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'Panorama' est une méthode de français pour grands adolescents et adultes. Ce niveau comprend livre de l'élève, cahier d'exercises, livre du professeur, fichier d'évaluation, trois cassettes audio, vídéo, et pour l'élève un doublé CD áudio ou deux cassettes audio. Une méthode qui permet de couvrir de 120 à 150 heures de cours et vise l'acquisition d'une compétence de communication générale (compréhesion et expression orales et écrites). La présentation graduée du vocabulaire, de la grammaire et des situations de communication se fait à travers des unités 'Histoire', véritables petits films de la vie quotidienne, ainsi qu'à travers des unités 'Projet' qui proposent une grande variété de documents. L'étudiant apprend la langue tout em découvrant les comportements, les preoccupations des Français d'aujourd'hui, et en recevant des informations pratiques.
The Vocabulary of Modern French provides a fresh insight into contemporary French. With this book, Hilary Wise offers the first comprehensive overview of the modern French vocabulary: its historical sources, formal organisation and social and stylistic functions. Topics covered include: * external influences on the language * word formation * semantic change * style and register In addition, the author looks at the relationship between social and lexical change and examines attempts at intervention in the development of the language. Each chapter is concluded by notes for further reading, and by suggestions for project work which are designed to increase awareness of specific lexical phenomena and enable the student-reader to use lexicographic databases of all kinds. The Vocabulary of Modern French is an accessible and fascinating study of the relationship between a nation and its language, as well as providing a key text for all students of modern French.
The Noir Atlantic follows the influence of African American author Chester Himes on Francophone African crime fiction. In 1953, Himes emigrated to Paris; he struggled there, just as he had in the United States. In 1957, his luck changed: the famous French Série noire brought out the first installment of his "Harlem crime series, La reine des pommes. Suddenly, he was a household name in France. Later, he would also have a significant influence on Francophone African writers; for them, Himes's blend of absurdist humor and violence offered an alternative to a high literary paradigm implanted during the colonial era. Likewise, his heterogeneous identity as American, black, and a writer of "French" bestsellers modeled an escape from the centripetal pull of the Métropole. Starting with Abasse Ndione's depictions of Senegal's marijuana-smoking subculture in La Vie en spirale (1982) and ending with Mongo Beti's 2001 Branle-bas en noir et blanc, set in Yaoundé, Cameroon, Francophone African crime fiction rejected French criteria of literary success; it embraced a new postcolonial aesthetic that emphasized entertaining the reader while making a living. The Noir Atlantic demonstrates why turning to what this study calls a "frivolous literary" mode represented a profound shift in perspective that anticipated more recent developments such as littérature monde.
This volume presents a selection of French varieties representing the great diversity of this language along geographical, social, and stylistic dimensions. Twelve illustrations from regions as far removed as Western Canada and Central Africa represent widely divergent social contexts of language use. Each chapter is based on original surveys conducted within the framework of the Phonology of Contemporary French project, described in the Introduction. These surveys constitute an invaluable source of new data for researchers, as many of the varieties included are otherwise undocumented in any systematic way. The chapters follow a similar format: presentation of the survey(s) and the sociolinguistic dimensions of the variety studied; description of the phonological inventory of the system(s), principal allophonic realizations, phonotactic constraints, behavior of schwa, behavior of liaison consonants, and other notable characteristics. The book opens with an informative introduction and closes with a chapter providing a synthesis of the major findings by continent.
A stunning exploration of the vital links between Claude Monet's Impressionism and the time technologies that helped define modernity in the nineteenth century Monet's Minutes is a revelatory account charting the relationship between the works of Claude Monet (1840-1926)--founder of French Impressionism and one of the world's best-known painters--and the modern experience of time. André Dombrowski illuminates Monet's celebration of instantaneity in the context of the late nineteenth-century time technologies that underwrote it. Monet's version of Impressionism demonstrated an acute awareness of the particularly modern pressures of time, but until now scholars have not examined the histories and technologies of time and timekeeping that informed Impressionism's major stylistic shifts. Arguing that the fascination with instantaneity rejected the dulling cultures of newly routinized and standardized time, Monet's Minutes traces the evolution of Monet's art to what were then seismic shifts in the shape of time itself. In each chapter, Dombrowski focuses on the connections between a set of Monet's works and a specific technology or experience of time, while providing the voices of period critics responding to Impressionism. Grounded in exceptional research and analyses, this book offers new interpretations of key works by Monet and a fresh perspective on late nineteenth-century art, society, and modern temporality.