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Around the turn of the century, Welsh readers thrilled to the heroic stories of Owen Rhoscomyl. Having been a cowboy, frontiersman, soldier and mercenary, Rhoscomyl was as adventurous and exotic as his stories. Roving the wilds of the American West, Patagonia and South Africa before finally settling in Wales, Rhoscomyl was a flawed hero who led a rough life that exacted a personal price in poverty, delinquency and violence. He identified deeply with the Welsh nation as a source of tradition, legitimacy and belonging within a wider imperial world. As a popular commercial writer of historical romance, imperial adventure, popular history and public spectacle, he rejected accusations of national inferiority, effeminacy and defeatism in his depictions of the Welsh as an inherently masculine and martial people, accustomed to the rugged conditions of the frontier, ready to advance the glory of their nation and eager to lead the British imperial enterprise. This literary biography will explore the vaulting ambitions, real achievements, and bitter disappointments of the life, work and milieu of Owen Rhoscomyl.
This is the first volume to examine how the history of Wales was written in a period that saw the emergence of professional historiography, largely focused on the nation, across Europe and in the United States. It thus sets Wales in the context of recent work on national history writing in the nineteenth and twentieth centuries, and, more particularly, offers a Welsh perspective on the ways in which history was written in small, mainly stateless, nations. The comparative dimension is fundamental to the volume's aim, highlighting what was distinctive about Welsh historical writing and showing how the Welsh experience mirrors and illuminates broader historiographical developments. The book begins with an introduction that uses the concept of historical culture as a way of exploring the different strands of historiography covered in the collection, providing orientation to the chapters that follow. These are divided into four sections: 'Contexts and Backgrounds', 'Amateurs and Popularizers', 'Creating Academic Disciplines', and 'Comparative Perspectives'. All these themes are then drawn together in the conclusion to examine how far Welsh historians exemplify widespread trends in the writing of national history, and thereby point-up common themes that emerge from the volume and clarify its broader significance for students of historiography.
It takes a different view of the history of Wales, examining a panorama of different emotions and experiences – laughter, happiness, fear, anger, adventure, lust, loneliness, anxiety – to give an entertaining and exciting new history to Wales. a wide range of sources are used to present the ambitions and anxieties which drove and destroyed Welsh people The book’s literary style and the fact that it follows earlier successful studies by the author should ensure an audience.