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The Heroides, or Letters of Heroines, is a collection of twenty-one fictional letters composed by the famous Augustan poet Ovid (43 BC-AD 17/18). It is a widely read work of elegiac poetry which is of special interest to students of gender literature. The poems, which take the form of fifteen letters from heroines to their absent lovers and three pairs of letters to a lover with a reply, have frequently been edited and translated into English in both prose and verse. The present volume offers a databank for the final six poems in the collection, the three pairs of letters from and to a hero and a heroine. The material here presented is essential for understanding the way in which the text has been established. It is arranged in the form of an enlarged critical apparatus so that the reader will have no difficulty in finding information relevant to an enquiry.
The Heroides, or Letters of Heroines, is a collection of twenty-one fictional letters composed by the famous Augustan poet Ovid (43 BC-AD 17/18). It is a widely read work of elegiac poetry which is of special interest to students of gender literature. The poems, which take the form of fifteen letters from heroines to their absent lovers and three pairs of letters to a lover with a reply, have frequently been edited and translated into English in both prose and verse. In this volume is a comprehensive collection of information for the ninth to the fifteenth poems. It comprises all the readings of all the medieval and many of the renaissance manuscripts that contain the poems. Such a collection of information is unique. It is vital for understanding the rationale of the procedures by which the text has been established.
The Heroides, or Letters of Heroines, is a collection of twenty-one fictional letters composed by the famous Augustan poet Ovid (43 BC-AD 17/18). It is a widely read work of elegiac poetry which is of special interest to students of gender literature. The poems, which take the form of fifteen letters from heroines to their absent lovers and three pairs of letters to a lover with a reply, have frequently been edited and translated into English in both prose and verse. This volume presents a radically new text and translation of the whole collection. The text separates what we regard as the original core of the poem from what we take to be additional accretions to it. The translation is designed to facilitate an understanding of the original as an aid to interpretation. All students of Latin poetry are included in the intended readership.
The Heroides, or Letters of Heroines, is a collection of twenty-one fictional letters composed by the famous Augustan poet Ovid (43 BC-AD 17/18). It is a widely read work of elegiac poetry which is of special interest to students of gender literature. The poems, which take the form of fifteen letters from heroines to their absent lovers and three pairs of letters to a lover with a reply, have frequently been edited and translated into English in both prose and verse. This volume offers a comprehensive collection of medieval and renaissance readings and modern conjectures for the first eight poems. Such a databank has never even been attempted, let alone accomplished, before now. It is intended to supply the reader with all the information necessary for understanding how the text of the poems has been established.
The Cambridge History of Classical Literature provides a comprehensive, critical survey of the literature of Greece and Rome from Homer till the Fall of Rome. This is the only modern work of this scope; it embodies the very considerable advances made by recent classical scholarship, and reflects too the increasing sophistication and vigour of critical work on ancient literature. The literature is presented throughout in the context of the culture and the social and hisotircal processes of which it is an integral part. The overall aim is to offer an authoritative work of reference and appraisal for one of the world's greatest continuous literary traditions. The work is divided into two volumes, each with a similar and broadly chronological structure. Among the special features are important introductory chapters by the General Editors on 'Books and Readers', discussing the conditions under which literature was written and read in antiquity. There are also extensive Appendices or Authors and Works giving detailed factual information in a convenient form. Technical annotation is otherwise kept to a minimum, and all quotations in foreign languages are translated.
Once nearly as ubiquitous as dictionaries and cookbooks are today, letter-writing manuals and their predecessors served to instruct individuals not only on the art of letter composition but also, in effect, on personal conduct. Poster and Mitchell contend that the study of letter-writing theory, which bridges rhetorical theory and grammatical studies, represents an emerging discipline in need of definition. In this volume, they gather the contributions of eleven experts to sketch the contours of epistolary theory and collect the historic and bibliographic materials - from Isocrates to email - that form the basis for its study.
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
In the Heroides, the Roman poet Ovid wittily plucks fifteen abandoned heroines from ancient myth and literature and creates the fiction that each woman writes a letter to the hero who left her behind. But in giving voice to these heroines, is Ovid writing like a woman, or writing "Woman" like a man? Using feminist and psychoanalytic approaches to examine the "female voice" in the Heroides, Sara H. Lindheim closely reads these fictive letters in which the women seemingly tell their own stories. She points out that in Ovid’s verse epistles all the women represent themselves in a strikingly similar and disjointed fashion. Lindheim turns to Lacanian theory of desire to explain these curious and hauntingly repetitive representations of the heroines in the "female voice." Lindheim’s approach illuminates what these poems reveal about both masculine and feminine constructions of the feminine
The first complete commentary in English on Ovid's Metamorphoses, covering textual interpretation, poetics, imagination, and ideology.