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This is the story of Samir Sharma, as told by Sasha. In ‘Painter Kahani’, Sasha traces Samir’s journey in the realm of his painting activity. Sasha discovered that Samir has his works preserved in the original since 1956 when he was only 11 years old. Some of the childhood works of Samir bear the remarks and signatures of his school teachers. In some cases, the colour of the sheets of paper has faded, while some others have torn corners. Some have the sheets and the paint cracking with time. All this adds to the authenticity of the period when those works were done by Samir, and the writer finds this aspect unique and interesting while tracing an Artist-Painter’s development in this field. Being the observer-consciousness in Samir Sharma, Sasha has written this book based on knowing Samir well. Further, Sasha has all of Samir's works in the original to see. For the particulars, details, vocabulary, terminology used in Art, Painting and Visual Arts, Sasha relies on the matter related by the Artist-Painter himself. This book is profusely illustrated with images of Samir's paintings. They have been placed in chronological sequence and the story woven accordingly. This way the Author believes that the development of the Artist-Painter Samir is clearly brought out and would be discernable to the reader.
Meet the boy who can't stop creating art! He loves colours, shapes, textures and EVERYTHING inspires him: his socks, the contents of the fridge, even his cat gets a new coat (of paint!). But there's just one problem: his mum isn't quite so enthusiastic. In fact, she seems a little cross! But this boy has a plan to make his mum smile. He's about to create his finest piece yet and on a very grand scale . . . Funny, irreverent and perfect for creative children and adults, I Am An Artist by Marta Altés is a sharp, silly, fabulous book which shows that art is EVERYWHERE!
On a school field trip to the famous Lascaux Cave in southern France, a young girl encounters a primitive man who had created the remarkable paintings on the cave's walls. Includes a section with information on early homo sapiens.
The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.
Hvordan går det når Vinay og Veena skal hjelpe til å male porten? Et fargerikt kaos!
What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision.