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Introduction and commentary designed for advanced students, showing the text's importance for understanding Roman imperial culture.
Includes Latin text of Silvae book II.
The five books of the Silvae bring together the occasional verses which Statius wrote in addition to his two epics. In these short descriptive poems Statius elaborates features taken from various genres into an original whole, in which description and eulogy play important roles. The main themes of the poems of his second book are consolation after bereavement and the contrast between nature and culture. The present work contains a general introduction, a text of Silvae II, a bibliography, and an index, together with a verse-by-verse commentary on the poems of this second book. This is the first commentary on a book of the Silvae since Vollmer's commentary on the whole of the Silvae of 1898. Emphasis is here placed on interpretation and moreover chiefly on the literary and stylistic aspects of the poems, which, compared with the epic poetry of Statius and his contemporaries, have hitherto received relatively little attention.
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
This study focuses on ways in which Statius' epic Thebaid, a poem about the civil war between Oedipus' sons Eteocles and Polynices, reflects the theme of internal discord in its narrative strategies. At the same time that Statius reworks the Homeric and Virgilian epic traditions, he engages with Hellenistic poetic ideals as exemplified by Callimachus and the Roman Callimachean poets, especially Ovid. The result is a tension between the impulse towards the generic expectations of warfare and the desire for delay and postponement of such conflict. Ultimately, Statius adheres to the mythic paradigm of the mutual fratricide, but he continues to employ competing strategies that call attention to the fictive nature of any project of closure and conciliation. In the process, the poem offers a new mode of epic closure that emphasises individual means of resolution.
Henriksén offers the first extensive commentary on Book 9 of the Epigrams of M. Valerius Martialis. The book consists of an introduction discussing the date, characteristics, structure, and themes of Book 9, followed by a detailed commentary on each of the 105 poems, which places them in their literary, social, and historical context.
This book examines the textual representations of emotions, fear in particular, through the lens of Stoic thought and their impact on depictions of power, gender, and agency. It first draws attention to the role and significance of fear, and cognate emotions, in the tyrant's psyche, and then goes on to explore how these emotions, in turn, shape the wider narratives. The focus is on the lengthy epics of Valerius Flaccus' Argonautica, Statius' Thebaid, and Silius Italicus' Punica. All three poems are obsessed with men in power with no power over themselves, a marked concern that carries a strong Senecan fingerprint. Seneca's influence on post-Neronian epic can be felt beyond his plays. His Epistles and other prose works prove particularly illuminating for each of the poet's gendered treatment of the relationship between power and emotion. By adopting a Roman Stoic perspective, both philosophical and cultural, this study brings together a cluster of major ideas to draw meaningful connections and unlock new readings.