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When it opened in 1875, the Palace Hotel was the largest and most luxurious hotel in the world, a perfect symbol of one of the most remarkable eras in San Francisco history. Built at a time when Nevada's fabulously rich silver mines were pouring millions of dollars each month into San Francisco, it typified the color and grandiose extravagances of the whole bonanza period. After the original hotel was destroyed in the 1906 earthquake and fire, a successor Palace Hotel took its place and remains one of the most prestigious hotels in San Francisco today.
From the palace hotels of the elite to cheap lodging houses, residential hotels have been an element of American urban life for nearly two hundred years. Since 1870, however, they have been the target of an official war led by people whose concept of home does not include the hotel. Do these residences constitute an essential housing resource, or are they, as charged, a public nuisance? Living Downtown, the first comprehensive social and cultural history of life in American residential hotels, adds a much-needed historical perspective to this ongoing debate. Creatively combining evidence from biographies, buildings and urban neighborhoods, workplace records, and housing policies, Paul Groth provides a definitive analysis of life in four price-differentiated types of downtown residence. He demonstrates that these hotels have played a valuable socioeconomic role as home to both long-term residents and temporary laborers. Also, the convenience of hotels has made them the residence of choice for a surprising number of Americans, from hobo author Boxcar Bertha to Calvin Coolidge. Groth examines the social and cultural objections to hotel households and the increasing efforts to eliminate them, which have led to the seemingly irrational destruction of millions of such housing units since 1960. He argues convincingly that these efforts have been a leading contributor to urban homelessness. This highly original and timely work aims to expand the concept of the American home and to recast accepted notions about the relationships among urban life, architecture, and the public management of residential environments.
First book in the USA Today bestselling Victorian San Francisco Mystery series. It’s the summer of 1879, and Annie Fuller, a young San Francisco widow, is in trouble. Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also possesses a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered and that his assets have been stolen. Nate Dawson wrestles with a difficult decision. As the Voss family lawyer, he would love to prove that Matthew Voss didn't leave his grieving family destitute. But that would mean working with Annie Fuller, a woman who alternatively attracts and infuriates him as she shatters every notion he ever had of proper ladylike behavior. Sparks fly as Anne and Nate pursue the truth about the murder of Matthew Voss in this light-hearted, cozy historical mystery set in the foggy, gas-lit world of Victorian San Francisco. Maids of Misfortune is the first book in M. Louisa Locke’s USA Today bestselling Victorian San Francisco mystery series, followed by Uneasy Spirits, Bloody Lessons, Deadly Proof, Pilfered Promises, Scholarly Pursuits, and Lethal Remedies. Locke’s shorter works, collected in Victorian San Francisco Stories: Vols 1 and 2, and Victorian San Francisco Novellas, feature beloved minor characters from the series. There are also two boxed sets of the novels, Victorian San Francisco Mysteries: Books 1-4 and Victorian San Francisco Mysteries: Books 5-7.
Winner, 2012 Sally Hacker Prize, Society for the History of Technology Hotel Dreams is a deeply researched and entertaining account of how the hotel's material world of machines and marble integrated into and shaped the society it served. Molly W. Berger offers a compelling history of the American hotel and how it captured the public's imagination as it came to represent the complex—and often contentious—relationship among luxury, economic development, and the ideals of a democratic society. Berger profiles the country's most prestigious hotels, including Boston's 1829 Tremont, San Francisco's world-famous Palace, and Chicago's enormous Stevens. The fascinating stories behind their design, construction, and marketing reveal in rich detail how these buildings became cultural symbols that shaped the urban landscape.
With long-forgotten stories and evocative photographs, San Francisco's Lost Landmarks showcases the once-familiar sites that have faded into dim memories and hazy legends. Not just a list of places, facts, and dates, this pictorial history shows why San Francisco has been a legendary travel destination and one of the world's premier places to live and work for more than one hundred and fifty years. It not only tells of the lost landmarks, but also dishes up the flavour of what it was like to experience these past treasures.
In this sequel to Maids of Misfortune, it is the fall of 1879 and Annie Fuller, a young San Francisco widow, has a problem. Despite her growing financial success as the clairvoyant Madam Sibyl, Annie doesn’t believe in the astrology and palmistry her clients think are the basis for her advice. Kathleen Hennessey, Annie Fuller’s young Irish maid, has a plan. When her mistress is asked to expose a fraudulent trance medium, Arabella Frampton, Kathleen is determined to assist in the investigation, just like the Pinkerton detectives she has read about in the dime novels. Nate Dawson, up-and-coming San Francisco lawyer, has a dilemma. He wants to marry the unconventional Annie Fuller, but he doesn’t feel he can reveal his true feelings until he has a way to make enough money to support her. In this cozy historical mystery of romantic suspense, Annie delves into the intriguing world of 19th century spiritualism, encountering true believers and naïve dupes, clever frauds and unexplained supernatural phenomena. She will soon find there are as many secrets as there are spirits swirling around the Frampton séance table. Some of those secrets will threaten the foundation of her career as Madam Sibyl and the future of her relationship with Nate Dawson, and, in time, they will threaten her very life itself.
The history of this fabled site spans 150 years, beginning in
An unprecedented look at Frank Lloyd Wright's storied relationship with San Francisco and the Bay Area, highlighting local masterpieces as well as a remarkable body of unbuilt works
The Vicar was suffering-almost as much as he had suffered the night that Helen, his wife, had died-and because he was suffering he dressed his fine cameo-like face in its sunniest smile. That was his way-parts of his creed-of-daily-life, an intrinsic part of his self. A godly man, in the sweetest and strongest senses of that overused word, Philip Reynolds had a wholesome flair for the things of earth that both mellow human life and give it a tang. He liked his dinner, and he liked it good. He loved his roses, and he was vastly proud of his turnips. His modest cellar was admirably stocked. He enjoyed the logs that burned and glowed on his wide hearths. He was fond of his books-both inside and out. If he found a newly purchased book (he subscribed to no library) little worth reading, he discarded it. He gave it away, if he held it harmless; if he thought it a hurtful volume, he burned it. But his taste was broad, and his charity-to books as well as to people-was wide.
This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.