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"Palace and Hovel; Or, Phases of London Life" by Daniel Joseph Kirwan As an American, Kirwan had a unique take on London's life and atmosphere. In this book, he describes the juxtaposition between the opulence of some of the capital's neighborhoods and the hovels that can be found in others. The book even includes over 200 illustrations which help bring the city to life for readers around the world.
"A richly entertaining account of tragic theatre accidents and murders most foul. If theatre walls could talk, what secrets would they reveal? Chris Wood provides fascinating answers with tales of brawling ushers, murderously jealous husbands, stampeding crowds and infant tragedies. A meticulously researched and vivid collection of lives lost in the palaces of dreams. A must-read for all lovers of the theatre, providing shocks and gasps of horror when real life proves to be more dramatic than any play on stage." - Hugh Bonneville "Immaculately researched and beautifully macabre. This is a real treat for anyone who is either a fan of the theatre or of untimely deaths. I loved it!" - Peter James Britain’s theatrical wonderland has been a cornerstone of culture for centuries, delighting and thrilling audiences with an assemblage of exhilarating spectacles. Beyond the trodden boards, and tucked neatly behind the curtain however, lies a catalogue of real life destruction and grisly murder that our greatest tragedians would surely be proud to have presided over. Tread the bloodied boards of Britain’s theaters and witness the deathly dramas that have played out so dramatically within them. Death in the Theatre collects an astonishing selection of startling tragedies from Britain’s throng of theaters. There is something especially staggering when the player exits life on their adorned stage, and yet, with this by no means an infrequent occurrence, death has made many a fearful cameo appearance – stalking the stalls and grimly reaping the galleries in its macabre and relentless fashion. In 1910 a strange midnight tragedy was enacted in a London theater, where the brutal murder of an elderly stage carpenter prompted huge excitement among the theater-going world and indeed wider public. How did a children’s magic show descend into such unspeakable horror that would leave 183 youngsters dead in a Sunderland theater, their tiny bodies brutally laid out in the dress circle for the bleakest of identity parades? Learn of outrageous tragedy such as the young man mauled to death by a lion in a Gloucester theater, and the unfortunate victim killed in the Dumfries Theatre Royal – quite literally – by the limelight.
Almost all of us have a tradesman or craftsman Ð a butcher, baker or candlestick maker Ð somewhere in our ancestry, and Adle Emm's handbook is the perfect guide to finding out about them Ð about their lives, their work and the world they lived in. She introduces the many trades and crafts, looks at their practices and long traditions, and identifies and explains the many sources you can go to in order to discover more about them and their families. ?Chapters cover the guilds, the merchants, shopkeepers, builders, smiths and metalworkers, cordwainers and shoemakers, tailors and dressmakers, coopers, wheelwrights and carriage-makers, and a long list of other trades and crafts. The training and apprenticeships of individuals who worked in these trades and crafts are described, as are their skills and working conditions and the genealogical resources that preserve their history and give an insight into their lives. A chapter covers the general sources that researchers can turn to Ð the National Archives, the census, newspapers, wills, and websites Ð and gives advice on how to use them. ?Adle Emm's introduction will be fascinating reading for anyone who is researching the social or family history of trades and crafts.
The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how "green media archaeology" can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism. Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history.
Jerry White's London in the Nineteenth Century is the richest and most absorbing account of the city's greatest century by its leading expert. London in the nineteenth century was the greatest city mankind had ever seen. Its growth was stupendous. Its wealth was dazzling. Its horrors shocked the world. This was the London of Blake, Thackeray and Mayhew, of Nash, Faraday and Disraeli. Most of all it was the London of Dickens. As William Blake put it, London was 'a Human awful wonder of God'. In Jerry White's dazzling history we witness the city's unparalleled metamorphosis over the course of the century through the daily lives of its inhabitants. We see how Londoners worked, played, and adapted to the demands of the metropolis during this century of dizzying change. The result is a panorama teeming with life.
Victorian City is a study of the social and intellectual attitudes of Victorian society to the challenge of urbanization.
How did the West End of London become the world's leading pleasure district? What is the source of its magnetic appeal? How did the centre of London become Theatreland? London's West End, 1800-1914 is the first ever history of the area which has enthralled millions. The reader will discover the growth of theatres, opera houses, galleries, restaurants, department stores, casinos, exhibition centres, night clubs, street life, and the sex industry. The area from the Strand to Oxford Street came to stand for sensation and vulgarity but also the promotion of high culture. The West End produced shows and fashions whose impact rippled outwards around the globe. During the nineteenth century, an area that serviced the needs of the aristocracy was opened up to a wider public whilst retaining the imprint of luxury and prestige. Rohan McWilliam tells the story of the great artists, actors and entrepreneurs who made the West End: figures such as Gilbert and Sullivan, the playwright Dion Boucicault, the music hall artiste Jenny Hill, and the American Harry Gordon Selfridge who wanted to create the best shop in the world. At the same time, McWilliam explores the distinctive spaces created in the West End, from the glamour of Drury Lane and Covent Garden, through to low life bars and taverns. We encounter the origins of the modern star system and celebrity culture. London's West End, 1800-1914 moves from the creation of Regent Street to the glory days of the Edwardian period when the West End was the heart of empire and the entertainment industry. Much of modern culture and consumer society was shaped by a relatively small area in the middle of London. This pioneering study establishes why that was.
A wonderful A–Z of the fascinating world of Victorian London, full of amazing facts and curious humour.