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Table of Contents
For a century, Theodore Dreiser has represented for many readers a rebellious modernism whose novels both critiqued the American dream and embodied a bleakly deterministic perception of life. His first novel, Sister Carrie (1900), was reluctantly published and then ignored by its publisher, who thought the book immoral. Another publisher withdrew his fifth novel, The Genius (1915), rather than face prosecution on obscenity charges. Dreiser did not enjoy widespread popularity and critical acclaim until his masterpiece, An American Tragedy, appeared in 1925. This reference is an authoritative guide to his life and works. Included are several hundred entries on each of Dreiser's books and short stories, as well as magazine and newspaper pieces he collected during his life. Noteworthy uncollected and posthumously collected works are given separate entries, as are major characters in the novels, family members, friends, and other persons important to understanding his writings. There are also entries on Dreiser's publishers, his major influences, the places and events important to his life, and the literary and social contexts of his works. Expert contributors wrote each of the entries, many of which cite works for further reading. The volume closes with a selected bibliography of works by and about Dreiser.
The specially commissioned essays collected in this volume establish new parameters for both scholarly and classroom discussion of Dreiser. This Companion provides fresh perspectives on the frequently read classics, Sister Carrie and An American Tragedy, as well as on topics of perennial interest, such as Dreiser's representation of the city and his prose style. The volume investigates topics such as his representation of masculinity and femininity, and his treatment of ethnicity. It is the most comprehensive introduction to Dreiser's work available.
Hardly shy about himself or his work, Theodore Dreiser knew the value of publicity. Over four decades he often consented to interviews, answering questions about his fiction, his politics, and even previous interviews. Throughout his life Dreiser raised a storm of protest with his realistic novels, blistered public figures and other authors with untempered criticism, scorned pieties masking brutality in law and economics, and expressed a few contradictions of his own. This volume collects for the first time more than seventy interviews. As a group, they show Dreiser dealing with an array of literary and social issues, as well as his lifelong incapacity to mince words. Dreiser is revealed in these interviews as a public figure of epic proportions.
Dreiser's captivating portraits of turn-of-the-century America's famous figures In this volume, liberally seasoned with period illustrations, Yoshinobu Hakutani has collected and annotated a rich selection of Theodore Dreiser's pre-fame writings on the cultural milieu of his day. In these brief essays, Dreiser sallies into the vibrant world of creative work in turn-of-the-century America. He inspects the eccentric and revealing paraphernalia of artists' studios, probes the work habits of writers, and goes behind the scenes in the popular song-writing business, where this week's celebrity is next week's has-been. He profiles famous figures and introduces numerous women artists, novelists, and musicians, including the prolific and tireless Amelia Barr (mother of fourteen children and author of thirty-two novels), the illustrator Alice B. Stephens, and the opera singer Lillian Nordica. Hakutani's notes provide biographical detail on dozens of now-obscure individuals mentioned by Dreiser.
"Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars - through the roaring twenties, the stock market crash, and the Depression - and describes his contact with important figures, from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots to Hawthorne, Emerson, Thoreau, and especially Whitman, Loving adds a dimension to the writer's thought that has not been fully explored, and reshapes our understanding of his tremendous contribution to American literature in what will surely become the standard biography of one of America's best novelists."--BOOK JACKET.
Literary texts are artifacts of their time and ideologies. This book collection explores the working class in American literature from the colonial to the contemporary period through a critical lens which addresses the real problems of approaching class through economics. Significantly, this book moves the analysis of working-class literature away from the Marxist focus on the relationship between class and the means of production and applies an innovative concept of class based on the sociological studies of humans and society first championed by Max Weber. Of primary concern is the construction of class separation through the concept of in-grouping/out grouping. This book builds upon the theories established in John F. Lavelle's Blue Collar, Theoretically: A Post-Marxist Approach to Working Class Literature (McFarland, 2011) and puts them into practice by examining a diverse set of texts that reveal the complexity of class relations in American society.
Theodore Dreiser staked his reputation on fearless expression in his fiction, but he never was more outspoken than when writing about American politics, which he did prolifically. Although he is remembered primarily as a novelist, the majority of his twenty-seven books were nonfiction treatises. To Dreiser, everything was political. His sense for the hype and hypocrisies of politics took shape in reasoned but emphatic ruminations in his fiction and nonfiction on the hopes and disappointments of democracy, the temptations of nationalism and communism, the threat and trumpets of war, and the role of writers in resisting and advancing political ideas. Spanning a period of American history from the Progressive Era to the advent of the Cold War, this generous volume collects Dreiser's most important political writings from his journalism, broadsides, speeches, private papers, and long out-of-print nonfiction books. Touching on the Great Depression, the New Deal, and both World Wars as well as Soviet Russia and the persecution of Jews in Nazi Germany, these writings exemplify Dreiser's candor and his penchant for championing the defenseless and railing against corruption. Positing Dreiser as an essential public intellectual who addressed the most important issues of the first half of the twentieth century, these writings also navigate historical terrain with prescient observations on topics such as religion, civil rights, national responsibility, individual ethics, global relations, and censorship that remain particularly relevant to a contemporary audience. Editor Jude Davies provides historical commentaries that frame these selections in the context of his other writings, particularly his novels.
This edition of Dreiser's work consists of thirty-four uncollected magazine articles published between 1897 and 1902. In this period, before wrting 'Sister Carrie', Dreiser contributed 111 freelance articles to various popular magazines, such as 'Success', 'Truth', 'Metropolitan', 'Cosmopolitan', 'Ainslee's', 'Demorest's', 'Munseys', 'Puritan', 'New Voice', 'Great Round World', 'Harper's Weekly', and 'New York Times Illustrated Magazine'. A great majority of these magazine articles have been collected in two previous editions;, including 'Selected Magazine Articles of Theodore Dreiser: Life and Art in the American 1890s', published y Fairleigh Dickinson University Press. Yoshinobu Hakutani is Distinguished Professor of English at Kent State University.