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You don’t have to travel overseas to discover our Blessed Mother’s miraculous love for her children. Mary’s Miracles: A Traveler's Guide to Catholic America takes you to more than 50 Marian shrines, chapels, and statues, right here in the United States, each with a riveting story to tell. Stories about: The United States’ only Church-approved Marian apparition (Champion, Wisconsin) A family’s safe passage to America after invoking the intercession of the Star of the Sea, and the chapel they built in thanksgiving (Cheektowaga, New York) The Grotto, the fulfillment of a boyhood vow to build a “great work” for the Blessed Mother (Portland, Oregon) An old Spanish shrine to Our Lady of La Leche, the powerhouse of answered prayers for babies (St. Augustine, Florida) A priest who looked like Dean Martin, sang like Bing Crosby — and commissioned a statue as big as his love for Mary (Santa Clara, California) Written by the author of the blockbuster Monuments, Marvels, and Miracles (OSV, 2021), this book is another must-have for all Catholic travelers. Organized by region and state, Mary’s Miracles can help you easily plan your next vacation or pilgrimage and find Marian sites you haven’t yet discovered. Additional features include color photos, miracle stories, and an explanation of site-specific Marian titles and devotions. Websites, phone numbers, addresses, and other information are included to help you plan your visit.
Ten-year-old Carl Demma had a dream so big, it took over his life. Through ill health, financial difficulties, the deaths of his two daughters, and indifference of many who should have been his support, his faith never failed. It took his entire life, but Carl finally accomplished his dream-- a monumental statue of the Blessed Mother that would have the unique ability to travel to the people to remind them of their faith and of her love for. them. In addition to its tremendous size, it had such a beauty that it drew thousands of people, not only from around the U.S. but well beyond.
The most ambitious work of fiction by a writer widely considered the most important novelist working in China today In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flowerbeds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee—whether to a mysterious gambling bordello or to ancestral homes that can only be reached underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by buried secrets and transcendent delusions. Can Xue's masterful love stories for the new millennium trace love's many guises—satirical, tragic, transient, lasting, nebulous, and fulfilling—against a kaleidoscopic backdrop drawn from East and West of commerce and industry, fraud and exploitation, sex and romance.
In this dynamic analysis of the gender revolution, authors Anne Breneman and Rebecca Mbuh create a platform for scholars from a variety of cultures to reflect upon their experiences as women and men in gendered cultures and upon their visions of prospects for gender equality and empowerment. Conceived during the United Nation's Fourth World Women's Conference in 1995 and continued during the Beijing +5 conference in 2000, this work represents the culmination of a ten-year project involving women from China, Sweden, Korea, Cameroon, Indonesia, South Africa, and the USA. Organized in five parts—Beginning, Women Awakening, Women Arising, Hazards of Growing up Female, and Reflections and Prospects—Women in the New Millennium includes perspectives in the form of scholarship, historical narratives, and interview materials aimed at contributing to public awareness of the global nature of the gender revolution. With their analyses and examples of the expanding gender revolution, Breneman and Mbuh seek to stimulate an interdisciplinary, international dialogue that leads to the further creation of action plans and will ultimately contribute to the empowerment of women and the equality of women and men in the new millennium.
In this dynamic analysis of the gender revolution, authors Anne Breneman and Rebecca Mbuh create a platform for scholars from a variety of cultures to reflect upon their experiences as women and men in gendered cultures and upon their visions of prospects for gender equality and empowerment.
The authors of After the Revolution return with an incisive study of the work of contemporary women artists. In After the Revolution, the authors concluded that "The battles may not all have been won . . . but barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." Now, with The Reckoning, authors Heartney, Posner, Princenthal, and Scott bring into focus the accomplishments of 24 acclaimed international women artists born since 1960 who have benefited from the groundbreaking efforts of their predecessors. The book is organized in four thematic sections: "Bad Girls" profiles artists whose work represents an assault on conventional notions of gender and racial difference. "History Lessons" offers reflections on the self in the context of history and globalization. "Spellbound" focuses on women’s embrace of the irrational, subjective, and surreal, while "Domestic Disturbances" takes on women's conflicted relationship to home, family, and security. Written in lively prose and fully illustrated throughout, this book gives an informed account of the wonderful diversity of recent contemporary art by women. "An indispensable contribution to the literature on contemporary art by women." (Whitney Chadwick, author of Women, Art and Society) "In the 2007 book After the Revolution: Women Who Transformed Contemporary Art, [the authors] set a new standard in documenting and evaluating the work of a dozen key women artists, spanning generations between the 1960s to the 2000s. . . The beat goes on with the appearance of The Reckoning, written by the same authors in the same accessible scholarly style, but reflecting important historical changes over the past decade and more. In line with the increased presence of women in mainstream art, the book includes twice as many artists as its predecessor. And its global reach has expanded vastly, stretching from Europe and the Americas to Africa and China." (Holland Cotter, The New York Times)
When his brother is mysteriously saved from drowning, Frederico is inspired to research his Quinta's history and discovers a celtic sanctuary donated to the Cistercians by Portugal's first king Afonso Henriques. The truth behind folklore of a treasure trove hidden in this Royal Forest near the Knights Templar port of Atouguia slowly dawns. In the visigothic chapel, a fresco painting showing Our Lady with a beard holds the key to the great secret of the Knights Templar: the Holy Grail!
Theologians on the margins reflect how their experience of ethnic and racial minority has influenced their theology and how this relates to the American Dream.
The female body has occupied a central place in the Western imagination, its images pervading poetry and story, mythology and religious doctrine, the visual arts, and scientific treatises. It has inspired both attraction and fear, been perceived as beautiful and unclean, alluring and dangerous, a source of pleasure and nurturing but also a source of evil and destruction. In The Female Body in Western Culture, twenty-three internationally noted scholars and critics, in specially commissioned essays, explore these representations and their consequences for contemporary art and culture. Ranging from Genesis to Gertrude Stein and Angela Carter, from ancient Greek ritual to the Victorian sleeping cure, from images of the Madonna to modern film and Surrealist art, the essays cover a wide spectrum of approaches and subject mailer. They all converge, however, around questions of power and powerlessness, voice and silence, subjecthood and objectification. And they point the way to the new possibilities and displacements of traditional male-female oppositions. Androgyny in a new key? This book demonstrates that a blurring of gender boundaries does not have to deny difference.
What happens when a former Zen Buddhist monk and his feminist wife experience an apparition of the Virgin Mary? “This book could not have come at a more auspicious time, and the message is mystical perfection, not to mention a courageous one. I adore this book.”—Caroline Myss, author of Anatomy of the Spirit Before a vision of a mysterious “Lady” invited Clark Strand and Perdita Finn to pray the rosary, they were not only uninterested in becoming Catholic but finished with institutional religion altogether. Their main spiritual concerns were the fate of the planet and the future of their children and grandchildren in an age of ecological collapse. But this Lady barely even referred to the Church and its proscriptions. Instead, she spoke of the miraculous power of the rosary to transform lives and heal the planet, and revealed the secrets she had hidden within the rosary’s prayers and mysteries—secrets of a past age when forests were the only cathedrals and people wove rose garlands for a Mother whose loving presence was as close as the ground beneath their feet. She told Strand and Finn: The rosary is My body, and My body is the body of the world. Your body is one with that body. What cause could there be for fear? Weaving together their own remarkable story of how they came to the rosary, their discoveries about the eco-feminist wisdom at the heart of this ancient devotion, and the life-changing revelations of the Lady herself, the authors reveal an ancestral path—available to everyone, religious or not—that returns us to the powerful healing rhythms of the natural world.