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Winner of the Miles Franklin Literary Award. 'Any of Frank Moorhouse's books are rewarding and stimulating. But his trilogy following a young Australian diplomat at the founding of the League of Nations is a masterpiece. In Edith Campbell Berry, his heroine, he created one of the enduring characters in literature. The trilogy is Grand Days, Dark Palace and Cold Light. All are must reads.' - Michael Williams, Qantas magazine Five years have passed since Edith Campbell Berry's triumphant arrival at the League of Nations in Geneva, determined to right the wrongs of the world. The idealism of those early Grand Days has been eroded by a sense foreboding as the world moves ever closer to another war. Edith's life too, has changed: her marriage and her work are no longer the anchors in her life – she is restless, unsure, feeling the weight of history upon her and her world. As her certainties crumble, Edith is once again joined by Ambrose Westwood, her old friend and lover. Their reunion is joyful, and her old anxiety about their unconventional relationship is replaced by a feeling that all things are possible – at least in her private life. But World War II advances inexorably, and Edith, Ambrose and their fellow officers must come to terms with the knowledge that their best efforts – and those of the well-meaning world – are simply useless against the forces of the time. Moving, wise and utterly engrossing, this is a profound and enriching novel. Grand Days and Dark Palace confirm Frank Moorhouse as one of our greatest writers – a master of tone and timing, an elegant and exuberant stylist, and an unerring chronicler of the human spirit.
THE BEGINNING OF END ​When a sickly boy succumbs t illness only to awaken as a lowly undead named End, his initial reaction is not horror but joy. No longer weak and bedridden, he is eager to experience the freedom of a properly functioning body. Sadly, his delight is cut short when he realizes the shackles of his previous life have simply been replaced by new ones—specifically, the powerful necromancer who revived him. To gain true freedom, he’ll need to overcome the many obstacles in his way...starting with his dark master!
From the award-winning author of the Dominion of the Fallen series comes a dark retelling of Beauty and the Beast. In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land... A woman, betrayed, terrified, sold into indenture to pay her village's debts and struggling to survive in a spirit world. A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference. When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn's amusement. But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets... Advance praise for In the Vanishers’ Palace “Another stellar offering by Bodard. Her signature intensity is on display in this tale of people (and dragons) struggling to survive in the ruins of an alien conquest. Emotionally complex relationships interweave with richly drawn and deftly nuanced world-building.” —Kate Elliott, author of the Court of Fives series “A transformative experience. With dragons.” —Fran Wilde, Hugo and Nebula nominated author of The Bone Universe and The Gemworld series
A collection of chilling stories from the leading writers in horror and suspense, exploring elusive urban legends. Join Michael Monelo, one of the creators of the Blair Witch Project, and TV writer/director veteran, Nick Braccia, on a journey through urban horror and suspense. Explore the world of Maynard Wills, PhD, professor of folklore and fan of the podcast, Video Palace. The podcast followed a man named Mark Cambria, who along with his girlfriend Tamra Wulff, investigated the origins of a series of esoteric white video tapes. Cambria went missing in pursuit of these tapes, but not before hearing whispers of an ominous figure called the Eyeless Man. Fascinated by the podcast and Cambria’s disappearance, Wills embarks on his own investigation into the origins of the tapes and the Eyeless Man, who he believes has lurked in the dark corners of media culture and urban legends for at least seventy-five years. As part of his study, he has invited popular writers of horror and gothic fiction to share their own Eyeless Man stories, whether heard around the campfire or experienced themselves. Get swept away in this thrilling and terrifying horror anthology—which can be read on its own or as a companion to the hit Shudder podcast, Video Palace. Short stories include: -“Deep Focus” by Bob DeRosa -“The Satanic Schoolgirls” by Meirav Devash and Eddie McNamara -“Doorways of the Soul” by Owl Goingback -“A Texas Teen Story” by Brea Grant -“Two Unexplained Disappearances in South Brisbane, Recalled by an Innocent Bystander” by Merrin J. McCormick -“Dreaming in Lilac on a Cool Evening” by Rebekah McKendry and David Ian McKendry -“Ecstatica” by Ben Rock -“The Inward Eye” by John Skipp -“The Real Sharon Lockenby” by Graham Skipper -“Ranger Ronin Presents…” by Gordon B. White
