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"Explores the 17th-century consolidation of Japanese painting style by the Kano artistic house, based on knowledge brought back from China by the monk-painter Sessh'u and intertwined with native Japanese practices. Presents key factors in establishing the orthodoxy of the Kano painters and their role in defining Japanese painting."--Publisher's description.
Explore the enchanting realm of faerie with this visual guide to drawing and paint-ing fantastical worlds, featuring step-by-step instructions. The realm of faerie is ancient and infinite, limited only by imagination and peoples by beings as mysterious and beautiful as the mind can conjure. Here, renowned artist Ed Org envelops you into the supernatural world with a wealth of magical imagery, displaying intricately detailed line and colour work and subtle shading techniques that are made accessible and achievable for artists of all ages and abilities. Celebrating the limitless nature of legend and folklore, fairytale and myth, Ed’s stunning portfo-lio will inspire you to embrace the farthest reaches of your imagination to create your own faerie artwork.
The exhibition is organized by the National Gallery of Art, The Imperial Household Agency, and Nikkei, Inc., in association with the Embassy of Japan.
Russianpainter Olga Suvorova is internationally known for her brilliantreinterpretations of English Pre-Rafaelite art, described by criticViktoriya Syslova as "amazingly modern in their exquisitetheatricality." Both exuberant and philosophical in mood, her richlydetailed worlds depict people who are somehow familiar to us, even intheir extravagant costumes.In this first-person account, accompanied by over 150 images of hercolorful paintings, Suvorova describes her background, earlyinfluences, and career spanning from the 1970s to today. Mysteriouscats, faithful dogs, ravishing birds, and beautiful flowers playsupporting roles in her paintings. Arevel of life, light, and energy, Suvorova's regal, Renaissance-styleart is universally loved because it offers a fresh take on a genre thatstill has wide popular appeal.
Create your own fantasy art with this comprehensive guidebook by the lead conceptual designer on The Lord of the RingsTM and The HobbitTM trilogies. Discover the creative processes and intriguing inspirations behind the work of John Howe – lead conceptual designer on The Lord of the RingsTM and The HobbitTM movie trilogies. Through step-by-step drawings and finished paintings, Howe reveals his artistic approach in action: from developing characters to creating atmospheric landscapes, extraordinary architecture and fantasy beasts. In this practical guide, Howe shares tips on everything from building a portfolio to book illustration, graphic novels and designing for the big screen. Develop your own personal style of fantasy art with help from the best in the business with this must-have book. Features a foreword by groundbreaking film director Terry Gilliam, and an afterword by Alan Lee, John’s partner on the conceptual design for The Lord of the RingsTM movie trilogy and Oscar-winning illustrator.
Over a millennium ago, Erna, a seismically active yet beautiful world was settled by colonists from far-distant Earth. But the seemingly habitable planet was fraught with perils no one could have foretold. The colonists found themselves caught in a desperate battle for survival against the fae, a terrifying natural force with the power to prey upon the human mind itself, drawing forth a person's worst nightmare images or most treasured dreams and indiscriminately giving them life. Twelve centuries after fate first stranded the colonists on Erna, mankind has achieved an uneasy stalemate, and human sorcerers manipulate the fae for their own profit, little realizing that demonic forces which feed upon such efforts are rapidly gaining in strength. Now, as the hordes of the dark fae multiply, four people—Priest, Adept, Apprentice, and Sorcerer—are about to be drawn inexorably together for a mission which will force them to confront an evil beyond their imagining, in a conflict which will put not only their own lives but the very fate of humankind in jeopardy.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
In 2008, the Musée des Beaux-Arts de Lyon acquired a painting called The Flight into Egypt which was attributed to the French artist Nicolas Poussin. Thought to have been painted in 1657, the painting had gone missing for more than three centuries. Several versions were rediscovered in the 1980s and one was passed from hand to hand, from a family who had no idea of its value to gallery owners and eventually to the museum. A painting that had been sold as a decorative object in 1986 for around 12,000 euros was acquired two decades later by the Musée des Beaux-Arts de Lyon for 17 million euros. What does this remarkable story tell us about the nature of art and the way that it is valued? How is it that what seemed to be just an ordinary canvas could be transformed into a masterpiece, that a decorative object could become a national treasure? This is a story permeated by social magic the social alchemy that transforms lead into gold, the ordinary into the extraordinary, the profane into the sacred. Focusing on this extraordinary case, Bernard Lahire lays bare the beliefs and social processes that underpin the creation of a masterpiece. Like a detective piecing together the clues in an unsolved mystery he carefully reconstructs the steps that led from the same material object being treated as a copy of insignificant value to being endowed with the status of a highly-prized painting commanding a record-breaking price. He thereby shows that a painting is never just a painting, and is always more than a piece of stretched canvass to which brush strokes of paint have been applied: this object, and the value we attach to it, is also the product of a complex array of social processes – with its distinctive institutions and experts – that lies behind it. And through the history of this painting, Lahire uncovers some of the fundamental structures of our social world. For the social magic that can transform a painting from a simple copy into a masterpiece is similar to the social magic that is present throughout our societies, in economics and politics as much as art and religion, a magic that results from the spell cast by power on those who tacitly recognize its authority. By following the trail of a single work of art, Lahire interrogates the foundations on which our perceptions of value and our belief in institutions rest and exposes the forms of domination which lie hidden behind our admiration of works of art.