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Excerpt from Oxford Mountaineering Essays Oxford, they tell us, is the home of movements; Cambridge the home of men. Certainly the miniature movement that took shape in this little book was inspired by a Cambridge man. It was at an Oxford tea-party, where the talk had been unashamedly of mountains and their metaphysic, that Mr. G. Winthrop Young gave the first impulse to the scheme that ultimately produced this collection of essays. To Mr. Young the editor and contributors have been indebted for constant help and advice. He has heartened the despondent, and has inked cold daylight into more than one 'sunset' passage. At Oxford there are a number of Alpine clubs. The oldest and most sedate meets once a year in New College Hall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Oxford Mountaineering Essays' collection brings together a unique amalgamation of perspectives on the nuanced theme of mountaineering, highlighting its physical challenges, emotional exhilarations, and the deep connections formed with nature. This anthology stands out for its rich diversity in literary stylesfrom reflective essays to nuanced narrativesall of which are underpinned by a shared reverence for the majesty of mountains. The significance of this collection is underscored by its ability to transcend mere adventure, offering meditations on solitude, perseverance, and the human spirit's resilience. Notably, the works within this volume collectively navigate the vast terrains of human experience against the backdrop of mountaineering, making it a paramount compilation in adventure and nature writing. The contributing authors and editors, Michael T. H. Sadler, Julian S. Huxley, Norman Egerton Young, among others, bring an extraordinary breadth of expertise, passions, and perspectives to the anthology. Their backgroundsranging from academics, naturalists to seasoned mountaineersreflect a fusion of interests that significantly enrich the anthology's thematic depth. The collection harmonizes with significant historical and cultural movements, illustrating mountaineering not only as a physical pursuit but also as a metaphorical journey embodying the era's intellectual and existential curiosities. This collaborative effort showcases how these different voices and their unique accounts of engagement with the mountains contribute to a richer, more nuanced exploration of the theme. 'Oxford Mountaineering Essays' is an indispensable read for anyone intrigued by the intersection of adventure, nature, and the introspective quest. The anthology offers readers a unique opportunity to explore a multiplicity of perspectives, styles, and interpretations of mountaineering, encouraging a broader understanding of its implications and inspirations. Through its educational value and the dialogues it fosters among the different authors' works, this collection promises to be a beacon for scholars, adventure enthusiasts, and nature lovers alike, inviting them to scale new intellectual heights.
In the late Renaissance and early modern period, man's relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and early modern period.