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Even as symbols of Africa permeate Western culture in the 1990s, centers for the academic study of Africa suffer from a steady erosion of institutional support and intellectual legitimacy. Out of One, Many Africas assesses the rising tide of discontent that has destabilized the conceptions, institutions, and communities dedicated to African studies. In vibrant detail, contributors from Africa, Europe, and North America lay out the multiple, contending histories and perspectives that inform African studies. They assess the reaction against the white-dominated consensus that has marked African studies since its inception in the 1950s and note the emergence of alternative approaches, energized in part by feminist and cultural studies. They examine African scholars' struggle against paradigms that have justified and covered up colonialism, militarism, and underdevelopment. They also consider such issues as how to bring black scholars on the continent and in the diaspora closer together on questions of intellectual freedom, accountability, and the democratization of information and knowledge production. By surveying the present predicament and the current grassroots impulse toward reconsidering the meaning of the continent, Out of One, Many Africas gives shape and momentum to a crucial dialogue aimed at transforming the study of Africa
Even as symbols of Africa permeate Western culture in the 1990s, centers for the academic study of Africa suffer from a steady erosion of institutional support and intellectual legitimacy. Out of One, Many Africas assesses the rising tide of discontent that has destabilized the conceptions, institutions, and communities dedicated to African studies. In vibrant detail, contributors from Africa, Europe, and North America lay out the multiple, contending histories and perspectives that inform African studies. They assess the reaction against the white-dominated consensus that has marked African studies since its inception in the 1950s and note the emergence of alternative approaches, energized in part by feminist and cultural studies. They examine African scholars' struggle against paradigms that have justified and covered up colonialism, militarism, and underdevelopment. They also consider such issues as how to bring black scholars on the continent and in the diaspora closer together on questions of intellectual freedom, accountability, and the democratization of information and knowledge production. By surveying the present predicament and the current grassroots impulse toward reconsidering the meaning of the continent, Out of One, Many Africas gives shape and momentum to a crucial dialogue aimed at transforming the study of Africa
In 1998, acclaimed photojournalist Teun Voeten headed to Sierra Leone for what he thought would be a standard assignment on the child soldiers there. But the cease-fire ended just as he arrived, and the clash between the military junta and the West African peace-keeping troops forced him to hide in the bush from rebels who were intent on killing him. How de Body? ("how are you?" in Sierra Leone's Creole English) is a dramatic account of the conflict that has been raging in the country for nearly a decade-and how Voeten nearly became a casualty of it. Accessible and conversational, it's a look into the dangerous diamond trade that fuels the conflict, the legacy of war practices such as forced amputations, the tragic use of child soldiers, and more. The book is also a tribute to the people who never make the headlines: Eddy Smith, a BBC correspondent who eventually helps Voeten escape; Alfred Kanu, a school principal who risks his life to keep his students and teachers going amidst the bullets and raids; and Padre Victor, who runs a safe haven for ex-child soldiers; among others. Featuring Voeten's stunning black-and-white photos from his multiple trips to the conflict area, How de Body? is a crucial testament to a relatively unknown tragedy.
An English professor at North Carolina State University, the author spent a sabbatical as a hands-on volunteer, working with lions, leopards, and other wild creatures at Harnas Wildlife Foundation in Namibia. This title is based on her incredible experiences there.
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.
Skin-lightening is currently one of the most common forms of potentially harmful body modification practices in the world and African women are among some of the most widely represented users of skin-lightening products. The overall objective of this book is to provide up-to-date evidence-based recommendations for reducing the global burden of cosmetic skin bleaching and preventing injuries related to skin bleaching in sub-Saharan Africa and Africans in diaspora. The book aims to: offer an appraisal of all relevant literature on cosmetic bleaching practices to-date, focusing on any key developments; identify and address important medical, public health issues as well as historical, genetic, psychosocial, cultural, behavioural, socioeconomic, political, institutional and environmental determinants; provide guideline recommendations that would help attenuate the burden and possibly eliminate the injuries related to skin bleaching; discuss potential developments and future directions.
Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’; it suffocates African thought and denies African agency. Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine. He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. He finds ‘decolonisation’ of culture intellectually unsound and wholly unrealistic, conflating modernity with coloniality, and groundlessly advocating an open-ended undoing of global society’s foundations. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers. This powerful, much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.
"Incredible!... Anyone interested in the hardship, frustration, and courage of soldiers at war will be enthralled by this book." -- James G. Hollandsworth, author of The Louisiana Native Guards Until now, Union army colonel Nathan W. Daniels has been a forgotten man with a forgotten regiment. The white commanding officer of the 2nd Louisiana Native Guard Volunteers, a black regiment, he was removed with his men from mainland military activity and confined to obscure duty on Ship Island, ten miles off the coast of Mississippi. However, as Daniels' intriguing diary documents, despite an unrenowned existence that has earned them little attention from historians, the 2nd Native Guards represent a pioneering stage in the history of black troops at war. The story of the Louisiana Native Guards is essentially the story of the first black commissioned officers in the Civil War. Ordered by General Benjamin F. Butler, the promotion of seventy-six educated, free blacks was an experimental step taken during the early days of black enlistment. However, within one year, nearly all the officers, including their white colonels, were forced out or had resigned in frustration. Daniels lived the tale of these removals and confided his thoughts to his diary, a rare surviving narrative from someone of his rank and position. Woven through daily entries of routine life on the military post are his comments about his responsibilities and frustrations of being caught between the black and white military worlds of the day. He vividly recalls a fierce skirmish on the mainland at East Pascagoula, Mississippi, in which his black troops, having fought superbly, suffered most of their casualties from apparently intentional "friendly" fire from the Union gunboat Jackson, sent there to protect them. In May, 1863, Daniels was arrested in New Orleans on seemingly trifling charges related to his duty on Ship Island. He continued his diary in the Federally occupied city, giving fascinating details of life there and chronicling his slow torture in the machinery of the military bureaucracy. He eventually separated from the army under circumstances that remain curious. The diary also provides never-before-published pictures from wartime Ship Island, including photographs of members of Daniels' regiment, visiting ship captains, and Major Francis E. Dumas -- the highest-ranking black officer to see combat during the war. A superb resource in and of themselves, these photographs will fascinate Civil War enthusiasts. The first published personal narrative by a regimental commander of free black troops, Thank God My Regiment an African One offers a unique glimpse into the daily lives of white leaders of the earliest black soldiers. It is a significant contribution to the ongoing documentation of the experience of black troops in the Civil War.