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A Grammar of Mongsen Ao, the result of the author’s fieldwork over a ten-year period, presents the first comprehensive grammatical description of a language spoken in Nagaland, north-east India. The languages of this region remain under-documented for a number of historical reasons. During the nineteenth and early twentieth centuries, the widespread cultural practice of head-hunting discouraged outsiders from entering the Naga Hills. Shortly after Indian independence in 1947, an armed rebellion by Naga separatists and a government policy of restricting access to the troubled area ensured that Nagaland remained a difficult place to conduct research. In this context, A Grammar of Mongsen Ao offers valuable new insights into the structure of a Tibeto-Burman language spoken in a linguistically little-known region of the world. The grammatical analysis documents all the functional domains of the language and includes four glossed and translated texts, the latter being of interest to anthropologists studying folklore. Mongsen Ao is a highly agglutinating, mostly suffixing language with predominantly dependent-marking characteristics. Its grammar demonstrates a number of typologically interesting features that are described in detail in the book. Among these is an unusual case marking system in which grammatical marking is motivated by semantic and pragmatic factors, and a rich verbal morphology that produces elaborate sequences of agglutinative suffixes. Grammaticalisation processes are also discussed where relevant, thereby extending the appeal of the book to linguists with interests in grammaticalisation theory. This book will be of value to any linguist seeking to clarify genetic relationships within the Tibeto-Burman family, and it will serve more broadly as a reference grammar for typologists interested in the typological features of a Tibeto-Burman language of north-east India.
This is an investigation of arts and aesthetics in their widest senses and experiences, presenting a variety of perspectives which range from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing perceptions of contemporary art and aesthetics, and maps globalizing currents in a number of contexts and regions. The volume includes an impressive variety of case studies offered by established leaders in the field and original and emerging scholarly talent covering areas in India, Nepal, Indonesia, Iran, Russia, Rwanda, and Germany, as well as providing transnational or diasporic perspectives. From the contradictory demands made on successful artists from the south in the global art world such as Anish Kapoor, to images of war and puppetry created by female political prisoners, the volume compels creative and political interpretations of the ever-changing and globalizing terrain of arts and aesthetics.
This book explores Sino-Indian tensions from the angle of state-building, showing how they stem from their competition for the Himalayan people's allegiance.
A French entomologist, attending a symposium in Cairo, finds a cruious kind of bean being on a market stall. It is claimed the beans, derived from the scarab beetle, have magic powers; specifically the power to guarantee the brith of a male infant - and when the entomologist does some research in to the matter, discovering the incidence of female birth has become increasingly rare, he is left in no doubt that the world has entered intoa critical phase of its history. As this beloved daughter Beatrice approaches maturity, the entomologist and his partner question the validity of gender bias, and attempt to redress the growing imbalance before it reaches irreversible proportions. But in the poverty and famine of the South, where male children can mean the difference between survival and starvation, the popularity of the scarab beans is already taking devastating effect.
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