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Read along with Disney!
"Princess Belle from Disney "Beauty and the Beast" meets a sweet pony named Petite in this full-color storybook featuring a glittery cover and pages."--Amazon.
Meet Bayou, Disney Princess Tiana’s special Palace Pet, in this step 2 levelled reader with over 30 stickers! Welcome to the magical world of Palace Pets, where each Disney Princess has a furry pet to love and care for! Bayou is a pony who moves to New Orleans to be Princess Tiana’s special Palace Pet! But will this shy pony fit in at the lively city? Young readers and Disney Princess Palace Pets fans ages 4 to 6 will love this book, which is full of sweet, cuddly pets–and 30+ stickers! Step 2 readers use basic vocabulary and short sentences to tell simple stories. For children who recognize familiar words and can sound out new words with help.
Who's the bravest pet in Whisker Haven? The Disney Palace Pets Sultan, Treasure, and Pumpkin compete to find out in this Step 2 Step into Reading leveled reader that's perfect for children ages 4 to 6! Step 2 Readers use basic vocabulary and short sentences to tell simple stories. For children who recognize familiar words and can sound out new words with help.
Out of Control chronicles the dawn of a new era in which the machines and systems that drive our economy are so complex and autonomous as to be indistinguishable from living things.
The palace pets are planning a surprise birthday party for Dreamy.
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
Princess Belle from Disney Beauty and the Beast meets a sweet pony named Petite in this full-color storybook.
Nancy, Bess, and George race to catch an international jewel thief in this eighteenth book of the Nancy Drew Diaries, a fresh approach to the classic mystery series. Nancy is helping out her Dad’s friend, Louise Alain, and her dog, Marge, at an upcoming dog show in Montreal. Marge is a professional and needs someone she can trust to handle her at the biggest show of the season. Nancy is happy to oblige, especially since Louise invited Bess and George as well! Of course, the three friends are investigating a crime within hours of their arrival. One of the show dogs was drugged and a giant wad of gum was matted into its hair. Louise asks Nancy to investigate and gives her a useful tip: look at the dogs—their temperaments and styles are often a good window into the hearts and minds of their owners. But instead of solving a case of competitor sabotage, Nancy discovers jewel thieves have been using the dog show circuit as a smuggling operation. The thieves are not comfortable with the teenage sleuth who’s asking too many questions. And when they make some serious threats, Nancy, Bess, and George quickly find themselves in dangerous territory. Can Nancy discover the thieves’ identity and take home the trophy? Or is this one case where the bite is worse than the bark?
He's like Banksy -- but not as big...They're Not Pets, Susan,' says a stern father who has just shot a bumblebee, its wings sparkling in the evening sunlight; a lone office worker, less than an inch high, looks out over the river in his lunch break, 'Dreaming of Packing it all In'; and a tiny couple share a 'Last Kiss' against the soft neon lights of the city at midnight. Mixing sharp humour with a delicious edge of melancholy, Little People in the City brings together the collected photographs of Slinkachu, a street-artist who for several years has been leaving little hand-painted people in the bustling city to fend for themselves, waiting to be discovered. . . 'Oddly enough, even when you know they are just hand-painted figurines, you can't help but feel that their plights convey something of our own fears about being lost and vulnerable in a big, bad city.' The Times