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Welcome to the great state of Virginia. From the Blue Ridge Mountains to Colonial Williamsburg, this charming board book captures the true spirit of this magnificent region, including Jamestown, Mount Vernon, Monticello, Virginia Beach, Virginia Aquarium, Virginia's Heritage Music Trail, Assateague Island, caverns, lighthouses, and more.
Written and published under the supervision of the Virginia History and Government Textbook Commission, in consultation with the State Board of Education
In response to the global turn in scholarship on colonial and early modern history, the eighteen essays in this volume provide a fresh and much-needed perspective on the wider context of the encounter between the inhabitants of precolonial Virginia and the English. This collection offers an interdisciplinary consideration of developments in Native America, Europe, Africa, the Caribbean, and the Chesapeake, highlighting the mosaic of regions and influences that formed the context and impetus for the English settlement at Jamestown in 1607. The volume reflects an understanding of Jamestown not as the birthplace of democracy in America but as the creation of a European outpost in a neighborhood that included Africans, Native Americans, and other Europeans. With contributions from both prominent and rising scholars, this volume offers far-ranging and compelling studies of peoples, texts, places, and conditions that influenced the making of New World societies. As Jamestown marks its four-hundredth anniversary, this collection provides provocative material for teaching and launching new research. Contributors: Philip P. Boucher, University of Alabama, Huntsville Peter Cook, Nipissing University J. H. Elliott, University of Oxford Andrew Fitzmaurice, University of Sydney Joseph Hall, Bates College Linda Heywood, Boston University James Horn, Colonial Williamsburg Foundation E. Ann McDougall, University of Alberta Peter C. Mancall, University of Southern California Philip D. Morgan, Johns Hopkins University David Northrup, Boston College Marcy Norton, The George Washington University James D. Rice, State University of New York, Plattsburgh Daniel K. Richter, University of Pennsylvania David Harris Sacks, Reed College Benjamin Schmidt, University of Washington Stuart B. Schwartz, Yale University David S. Shields, University of South Carolina Daviken Studnicki-Gizbert, McGill University James H. Sweet, University of Wisconsin, Madison John Thornton, Boston University
Illustrated with over 200 color photographs, this survey of Tidewater Virginia homes from 1640 to 1830 shows tiny cottages and great plantation houses set in formal gardens with an emphasis on small dwellings which are affordable, full of history, and suitable for 20th century life. Floor plans and details enable the reader to build his own Virginia dream house or renovate to project a genteel Virginian image.
NATIONAL BOOK AWARD longlist nominee, Helen Phillips's debut novel, And Yet They Were Happy is "A gallery of marvels." A young couple comes of age in a surreal world of apocalypse, delight, longing, and tenderness. "Brilliant miniatures. . . . Like the fables of Calvino, Millhauser, or W.S. Merwin. . . . Beautifully blends short story and prose poem. . . . Mermaids, subways, floods, cucumbers, magicians. . . .The book is a gallery of marvels. Phillips guides us through the 'Hall of Nostalgia For Things We Have Never Seen, ' 'the factory where the virgins are made, ' and 'the Anne Frank School for Expectant Mothers.' A depressed Noah admits he 'didn't get them all, ' a wife guesses which of two identical men is her husband, a regime orders citizens to grow raspberries on windowsills. [Helen Phillips'] quietly elegant sentences are as clear as spring water, haunting as our own childhood memories."--Michael Dirda "A deeply interesting mind is at work in these wry, lyrical stories. Phillips exploits the duality of our nature to create a timeless and most engaging collection."--Amy Hempel "Haunted and lyrical and edible all at once."--Rivka Galchen A young couple sets out to build a life together in an unstable world haunted by monsters, plagued by disasters, full of longing--but also one of transformation, wonder, and delight, peopled by the likes of Noah, Bob Dylan, the Virgin Mary, and Anne Frank. Hovering between reality and fantasy, whimsy and darkness, these linked fables describe a universe both surreal and familiar. Helen Phillips received a 2009 Rona Jaffe Writer's Award, 2009 Meridian Editors' Prize, and 2008 Italo Calvino Fabulist Fiction Prize. Her work has appeared in many literary journals and two anthologies. She holds degrees from Yale University and Brooklyn College, and teaches creative writing at Brooklyn College.
Cowinner, 2008 Fred Kniffen Book Award. Pioneer America Society/Association for the Preservation of Landscapes and Artifacts How did people living on the early American frontier discover and then become a part of the market economy? How do their purchases and their choices revise our understanding of the market revolution and the emerging consumer ethos? Ann Smart Martin provides answers to these questions by examining the texture of trade on the edge of the upper Shenandoah Valley between 1760 and 1810. Reconstructing the world of one country merchant, John Hook, Martin reveals how the acquisition of consumer goods created and validated a set of ideas about taste, fashion, and lifestyle in a particular place at a particular time. Her analysis of Hook's account ledger illuminates the everyday wants, transactions, and tensions recorded within and brings some of Hook's customers to life: a planter looking for just the right clock, a farmer in search of nails, a young woman and her friends out shopping on their own, and a slave woman choosing a looking glass. This innovative approach melds fascinating narratives with sophisticated analysis of material culture to distill large abstract social and economic systems into intimate triangulations among merchants, customers, and objects. Martin finds that objects not only reflect culture, they are the means to create it.
Welcome to the Matriarchy. Sixty years after a virus has wiped out almost all the men on the planet, things are pretty much just as you would imagine a world run by women might be: war has ended; greed is not tolerated; the ecological needs of the planet are always put first. In two generations, the female population has grieved, pulled together and moved on, and life really is pretty good - if you're a girl. It's not so great if you're a boy, but fourteen-year-old River wouldn't know that. Until she met Mason, she thought they were extinct.
‘Home’ is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginaries of home are central to the construction of people’s identities. An essential guide to studying home and domesticity, this book locates ‘home’ within wider traditions of thought. It analyzes different sources, methods and examples in both historical and contemporary contexts; ranging from homes on the American frontier and imperial domesticity in British India, to Australian suburbs, multicultural London, and South Asian diasporic homes. The core argument of the book has three main parts that cut across each of its chapters: home-making identity and belonging homely and unhomely spaces. Each chapter includes text boxes and exercises and is well illustrated with cartoons, line drawings, and photographs. Outlining the social relations shaping, (and being influenced by) the geographies of home; and the imaginative as well as material importance of home, this book will be a valuable reference for students of geography, sociology, gender studies, and those interested in the home and domesticity.