Download Free Our Hidden Heritage Book in PDF and EPUB Free Download. You can read online Our Hidden Heritage and write the review.

Adopted as a baby, Paul Summers grew up in the white, middle-class Minnesota community of Worthington. With the discovery of some paperwork in an old desk, he was able to trace his roots to the Lower Brule Sioux Reservation in South Dakota, where he came to know his birth family and learned of his Native American heritage. Taking the name of his birth parents (LaRoche), he formed a band, and began to write music that bridges the cultures of both his white and Native American families.
A fresh perspective on British history from award-winning broadcaster Fatima Manji Why was there a Turkish mosque adorning Britain's most famous botanic garden in the eighteenth century? How did a pair of Persian-inscribed cannon end up in rural Wales? And who is the Moroccan man depicted in a long-forgotten portrait hanging in a west London stately home? Throughout Britain's museums, civic buildings and stately homes, relics can be found that reveal the diversity of pre-twentieth-century Britain and expose the misconceptions around modern immigration narratives. In her journey across Britain exploring cultural landmarks, Fatima Manji searches for a richer and more honest story of a nation struggling with identity and the legacy of empire. 'A timely, brilliant and very brave book' Jerry Brotton, author of This Orient Isle
CULTURAL ARTIFACTS THAT LEAD TO EXPLORATION OF FORGOTTEN FACTS ABOUT AMERICAN SOCIETY. AMERICAN INCLUDES MATERIAL CULTURE.
Deals with the consequences of forced conversion, exile, and secrecy resulting from the Spanish Inquisition, particularly among the Latino population of the American Southwest. Presents a psychosocial study of attempts to recover Jewish spirituality and identity, stressing the role of women in cultural preservation. Notes parallels with the second generation after the Holocaust. Ch. 1 (pp. 21-41), "Secrecy, Antisemitism, and the Dangers of Jewishness", provides the historical background for the study of 20th-century crypto-Jews. Discusses the Inquisition's persecution of crypto-Jews, and continuing anti-Jewish prejudice in the Spanish-speaking world that has made the concealment of Jewish identity a continuing phenomenon up to the present day.
The Women of Scranton: 18801935 portrays the famous ladies, daring women, and heroines of everyday life in a booming coal town. Coal may have been king, but the intrepid women of Americas progressive era saw to it that Scranton became not merely an economic hub, but a city beautiful. No area of political, cultural, educational, or religious life in Scranton was untouched by their driving commitment to progress. Through historic photographs, readers will meet Scrantons first generation of college-educated women; political activists and suffragettes; the first women lawyers and physicians; womens clubs dedicated to philanthropy, education, health, and civic betterment; women merchants and entrepreneurs; teachers and womens religious orders; and the immigrant women who dreamt of a better tomorrow
Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.
Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.