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“I told Helen my story and she went home and cried.” So begins Our Spoons Came from Woolworths. But Barbara Comyns’s beguiling novel is far from tragic, despite the harrowing ordeals its heroine endures. Sophia is twenty-one and naïve when she marries fellow artist Charles. She seems hardly fonder of her husband than she is of her pet newt; she can’t keep house (everything she cooks tastes of soap); and she mistakes morning sickness for the aftereffects of a bad batch of strawberries. England is in the middle of the Great Depression, and the money Sophia makes from the occasional modeling gig doesn’t make up for her husband’s indifference to paying the rent. Predictably, the marriage falters; not so predictably, Sophia’s artlessness will be the very thing that turns her life around.
'Comyns's world is weird and wonderful . . . a neglected genius' LUCY SCHOLES, OBSERVER 'A curious hybrid: a mixture of domestic disaster, social commentary, comedy, and romance . . . ' KATHERINE A. POWERS, BARNES & NOBLE REVIEW 'I defy anyone to read the opening pages and not to be drawn in, as I was . . . Quite simply, Comyns writes like no one else' MAGGIE O'FARRELL Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s where poverty, babies (however much loved) and husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic and comes to regret her marriage and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes . . .
The Vet's Daughter combines shocking realism with a visionary edge. The vet lives with his bedridden wife and shy daughter Alice in a sinister London suburb. He works constantly, captive to a strange private fury, and treats his family with brutality and contempt. After his wife's death, the vet takes up with a crass, needling woman who tries to refashion Alice in her own image. And yet as Alice retreats ever deeper into a dream world, she discovers an extraordinary secret power of her own. Harrowing and haunting, like an unexpected cross between Flannery O'Connor and Stephen King, The Vet's Daughter is a story of outraged innocence that culminates in a scene of appalling triumph.
A tale of a woman’s romantic entanglements with two anthropologists—and the odd mating habits of humans—from the author of Jane and Prudence. Catherine Oliphant writes for women’s magazines and lives comfortably with anthropologist Tom Mallow—although she’s starting to wonder if they’ll ever get married. Then Tom drops his bombshell: He’s leaving her for a nineteen-year-old student. Though stunned by Tom’s betrayal, Catherine quickly becomes fascinated by another anthropologist, Alaric Lydgate, a reclusive eccentric recently returned from Africa. As Catherine starts to weigh her options, she must figure out who she is and what she really wants. With a lively cast of characters and a witty look at the insular world of academia, this novel from the much-loved author of Excellent Women and other modern classics is filled with poignant, playful observations about the traits that separate us from our anthropological forebears—far fewer than we may imagine.
A feminist reimagining of the Brothers Grimm fairy tale about a single mother and an enchanted friendship—from one of most bewitching British writers of the 20th century. “Comyns’s world is weird and wonderful . . . Tragic , comic and completely bonkers all in one, I’d go as far as to call her something of a neglected genius.” —The Observer Bella Winter has hit a low. Homeless and jobless, she is the mother of a toddler by a man whose name she didn’t quite catch, and her once pretty face is disfigured by the scar she acquired in a car accident. Friendless and without family, she’s recently disentangled herself from a selfish and indifferent boyfriend and a cruel and indifferent mother. But she shares a quality common to Barbara Comyns’s other heroines: a bracingly unsentimental ability to carry on. Before too long, Bella has found not only a job but a vocation; not only a place to live but a home and a makeshift family. As Comyns’s novel progresses, the story echoes and inverts the Brothers Grimm’s macabre tale The Juniper Tree. Will Bella’s hard-won restoration to life and love come at the cost of the happiness of others?
In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's Berlin Stories and Bertolt Brecht's Three Penny Opera. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933 and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and with a new introduction by Harvard professor Maria Tatar.
'Our mother rather lost interest in us after the thirst got hold of her and, although our grandfather was vaguely fond of us, he certainly wasn't interested.'
In the deep winter snows of a Swedish hamlet, a strange young woman fakes a break-in at the house of an elderly artist in order to persuade her that she needs companionship. But what does she hope to gain by doing this? And who ultimately is deceiving whom? In this portrayal of two women grappling with truth and lies, nothing can be taken for granted. By the time the snow thaws, both their lives will have changed irrevocably.