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Out, Out, Brief Candle! is the remarkable story of African children who have survived terrible fires and gone on to thrive at Children of Fire, a charity based in Johannesburg, South Africa. Martin Klammer recalls his time helping the children develop their personal writing and rehearse and perform Macbeth. Told with affection and humor, Out, Out, Brief Candle! is an inspiring story of an exceptional African “family.” The South African novelist and children’s writer Sindiwe Magona says of Out, Out, Brief Candle!: “This is a brave book. The ‘voices’ of these tender survivors of fire—their struggles, their fortitude—may bring us nearer to becoming more effective in minding the children given to us as a trust. Martin Klammer has brought the unheard cries of those whose lives have been forever altered by the scourge of fire to our ears and eyes. Are we listening? Do we see?”
At 13, Emily is tall, restless and impatient - ladylike she certainly isn't! Emily despises such things as needlework, but she has a vivid imagination and is a keen artist and, along with her talented sister, Charlotte, loves to write. But Emily stumbles upon a real-life story, when she encounters the vagabond Heslington while out walking her beloved dog, Captain, on the Yorkshire Moors. Heslington is hiding out in an abandoned cottage, on the run from someone, but claims he is guilty of nothing. All he can tell Emily is that he is passionately in love with a Miss Martha Holmes, but has been forbidden from seeing her. Martha's family believe Heslington is only after her money, but he is prepared to live like a pauper, he says, if he can only be with the girl he loves. Touched by his story, Emily finds herself drawn into the whole sorry mess, acting as a reluctant go-between for Martha and Heslington, but convinced she is doing the right thing. But when Heslington reveals his dark side, Emily finds herself doubting him, not knowing what to believe. Is Heslington the love-torn romantic hero of her imaginings or he is mad...?
In this hugely entertaining sequel to the New York Times bestselling memoir An Appetite for Wonder, Richard Dawkins delves deeply into his intellectual life spent kick-starting new conversations about science, culture, and religion and writing yet another of the most audacious and widely read books of the twentieth century—The God Delusion. Called “one of the best nonfiction writers alive today” (Stephen Pinker) and a “prize-fighter” (Nature), Richard Dawkins cheerfully, mischievously, looks back on a lifetime of tireless intellectual adventure and engagement. Exploring the halls of intellectual inquiry and stardom he encountered after the publication of his seminal work, The Selfish Gene; affectionately lampooning the world of academia, publishing, and television; and studding the pages with funny stories about the great men and women he’s known, Dawkins offers a candid look at the events and ideas that encouraged him to shift his attention to the intersection of culture, religion, and science. He also invites the reader to look more closely at the brilliant succession of ten influential books that grew naturally out of his busy life, highlighting the ideas that connect them and excavating their origins. On the publication of his tenth book, the smash hit, The God Delusion, a “resounding trumpet blast for truth” (Matt Ridley), Richard Dawkins was catapulted from mere intellectual stardom into a circle of celebrity thinkers dubbed, “The New Atheists”—including Christopher Hitchens, Sam Harris, and Daniel Dennett. Throughout A Brief Candle in the Dark, Dawkins shares with us his infectious sense of wonder at the natural world, his enjoyment of the absurdities of human interaction, and his bracing awareness of life’s brevity: all of which have made a deep imprint on our culture.
Brief Candle: Three Plays brings together the most recent work of Sahitya Akademi award-winner Mahesh Dattani as he continues to explore subjects that need to be addressed but are relentlessly brushed under the carpet of middle-class morality—incest; gender bias and death. The title play is set in a hospital ward where terminally ill patients put up an energetic farce in memory of their friend who died of cancer. The blurring of lines between their romp and the events of their own lives leads to revelations that are both tragic and life-affirming. In the radio play The Girl Who Touched the Stars; Bhavna—now an astronaut ready to take off on a mission into outer space—reflects on her past in this moment of glory; only to confront the bitter truths she has tried to ignore all her life. The fragile fabric of familial relations is ripped apart in Thirty Days in September when memories of a traumatic past return to haunt a mother and her daughter. Playful and poignant; devastating and redemptive; these critically acclaimed plays lay bare the far-reaching consequences of the choices we make; confirming Dattani as one of India’s foremost dramatists.
'The Phoenix and the Turtle' is an allegorical poem about the death of ideal love by William Shakespeare. It is widely considered to be one of his most obscure works and has led to many conflicting interpretations. The poem describes a funeral arranged for the deceased Phoenix and Turtledove, respectively emblems of perfection and of devoted love. Some birds are invited, but others excluded. It goes on to state that the love of the birds created a perfect unity which transcended all logic and material fact. It concludes with a prayer for the dead lovers.
Shakespeare’s plays are usually studied by literary scholars and historians and the books about him from those perspectives are legion. It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare’s greatest plays–A Midsummer Night’s Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest. In his brilliant commentary, McGinn explores Shakespeare’s philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy. As McGinn says about Shakespeare, “There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgment of a philosopher, and the soul of a poet.” McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially for students who are discovering the greatest writer in English.