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GOLD MEDALIST OF FOREWORD REVIEWS' 2015 INDIEFAB AWARDS IN WOMEN'S STUDIES What's wrong with black women? Not a damned thing! The Sisters Are Alright exposes anti–black-woman propaganda and shows how real black women are pushing back against distorted cartoon versions of themselves. When African women arrived on American shores, the three-headed hydra—servile Mammy, angry Sapphire, and lascivious Jezebel—followed close behind. In the '60s, the Matriarch, the willfully unmarried baby machine leeching off the state, joined them. These stereotypes persist to this day through newspaper headlines, Sunday sermons, social media memes, cable punditry, government policies, and hit song lyrics. Emancipation may have happened more than 150 years ago, but America still won't let a sister be free from this coven of caricatures. Tamara Winfrey Harris delves into marriage, motherhood, health, sexuality, beauty, and more, taking sharp aim at pervasive stereotypes about black women. She counters warped prejudices with the straight-up truth about being a black woman in America. “We have facets like diamonds,” she writes. “The trouble is the people who refuse to see us sparkling.”
Warm, feisty, and intelligent, the Delany sisters speak their mind in a book that is at once a vital historical record and a moving portrait of two remarkable women who continued to love, laugh, and embrace life after over a hundred years of living side by side. Their sharp memories tell us about the post-Reconstruction South and Booker T. Washington, Harlem’s Golden Age and Langston Hughes, W. E. B. Du Bois and Paul Robeson. Bessie Delany breaks barriers to become a dentist; Sadie Delany quietly integrates the New York City system as a high school teacher. Their extraordinary story makes an important contribution to our nation’s heritage—and an indelible impression on our lives.
Identifying nuns as the first feminists and sweeping in its scope and insight, "Sisters" reveals the treasure of spiritual capital that religious women have invested in America. 25 photos.
Biographies of the most amazing sisters in world history, written by podcasting sisters Olivia Meikle and Katie Nelson.
Contains 1000 oral interviews with American black women who lived between 1800 and the 1880s.
Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earliest works; it was she who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Middle sister Mary Peabody was a passionate reformer who finally found her soul mate in the great educator Horace Mann. And the frail Sophia, an admired painter among the preeminent society artists of the day, married Nathaniel Hawthorne—but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Casting new light on a legendary American era, and on three sisters who made an indelible mark on history, Marshall’s unprecedented research uncovers thousands of never-before-seen letters as well as other previously unmined original sources. “A massive enterprise,” The Peabody Sisters is an event in American biography (The New York Times Book Review). “Marshall’s book is a grand story . . . where male and female minds and sensibilities were in free, fruitful communion, even if men could exploit this cultural richness far more easily than women.” —The Washington Post “Marshall has greatly increased our understanding of these women and their times in one of the best literary biographies to come along in years.” —New England Quarterly
Four acclaimed female authors—including Pulitzer Prize winner Jane Smiley and In the Dream House author Carmen Carmen Maria Machado—reflect on their lifelong engagement with Louisa May Alcott’s classic novel of girlhood and growing up. Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley explore their strong lifelong personal engagement with Alcott’s novel Little Women—what it has meant to them and why it still matters. Each takes her subject as one of the four March sisters, reflecting on their stories and what they can teach us about life. Meg March by Kate Bolick: The New York Times–bestselling author of Spinster finds parallels in oldest sister Meg’s brush with glamour at the Moffats’ ball and her own complicated relationship with clothes. Jo March by Jenny Zhang: The short story writer of Sour Heart confesses to liking Jo least among the sisters when she first read the novel as a girl, uncomfortable in finding so much of herself in a character she feared was too unfeminine. Beth March by Carmen Maria Machado: The In the Dream House author writes about the real-life tragedy of Lizzie Alcott, the inspiration for third sister Beth, and the horror story that can result from not being the author of your own life's narrative. Amy March by Jane Smiley: The Pulitzer Prize–winning author of A Thousand Acres rehabilitates the reputation of youngest sister Amy, whom she sees as a modern feminist role model for those of us who are, well, not like the fiery Jo. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives.
The Westons were among the most well-known abolitionists in antebellum Massachusetts, and each of the Weston sisters played an integral role in the family's work. The eldest, Maria Weston Chapman, became one of the antislavery movement's most influential members. In an extensive and original look at the connections among women, domesticity, and progressive political movements, Lee V. Chambers argues that it was the familial cooperation and support between sisters, dubbed "kin-work," that allowed women like the Westons to participate in the political process, marking a major change in women's roles from the domestic to the public sphere. The Weston sisters and abolitionist families like them supported each other in meeting the challenges of sickness, pregnancy, child care, and the myriad household responsibilities that made it difficult for women to engage in and sustain political activities. By repositioning the household and family to a more significant place in the history of American politics, Chambers examines connections between the female critique of slavery and patriarchy, ultimately arguing that it was family ties that drew women into the activism of public life and kept them there.
Winner of the James H. Broussard First Book Prize PROSE Award in U.S. History (Honorable Mention) A major new interpretation recasts U.S. history between revolution and civil war, exposing a dramatic reversal in sympathy toward Latin American revolutions. In the early nineteenth century, the United States turned its idealistic gaze southward, imagining a legacy of revolution and republicanism it hoped would dominate the American hemisphere. From pulsing port cities to Midwestern farms and southern plantations, an adolescent nation hailed Latin America’s independence movements as glorious tropical reprises of 1776. Even as Latin Americans were gradually ending slavery, U.S. observers remained energized by the belief that their founding ideals were triumphing over European tyranny among their “sister republics.” But as slavery became a violently divisive issue at home, goodwill toward antislavery revolutionaries waned. By the nation’s fiftieth anniversary, republican efforts abroad had become a scaffold upon which many in the United States erected an ideology of white U.S. exceptionalism that would haunt the geopolitical landscape for generations. Marshaling groundbreaking research in four languages, Caitlin Fitz defines this hugely significant, previously unacknowledged turning point in U.S. history.