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The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
Ten years that altered the face of the world: a war fought across four continent, the break-up of old empires and the establishment of new ones, and the explosive inauguration of nuclear power. Between these covers are some of the greatest and most graphic images of the age, revealing the best and worst of a turbulent era: from battlefield to beauty parlor, from the London black-out to the glittering screens of Hollywood's golden age, from old enemies to new nations.
Love, poetry, protest, the Beatles, psychedelia and the 1960s underground in pictures, words and rare sound recordings form this limited edition illustrated memoir by one of the key figures of the Sixties British counterculture.
An essential reference book for sixties music lovers, this encyclopedic overview includes detailed chart statistics and biographical information for eighty songwriters and covers around two thousand songs, some of which are among the greatest ever written.
Back in print after more than twenty years, this cult classic of underground British fiction tells the story of young Black men coming of age among the raves and jungle music of London in the 1990s. Layered with poetic verse, prose and humour, this cult classic of underground British fiction documents the rollercoaster ride of a weekend spent raving during Jungle’s cultural takeover in the summer of 1994. Jungle, with its booming basslines and Jamaican patois, burst from the pirate radio stations and mixtapes into cavernous clubs, pulling a generation of Black British ravers with it. Originally written as a way to document street culture as it became a feature of London, charting a time when working-class kids, both Black and white, merged to dance as "one family", Junglist is both a testament to Black British sound system culture and a rawthentic account of inner-city life.
"Uncovering the legacy of [art dealer] Richard Bellamy, one of the most influential tastemakers of abstract expressionism and pop art"--