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The 25 years after World War II were a fertile period for the American novel and an era of transformation in American society. Offering a social as well as literary history, Dickstein provides a frank assessment of more than 20 key figures.
Critic and poet Pinsker offers 11 essays exploring such topics as the decline of formative reading, unifying themes in American literature, the cultural value of humor (but not vice versa), and the place of the college novel. No bibliography or index. Annotation copyrighted by Book News, Inc., Portland, OR
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
The Myth of Popular Culture from Dante to Dylan is afascinating examination of the cultural traditions of the Americannovel, Hollywood, and British and American rock music which leadsus to redefine our concept of the division between "high" and "low"culture. A stimulating history of high and low culture from DanteAlighieri to Bob Dylan, providing a controversial defence ofpopular culture Seeks to rebut the durable belief that only high culture is‘dialectical’ and popular culture is not by turningTheodor Adorno’s theories on ‘pop’ againstthemselves Presents a critical analysis of three popular traditions: theAmerican novel, Hollywood, and British and American rock music Offers an original account of Bob Dylan as an example of howthe distinction between high and low culture is highlyproblematic A provocative book for any student, scholar or general reader,who is interested in popular culture
The author charts the construction of masculinity within American literary culture from the 1930s to the 1970s. He examines the macho criticism that originated in the 1930s within the high modernist New York intellectual circle and tracks the issues of class struggle, anti-communism, and the clash between the Old and New Left in the 1960s. By extending literary culture to include not just novels, plays, and poetry, but diaries, journals, manifestos, essays, literary criticism, journalism, non-fiction, essays on psychology and sociology, and screenplays, he foregrounds the multiplicity of gender attitudes available in each of the historical moments he addresses.
Who would have thought that something so commonplace as iron deficiency would lead to prehistoric ochre, Egyptian amulets, Renaissance alchemy, Victorian projections of maidenhood, and the astrophysical end of everything? Whether mild or deadly, anemia affects an essential body fluid: blood. In Pale Faces, Charles L. Bardes probes deeply into this illness as metaphor by exploring the impact of both science and culture on its treatment across the ages. His innovative “life” of this condition ranges widely through history, mythology, literature and clinical practice to examine how our notions of specific medical conditions are often deeply rooted in language, symbolism and culture. Delving into the annals of anemia and its treatment, he takes us on a fascinating journey back through the history of medicine—from the Greeks and ancient practices of bloodletting and magic up to the diagnostic rituals of a modern medical office. A scholar of the literary as well as the medical arts, Bardes gives us a beautifully written, free-ranging text, resonant with poetic associations yet anchored in concrete clinical experience. As a practicing physician, Bardes is also able to draw upon his direct experience with patients to demystify the doctor/patient relationship. Through detailed descriptions of the diagnostic processes involved in blood related conditions, as well as the particular understanding of the inner workings of the human body provided by modern medical science, we are treated to the complex ways in which doctors think. Charles L. Bardes, MD, is a practicing physician who teaches extensively at Weill Cornell Medical College, where he directs the Medicine Clerkship and serves as Associate Dean. He is the author of Essential Skills in Clinical Medicine, a guide for students and interns, and Pale Faces: The Masks of Anemia, the first book in the Bellevue Literary Press Pathographies series. He has been the Bernard DeVoto Fellow in Nonfiction at the Bread Loaf Writers’ Conference and his essays have appeared in numerous journals, including Agni. He lives in New York.
In Giant Country Don Graham brings together a collection of lively, absorbing essays written over the past two decades. The collection begins with a twist on book introductions that sets the tone for the essays to come—a self-interview conducted poolside at an eccentric Houston motel favored by regional rock bands. Over piña coladas the author works on his tan and discusses timeless Texas themes: the transition of the state from a rural to an urban world, the sense of a vanishing era, and the way that artists in literature and film represent a state both infectiously grand and too big for its britches. In “Fildelphia Story,” Graham remembers his Ivy League professorial stint in a city the small-town Texan who rented him a moving van looked up under “F.” In “Doing England” the Lone Star Yankee courts Oxford University and returns with a veddy British education. In “The Ground Sense Necessary” a native son journeys inward to explore the dry ceremonies of frontier Protestantism and to recount movingly his father's funeral in Collin County. With his wide-ranging knowledge of classic regional works, Graham unerringly traces the style and substance of local literary giants and offers a sometimes irreverent but always entertaining look at the Texas triumvirate of Dobie, Webb and Bedichek. Other essays look at such Texas greats as Katherine Anne Porter, George Sessions Perry, William Humphrey and John Graves. In a section he calls “Polemics,” Graham includes his best known essays, “Palefaces vs. Redskins,” a sardonic survey of the Texas literary landscape, and “Anything for Larry,” a tour de force that has already become a minor classic. The essay weighs the puny financial achievements of Graham against those of mega-author Larry McMurtry and never fails to bring down the house when Graham gives a public reading. A recognized authority on celluloid Texas, Graham provides a rich sampling of his knowledge of Texas movies in pieces that blanket the territory from moo-cow cattle-drive epics to soggy Alamo sagas to urban cowboy melodramas. In the larger-than-life state that is Texas, nobody sizes up the Lone-Star mythos, its interpreters, boosters and detractors better than Don Graham.