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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
'Based on eye-witness accounts, Robert Pike's moving book vividly depicts the lives of the villagers who were caught up in the tragedy of Oradour-sur-Glane and brings their experiences to our attention for the first time.' - Hanna Diamond, author of Fleeing Hitler On 10 June 1944, four days after Allied forces landed in Normandy, the picturesque village of Oradour-sur-Glane in the rural heart of France was destroyed by an armoured SS Panzer division. Six hundred and forty-three men, women and children were murdered in the nation's worst wartime atrocity. Today, Oradour is remembered as a 'martyred village' and its ruins are preserved, but the stories of its inhabitants lie buried under the rubble of the intervening decades. Silent Village gathers the powerful testimonies of survivors in the first account of Oradour as it was both before the tragedy and in its aftermath. A lost way of life is vividly recollected in this unique insight into the traditions, loves and rivalries of a typical village in occupied France. Why this peaceful community was chosen for extermination has remained a mystery. Putting aside contemporary hearsay, Nazi rhetoric and revisionist theories, in this updated third edition Robert Pike returns to the archival evidence to narrate the tragedy as it truly happened – and give voice to the anguish of those left behind.
The compelling true story that inspired the hugely successful major ITV drama series HOME FIRES – now in its second season. The Second World War was the WI's finest hour. The whole of its previous history - two decades of educating, entertaining and supporting women and campaigning on women's issues - culminated in the enormous collective responsibility felt by the members to 'do their bit' for Britain. With all the vigour, energy and enthusiasm at their disposal, a third of a million country women set out to make their lives and the lives of those around them more bearable in what they described as 'a period of insanity'. Through archive material and interviews with many WI members, Julie Summers takes us behind the scenes, revealing their nitty-gritty approach to the daily problems presented by the conflict. Jambusters is the fascinating story of how the Women's Institute pulled rural Britain through the war with pots of jam and a spirit of make-do-and-mend.
A full-scale study of the destruction of Oradour and its remembrance over the half century since the war. Farmer investigates the prominence of the massacre in French understanding of the national experience under German domination.
Exuberant storytelling full of wry comedy, dark history, and devastating satire—by the celebrated and original author of the #1 New York Times bestseller, Say You’re One of Them. From a suspiciously cheap Hell’s Kitchen walk-up, Nigerian editor and winner of a Toni Morrison Publishing Fellowship Ekong Udousoro is about to begin the opportunity of a lifetime: to learn the ins and outs of the publishing industry from its incandescent epicenter. While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food. Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories. Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.
Those who have read Mr. Harold Frederic's novels and short stories will need no commendation of this book. The tale of the progress of Marsena Pulford, a young man with an artistic temperament in embryo (and absolutely, as his office boy would have said, " without no show"), is told with acuteness through the times when Marsena was a village photographer, having failed as a painter, and through the period of his service in the war, straight on to the hopeless tragedy at the last. It scarcely seems possible that any young woman could be both a hospital nurse and such a wicked fool as Miss Julia Parmalee is represented to be; but as the red-nosed man once said to Mr. Peter Magnus : " Rum creeters is women." There are three other stories in the book - all "of the wartime," and all well told.
Reproduction of the original: Marsena and Other Stories of the Wartime by Harold Frederic
The true story of seventeen months in the life of a Vietnamese village where a handful of American Marines and Vietnamese militia lived and died together attempting to defend it. In Black Hawk Down, the fight went on for a day. In We Were Soldiers Once & Young, the fighting lasted three days. In The Village, one Marine squad fought for 495 days—half of them died. Few American battles have been so extended, savage and personal. A handful of Americans volunteered to live among six thousand Vietnamese, training farmers to defend their village. Such “Combined Action Platoons” (CAPs) are now a lost footnote about how the war could have been fought; only the villagers remain to bear witness. This is the story of fifteen resolute young Americans matched against two hundred Viet Cong; how a CAP lived, fought and died. And why the villagers remember them to this day.
"Greenwich Village represents American social science during the interwar years at its best. It remains the best community study of New York, important both for its innovative method and for its substantive findings about intergroup relations in a pluralistic, open, and urban society--during a period of crisis and reform ferment."--Thomas Bender, New York University