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Walters (political science, Howard U.) uses the tools of comparative politics for examining similar Black and white social institutions and organizations in the US and other countries and for creating a "tailored" Pan African perspective as a criteria with which to describe the interactive relationships between the American Black community and Blacks in Britain, South Africa, Brazil, and the Caribbean. Annotation copyright by Book News, Inc., Portland, OR
Pan-Africanism in Ghana is an interdisciplinary exploration of the various ways Pan-African politics have been expressed by politicians in the Republic of Ghana from the colonial era to the present. By focusing on transnational politics in the context of a single nation over time, this study gives critical insight into the complex global, national, and local pressures that shaped Pan-African politics and the Republic of Ghana simultaneously. While there has been a great deal of work on Kwame Nkrumah and Ghana's First Republic, this book's major contribution is to trace Pan-African ideas in Ghanaian politics past the Nkrumah era, through the years of weak civilian governments and military rule, to the present. This approach explains how and why Pan-Africanism has shifted, inresponse to major global geopolitical changes and the objectives of Ghanaian political elites, from an anti-imperial African socialist oriented ideology to one supporting neoliberal nation-building. By viewing Ghanaian history through the lenses of economics, cultural anthropology, and political economy, this study reveals the extremely malleable nature of Pan-African ideas and the ingenuity of politicians looking to utilize them for a variety of political projects. In short, Ghana's conception as a springboard for a greater African union left a legacy subsequent civilian and military leaders of various ideological shades had to grapple with. The ways they rejected, embraced, or sought to subvert the nation's internationalist past helps us understand the mechanics of decolonization/nation-building in a globalizing world. Pan-Africanism in Ghana contributes to the historiography of Ghana by focusing on often overlooked figures and placing the development of the West African nation in a wider global context, while also presenting new multi-faceted arguments to debates about the history of Pan-Africanism. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "This book is very informative as it offers the much needed help for comprehending the Pan African movement. Thus, it can serve as an excellent reference for general readers and students of Pan-Africanism alike, who want to learn how the concept can be used to shed light on and respond to the forces of globalization and address the current predicaments of the people of Africa."--Zerihun Berhane Weldegebriel, Addis Ababa University, African Studies Quarterly
The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.
This edited volume addresses the accomplishments, prospects and challenges of regional integration processes on the African continent. Since regional integration is a process that ebbs and flows according to a wide range of variables such as changing political and economic conditions, implications and factors derived from the vagaries of migration and climate change, it is crucial to be cognizant with how these variables impact regional integration initiatives. The contributors discuss the debates on Pan-Africanism and linking it with ongoing discourses and policies on regional integration in Africa. Other aspects of the book contain some of the most important topic issues such as migration, border management and the sustainable development goals. This content offers readers fresh and innovative perspectives on various aspects of sustainable development and regional growth in Africa.
Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.
In this small work Professor Horace Campbell the veteran Pan-Africanist scholar and Rodney Worrell a young organic intellectual address some of the burning issues of Pan-Africanism. The publication is a hard hitting, provocative and enlightening discourse on Pan-Africanism. It is also a road map for the way forward. Join Campbell on this journey as he engages the attention of the reader on a number of important issues: Africa and International Partnerships, defining the task of the 21st century, retreating from the mechanical concepts of humans, leaderism and the lessons of Pan-African struggles in the last century, retreating from wars and violence, African women and liberation, re-conceptualizing Pan-Africanism, Walter Rodney 1974, Pan-African renewal in the 21st century, USA and their concept of partnering with Africa, reparations and peace in Africa, what kind of Pan-African partnership is possible, can the Pan-African movement learn from the lessons of biological warfare, African youths liberation and peace and information revolution and peace. Then travel with Worrell as he highlights the social and political thought of Leroy Harewood one of the unsung heroes of the Caribbean. Unfortunately many working class West Indians have made sterling contributions in the quest for social justice but their contributions have never been recognize. However, Rodney Worrell seeks to address this deficiency by bringing to the attention of readers Harewood's views on several issues that are still relevant including: who are Africans, hunger and underdevelopment, Pan-African solidarity, failure of Barbadian political leaders, shortcomings of the black middle class, Clement Payne/NDP alliance, smashing the neo-colonial state, weaknesses of the liberal democratic model, Caribbean unification, re-colonization and the revolutionary potential of Barbadians.
The Routledge Handbook of Pan-Africanism provides an international, intersectional, and interdisciplinary overview of, and approach to, Pan-Africanism, making an invaluable contribution to the ongoing evolution of Pan-Africanism and demonstrating its continued significance in the 21st century. The handbook features expert introductions to, and critical explorations of, the most important historic and current subjects, theories, and controversies of Pan-Africanism and the evolution of black internationalism. Pan-Africanism is explored and critically engaged from different disciplinary points of view, emphasizing the multiplicity of perspectives and foregrounding an intersectional approach. The contributors provide erudite discussions of black internationalism, black feminism, African feminism, and queer Pan-Africanism alongside surveys of black nationalism, black consciousness, and Caribbean Pan-Africanism. Chapters on neo-colonialism, decolonization, and Africanization give way to chapters on African social movements, the African Union, and the African Renaissance. Pan-African aesthetics are probed via literature and music, illustrating the black internationalist impulse in myriad continental and diasporan artists’ work. Including 36 chapters by acclaimed established and emerging scholars, the handbook is organized into seven parts, each centered around a comprehensive theme: Intellectual origins, historical evolution, and radical politics of Pan-Africanism Pan-Africanist theories Pan-Africanism in the African diaspora Pan-Africanism in Africa Literary Pan-Africanism Musical Pan-Africanism The contemporary and continued relevance of Pan-Africanism in the 21st century The Routledge Handbook of Pan-Africanism is an indispensable source for scholars and students with research interests in continental and diasporan African history, sociology, politics, economics, and aesthetics. It will also be a very valuable resource for those working in interdisciplinary fields, such as African studies, African American studies, Caribbean studies, decolonial studies, postcolonial studies, women and gender studies, and queer studies.
What does it mean to be an African today? Starting from that question the author takes the reader on a fascinating intellectual journey into the realm of Pan-African thought and practice. Moving from Africa to North America to Europe, the text insightfully explores the pre-occupations of black elite, in the three continents, exploring their shared visions and also their conflicting interests. Tackling thought provoking issues in politics, cultural identity, and economic development, the book provides the reader with a refreshing, jargon free insight into relations between Africa and the African Diaspora. A must read for anyone interested in politics, identity and development in Africa and the African Diaspora.
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.