“A Middle Eastern heart-of-darkness tale that flows like a dream . . . Crackling with razor-sharp humor” (The New York Times). At the dawn of the twentieth century, a young Lebanese explorer leaves the Levant for the wilds of Africa, encountering an eccentric English colonel in Sudan and enlisting in his service. In this lush chronicle of far-flung adventure, the military recruit crosses paths with a compatriot who has dismantled a sumptuous palace in Tripoli and is transporting it across the continent on a camel caravan. The protagonist soon takes charge of this hoard of architectural fragments, ferrying the dismantled landmark through Sudan, Egypt, and the Arabian Peninsula, attempting to return to his native Beirut with this moveable real estate. Along the way, he will encounter skeptic sheikhs, suspicious tribal leaders, bountiful feasts, pilgrims bound for Mecca, and T. E. Lawrence in a tent—in this “utterly charming” novel that was a recipient of the Académie Française’s François Mauriac Prize (Library Journal). “Renders the complex social landscape of the Middle East and North Africa with subtlety and finesse . . . Yet one doesn’t need to care about the region’s history, or its present-day contexts, to enjoy Moving the Palace.” —The Wall Street Journal
A line was drawn in the sand. I made my choice. I picked her over him. But I begin to regret that choice, and when Raven wants to destroy the camp, I know I'll regret it even more.
“No,” he said. “Let me see you, Princess. You belong to me now.” Yes, I realized that was true. That was the bargain. It certainly felt different than mere words on a paper as I stood there before his penetrating gaze. When Princess Marie Rose was born, a faery witch laid a curse upon her: she would prick her finger on a spindle at the age of sixteen and fall into a long sleep. Her parents destroyed every spindle in the kingdom. Her sixteenth birthday has safely come and gone. But no one will marry the cursed princess…except one. An unusual offer comes from the handsome, reserved faery prince of the Palace of the Sun. There is no privacy in this palace. The life of the royal family is a carefully choreographed theater. Everyone has a role to play. Princess Rose is protected every moment—but the price of this protection is complete surrender. Now she is the corseted and gilded possession of Prince Augustus, subject to his every order and desire. No human has ever taken on this role before and her very appearance is a scandal. There is no such thing as a private moment, no matter what is asked of her, and the faery court is waiting for this lovely human girl to make a mistake. Why did Prince Augustus choose a cursed girl? The witch still follows her every move, and plans to use the princess to destroy the kingdom. But Rose has more power than she knows. First she’ll have to learn when to play the rules...and when to break them. This very steamy and sensual retelling of Sleeping Beauty is inspired by the life of Marie Antoinette. If you haven't read my other fairy tales or even if you have, let me warn you about this trilogy: It will include cliffhangers, menage, some themes of darker romance and power exchange, along with many decadent surprises, beautiful gardens and gowns. No one shall lose their heads in this revolution, but some will lose their hearts.
A sweeping yet intimate narrative about the last hundred years of turbulent European history, as seen through one of Mitteleuropa’s greatest houses—and the lives of its occupants When Norman Eisen moved into the US ambassador’s residence in Prague, returning to the land his mother had fled after the Holocaust, he was startled to discover swastikas hidden beneath the furniture in his new home. These symbols of Nazi Germany were remnants of the residence’s forgotten history, and evidence that we never live far from the past. From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europe’s, and The Last Palace chronicles the upheavals that transformed the continent over the past century. There was the optimistic Jewish financial baron, Otto Petschek, who built the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism—and did just that as US ambassador in 1989. Weaving in the life of Eisen’s own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the triumph of liberal democracy.