farmers, a novice monk in a rural monastery, a virtuoso scholar monk at one of the prestigious central monasteries in Lhasa, and a survivor of the Tibetan uprising and perilous flight into exile in 1959. In Like a Waking Dream, Geshe Sopa frankly and observantly reflects on how his life in Tibet, a monastic life of yogic simplicity, shaped and prepared him for the unexpected. The account of his years in Tibet preserves, as well, valuable insight and details about a now-vanished era of Tibetan religious culture. His is a tale of an exemplary life dedicated to learning, spiritual cultivation, and the service of others from one of the greatest living masters of Tibetan Buddhism.
A visual exploration of London's most intriguing square mile captures Soho's essence--from seedy to sublime, and everything in between. During a time of development and change that has the potential to transform the unique character of London's Soho, this book delves into the area's storied past as a place of disobedience and eccentricity. Opening with a look at Soho through the years, this book includes archival images of Suffragettes learning Jiu-jitsu in a Soho gym, David Bowie preparing to record at Trident Studios, and Francis Bacon drinking at the French House. The book then presents the work of photographers who have shed light on Soho's many faces through the decades, including Kelvin Brodie, Clancy Gebler Davies, Corinne Day, William Klein, and Anders Petersen. Also featured is a new series of work by young, up-and-coming photographer Daragh Soden, whose images were specially commissioned by The Photographers' Gallery for this project. These streetscapes and portraits are by turns intimate and haunting, visceral and vibrant, nostalgic and provocative. Throughout the volume, texts narrate a social history marked by subculture and controversy. This book captures Soho as a refuge for marginalized, pioneering, and unconventional people.