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Delving into history and mixing eye-witness accounts with compelling anecdotes from his journalistic career, John Cookson examines the Kurds' eternal quest for independence, he tells of his encounters with Kurdish guerrillas in their mountain hideouts and his travels with Kurdish smugglers, he documents survivors' stories from Saddam Hussein's genocidal campaign and reveals for the first time how Iraqi Kurdistan was saved from being overrun by murderous jihadis in the summer of 2014. He also digs through secret archives to discover why Sir Winston Churchill and Middle East titans like T. E. Lawrence and Gertrude Bell... made a fateful decision to leave the Kurds landlocked and doomed to an eternity of conflict. John Cookson is an award-winning journalist who began his career in Fleet Street and afterwards spent 30 years as a senior correspondent at Sky News, Fox News, Al Jazeera, Bloomberg, Euronews and African start-up Arise News. He is also a qualified lawyer.
A modern epic about the insidious corruption which has poisoned different strata of British life over the past twenty years. Traces connections between corruption in local politics, corruption in the Metropolitan police, and Rhodesian sanction-busting.
‘A beautiful book’ Zoë Ball ‘My father was an “ordinary man”, which of course means he was extraordinary.' Be it as Nicky Hutchinson in Our Friends In The North, Maurice in The A Word, or his reinvention of Doctor Who, One man, in life and death, has accompanied Christopher Eccleston every step of the way – his father, Ronnie. In I Love the Bones of You, Eccleston unveils a vivid portrait of a relationship that has shaped his entire career trajectory – mirroring and defining his own highs and lows, from stage and screen triumph to breakdown, anorexia and self-doubt. Eccleston describes how the tightening grip of dementia on his father slowly blinded him to his son’s existence, forcing a new and final chapter in their connection. Told with trademark honesty and openness, I Love the Bones of You is a celebration of those on whom the spotlight so rarely shines, as told by a man who found his voice in its glare. A love letter to one man, and a paean to many.
Great new series from the BFI that promises to deliver definitive and authorative writing on television. Our Friends in the North is the kind of epic drama that keeps a nation glued to the TV.
TV Drama in Transition reflects upon changing dramatic forms on television in the context of broad cultural shifts over the past two decades. Analyses of a wide range of series (from Heartbeat to Middlemarch and Our Friends in the North; from NYPD Blue to Twin Peaks to The X-Files) are interspersed with accounts of new technologies, viewing dispositions and the political economy of culture. This book is generally concerned as much with the condition of culture in the 1980s and 1990s, as specifically with TV drama.
Cultural Feelings: Mood, Mediation and Cultural Politics sets out to examine the role of feelings and mood in the production of social and cultural experience. By returning to the work of Raymond Williams, and informed by recent ‘affect theory’, it treats feeling as a foundational term for cultural studies. Ben Highmore argues that feelings are political and cultural forms that orchestrate our encounters with the world. He utilises a range of case studies from twentieth-century British culture, focusing in particular on Home Front morale during the Blitz, the experiences of Caribbean migration in the post-war decades, the music of post-punk bands in the late 1970s and early 1980s, and more recent ‘state of the nation’ film and television, including Our Friends in the North and This is England. He finds evidence in oral history, in films, photographs, television, novels, music, policy documents, and journalism. Through these sources, this book tells a vivid and compelling story of our most recent history and argues that the urgent task for a progressive cultural politics will require the changing of moods as well as minds. Cultural Feelings is essential reading for students and researchers with an interest in affect theory, emotion and culture.