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The conscious experience of the bodily self is a cornerstone of human nature, which allows us to delineate the boundaries between the surrounding environment and us. A plethora of clinical and experimental investigations has clearly demonstrated that bodily self-consciousness draws on different neuro-cognitive mechanisms with distinct anatomo-functional underpinnings. Among these, the sense of body ownership (i.e., my body belongs to me), and the sense of agency (i.e., I am the author of my actions) have attracted increasing interest in recent years. The former seems to be strongly rooted in afferent sensory signals, whereas the latter appears to be rooted in efferent motor signals and/or the monitoring of their sensory consequences. Despite the consensus that the interplay between body ownership and the sense of agency contribute to the omnipresent conscious experience of the bodily self, the character and the form of this relationship remain unclear. Though research into the mechanisms underlying ownership (e.g., bodily illusions) or on agency (e.g., intentional binding) is blooming, very few studies have aimed to investigate both these processes at the same time. Therefore, many questions remain unresolved: for example, how do the experiences of ownership and agency influence each other? What are the anatomo-functional substrates of their interplay, and how does damage to these structures affect the experience of either ownership or agency (or both) in clinical populations? What is the specific role of efferent and afferent signals, and how may these be complimented by other inputs like emotional or interoceptive cues? And going beyond the mechanisms and anatomo-functional substrates, are there rational relations between the representations underlying body ownership and agency so that ownership can be a seen as a condition on intentional action and a sense of agency? Elucidating the complex relationship between ownership and agency is a crucial step in our understanding of bodily self-consciousness, and may help us to better understand the variety of neurological/psychiatric disorders affecting the perception of one’s own body and its movements. These insights can contribute to the development of future prosthetic devices or virtual-reality applications, which may in turn allow for new approaches in neuroscience, rehabilitative medicine, and therapeutic interventions.
Praise for the first volume: `It is very valuable to have [this collection of articles] all together in one place...a rich repository of insights and experiences for all the somatic disciplines. It is a wonderful collection of articles.' - Somatics 1999/2000 This second volume on Authentic Movement - a new discipline aiding the creative process in choreography, writing, theatre performance, dance, graphic and expressive arts, as well as spirituality - is an engaging and dynamic collection of scholarly essays, personal stories, practical suggestions and resources. It reflects cutting edge work on creative expression, meditative discipline and psychotherapeutic endeavour. Part I comprises five chapters written by the most prominent Authentic Movement practitioners and teachers and introducing the foundations and principles of Authentic Movement. In Part II, the contributors return to the source of Authentic Movement - the psychotherapeutic setting - and provide an in-depth examination of the personal processes in the therapeutic relationship and the potential of Authentic Movement to facilitate personal growth and change. Part III traces the development of Authentic Movement as a spiritual path and as interface with other spiritual practices. Part IV provides an overview of new developments in Authentic Movement, Part V offers inspiring personal accounts and Part VI provides guidelines drawn from practice as well as tools and resources. These latter chapters sow the seeds for a new understanding and directions for the developments of Authentic Movement. This authoritative text is indispensable for practitioners of Authentic Movement, students and teachers working in the field of dance therapy, art therapists, all creative arts therapists and body psychoanalysts.
This comprehensive guide introduces Body-Mind Centering, the internationally recognized field pioneered by dancer and occupational therapist Bonnie Bainbridge Cohen. Devoting thirty-five years to a systematic investigation of the relations between bodily experience and the anatomical maps of science, Bainbridge Cohen independently discovered many of the principles that underlie Feldenkrais work, cranial osteopathy, Rolfing, dance therapy, and Zero Balancing. Experienced BMC practitioner Linda Hartley demonstrates the basic philosophy and key elements of Body-Mind Centering. Drawing on animal and infant movements, she takes readers through the wondrous realms of Bainbridge Cohen’s pantheon—from the 'minds' of the skeletal and muscular systems to the quite different inner lives of digestive, lymphatic, urinary, respiratory, vocal, circulatory, endocrine, and reproductive organs. Her choreography ultimately brings us into the states of consciousness of skins, cells, blood, fat, cerebrospinal fluid, nervous system, and brain. Hartley’s explorations of the images, feelings, sensations, and intuitions of the diverse organs and cells lead to exercises that gently guide students in ways of discovering and integrating their bodies’ multidimensional aspects.
