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This book narrates the extraordinary growth in the study of Arabic in England from the late sixteenth century, when it was almost non-existent, to the end of the seventeenth. By its high point around 1666, England was preeminent among European countries in the study of Arabic. Permanent chairs of Arabic had been established at Oxford and Cambridge, and specialized presses in Oxford and London had produced important Arabic works. In this masterly and original study, Professor Toomer gives the first detailed account of this process, set against the religious and political background in England and in Europe. He shows how trade with the Ottoman Empire and mistrust of Islam influenced the study of Arabic. Finally, he traces the course and causes of the drastic decline in Arabic studies towards the end of the century.
Arabs and Arabists contains nineteen selected articles by Alastair Hamilton on the Western acquisition of knowledge of the Arab and Ottoman world in the early modern period. The first essays are on Arabs who visited Europe and gave instruction to Western Arabists, and on Europeans who either visited the Arab (or the Ottoman) world in search of manuscripts and information or who, like Franciscus Raphelengius, Isaac Casaubon and Adriaen Reland, studied it at a distance and remained in the West. These are followed by a section on the actual study of the Arabic language in Europe, and above all the creation of the first Arabic-Latin dictionaries, and another on the European study of Islam and Western translations of the Qur’an.
Helps scholars and students form an understanding of the contribution made by the coffee-house to British and even American history and culture. This book attempts to make an intervention in debates about the nature of the public sphere and the culture of politeness. It is intended for historians and scholars of literature, science, and medicine.
This book offers the first in-depth study of the origins of the Baptist Church in Oxford in the seventeenth century; it charts the people, the places, and the events that helped forge the Baptists into a dissenting congregation over a fifty-year period (1641-1691). It chronicles the rise of Baptist conventiclers during the early days of the Civil War, when Parliamentarians clashed with Royalist interests in the city of Oxford. It proceeds to discuss the significance of the Dissenters during the years of the Commonwealth and Protectorate, and the struggle they faced during the Restoration period as a resurgent Church of England sought to stamp its authority on all such seditious sectaryes. The story is told of a committed group of religious Dissenters, made up mainly of local townspeople who were fully integrated into the civic life of Oxford, seeking to make their vision of God's kingdom a reality in the world in which they lived. An influential tanner, a dedicated glover, a disaffected and outcast soldier, a well-connected cider-maker, and a controversial haberdasher who went on to become Mayor of Oxford all make their appearance here. Although the study is essentially biographical in nature, it drives the reader back inexorably to primary source materials, many of them identified and discussed here for the first time.
Examines the violence, destruction, and suppression that have hounded books throughout their history and the fears that lead to such treachery. This book identifies three deeply seated fears: fear of insurrection, fear of blasphemy, and fear of pornography.
Volume 35
Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.