In this wide-ranging and penetrative study, Stephen Priest uses clear and direct language to explain the thoughts and ensuing importance of one of the greatest contemporary thinkers.
This book discusses consciousness from the perspectives of neuroscience, neuropsychiatry and philosophy. It develops a novel approach in consciousness studies by charting the pathways in which the brain challenges the self and the self challenges the brain. The author argues that the central issue in brain studies is to explain the unity, continuity, and adherence of experience, whether it is sensory or mental awareness, phenomenal- or self-consciousness. To address such a unity is to understand mutual challenges that the brain and the self pose for each other. The fascinating discussions that this book presents are: How do the brain and self create the conspiracy of experience where the physicality of the brain is lost in the subjectivity of the self?
Does death end life, or is it the passage from one stage of life to another? In The Death of Death, noted theologian Neil Gillman offers readers an original and compelling argument that Judaism, a religion often thought to pay little attention to the afterlife, not only presents us with rich ideas on this subject—but delivers a deathblow to death itself. Combining astute scholarship with keen historical, theological and liturgical insights, Gillman outlines the evolution of Jewish thought about bodily resurrection and spiritual immortality. Beginning with the near-silence of the Bible on the afterlife, he traces the development of these two doctrines through Jewish history. He also describes why today, somewhat surprisingly, more contemporary Jewish scholars—including Gillman—have unabashedly reaffirmed the notion of bodily resurrection. In this innovative and personal synthesis, Gillman creates a strikingly modern statement on resurrection and immortality. The Death of Death gives new and fascinating life to an ancient debate. This new work is an intellectual and spiritual milestone for all of us interested in the meaning of life, as well as the meaning of death.
Exploring the Philosophy of Religion, 7th Edition, combines the best features of a text and a reader by offering clear analysis coupled with important primary-source readings. Professor David Stewart called upon his 30-plus years of teaching experience to introduce students to the important study of philosophical issues raised by religion. Beginning students often find primary sources alone too difficult so this text offers primary source materials by a variety of significant philosophers including a balanced blend of classical and contemporary authors but the materials are supported by clearly written introductions, which better prepare students to understand the readings.
A fun and highly accessible guide to transforming your mental and physical wellbeing through joyful movement from TV personality and celebrity dancer Dianne Buswell. In this enriching 21-day programme, Dianne Buswell shows you how to make joyful movement a habit. Forget gruelling exercise regimes or punishing diets – Dianne’s unique approach nourishes your body and mind using her four pillars of health: rest, movement, nutrition and positivity. Move Yourself Happy offers step-by-step explanations of core moves from yoga, Pilates and dance, including jive, tap and ballet. It also contains Dianne’s favourite recipes, like her delicious homemade chocolate granola or spinach gnocchi, as well as inspiring weekly mantras and journaling prompts, fun daily movement routines and mood-boosting lifestyle hacks, such as having a 5-minute kitchen disco and creating your own self-care sanctuary in your home. This book will transform your relationship with movement and help you feel happier, every day
Our own body seems to be the object that we know the best for we constantly receive a flow of internal information about it. Yet bodily awareness has attracted little attention in the literature. Mind the Body is the first comprehensive treatment of bodily awareness. Frédérique de Vignemont seeks to answer questions such as: how do I perceive my body? How do I perceive other people's bodies? Can I really feel your pain? What makes me feel this specific body is my own? Why do I care about it? To what extent can I feel an avatar's body as my own? To answer these questions, we need a better understanding of the various aspects of bodily self-awareness, including the spatiality of bodily sensations, their multimodality, their role in social cognition, their relation to action, and to self-defence. This volume combines philosophical analysis with recent experimental results from cognitive science, leading us to question some of our most basic intuitions.