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These eight stories reveal a world that’s both recognizable and strange: cities of anxiety and violence, where quiet inhabitants lead outwardly banal lives that conceal sinister interiors. The premises, both fantastic and surreal, are also eerily plausible; they often follow the logic of dreams where the real can appear in disguise. Though geographically rooted, the setting – from Ottawa to Toronto and the South of France – take on an ephemeral dimension: the geography is of the subconscious. With his darkly philosophical bent and sly humour, Alexis has fashioned an underworld and limned it with light. Despair quakes with life and sings with the imaginative brilliance of one of the most accomplished new talents writing today.
These eight stories reveal a world that’s both recognizable and strange: cities of anxiety and violence, where quiet inhabitants lead outwardly banal lives that conceal sinister interiors. The premises, both fantastic and surreal, are also eerily plausible; they often follow the logic of dreams where the real can appear in disguise. Though geographically rooted, the setting – from Ottawa to Toronto and the South of France – take on an ephemeral dimension: the geography is of the subconscious. With his darkly philosophical bent and sly humour, Alexis has fashioned an underworld and limned it with light. Despair quakes with life and sings with the imaginative brilliance of one of the most accomplished new talents writing today.
The extraordinary life of one of the world’s greatest music and literary icons, in the words of those who knew him best. Poet, novelist, singer-songwriter, artist, prophet, icon—there has never been a figure like Leonard Cohen. He was a true giant in contemporary western culture, entertaining and inspiring people everywhere with his work. From his groundbreaking and bestselling novels, The Favourite Game and Beautiful Losers, to timeless songs such as “Suzanne,” “Dance Me to the End of Love,” and “Hallelujah,” Cohen is a cherished artist. His death in 2016 was felt around the world by the many fans and followers who would miss his warmth, humour, intellect, and piercing insights. Leonard Cohen, Untold Stories chronicles the full breadth of his extraordinary life. The first of three volumes—The Early Years—follows him from his boyhood in Montreal to university, and his burgeoning literary career to the world of music, culminating with his first international tour in 1970. Through the voices of those who knew him best—family and friends, colleagues and contemporaries, rivals, business partners, and his many lovers—the book probes deeply into both Cohen’s public and private life. It also paints a portrait of an era, the social, cultural, and political revolutions that shook the 1960s. In this revealing and entertaining first volume, bestselling author and biographer Michael Posner draws on hundreds of interviews to reach beyond the Cohen of myth and reveal the unique, complex, and compelling figure of the real man.
On Tuesday nights in the backroom of Cassie’s café, six strangers seek solace and find themselves part of a “Company of Good Cheer” Hazzley is at loose ends, even three years after the death of her husband. When her longtime friend Cassandra, café owner and occasional dance-class partner, suggests that she start up a conversation group, Hazzley posts a notice on the community board at the local grocery store. Four people turn up for the first meeting: Gwen, a recently widowed retiree in her early sixties, who finds herself pet-sitting a cantankerous parrot; Chiyo, a forty-year-old fitness instructor who cared for her unyielding but gossip-loving mother through the final days of her life; Addie, a woman pre-emptively grieving a close friend who is seriously ill; and Tom, an antiques dealer and amateur poet who, deprived of home baking since becoming a widower, comes to the first meeting hoping cake will be served. Before long, they are joined by Allam, a Syrian refugee with his own story to tell. These six strangers are learning that beginnings can be possible at any stage of life. But as they tell their stories, they must navigate what is shared and what is withheld. Which version of the truth will be revealed? Who is prepared to step up when help is needed? This moving, funny and deeply empathic new novel from acclaimed author Frances Itani reminds us that life, with all its twists and turns, never loses its capacity to surprise.
"A valuable and timely collection." -- Alan D. Filewod , author of Committing Theatre Following the Final Report on Truth and Reconciliation, Performing Turtle Island investigates theatre as a tool for community engagement, education, and resistance. Understanding Indigenous cultures as critical sources of knowledge and meaning, each essay addresses issues that remind us that the way to reconciliation between Canadians and Indigenous peoples is neither straightforward nor easily achieved. Comprised of multidisciplinary and diverse perspectives, Performing Turtle Island considers performance as both a means to self-empowerment and self-determination, and a way of placing Indigenous performance in dialogue with other nations, both on the lands of Turtle Island and on the world stage. "Brilliantly introduces pedagogies that jump scale; a bundling project for future ancestors revealing knowledges for flight into kinstillatory relationships." -- Karyn Recollet , co-author of In This Together: Blackness, Indigeneity, and Hip Hop "An important resource for those who want to introduce or incorporate Indigenous artistic perspectives in their course or work." -- Heather Davis-Fisch , author of Loss and Cultural Remains in Performance "A very significant and welcome contribution to the growing body of work on Indigenous theatre and performance in the land now called Canada." -- Ric Knowles , author of Performing the Intercultural City
Prepare for a harrowing ride into the seedy side of Ottawa County history as author Amberrose Hammond unearths morbid tales of sin, scandal and crime. The lovers you find here become enemies, and the jilted, jealous and mistreated favor weaponry to verbal resolution. Ku Klux Klan members don white gowns and leave fiery crosses blazing against the backdrop of night. In this Ottawa County, Eddie Bentz, Baby Face Nelson and a crew of thugs are spraying machine gun fire outside the People's Savings Bank in Grand Haven, arguments end in miserable fashion and the missing often turn up without the capacity to out their wrongdoers.
This illustrated history of Ottawa traces the city’s development from the days when Bytown was a lumber village to its emergence as Canada’s capital and fourth-largest urban area. From the earliest photographs of the original Centre Block of the Parliament Buildings, through the VE-Day and VJ-Day celebrations at the end of World War II and beyond, this beautiful book of superb black-and-white photographs and informative text offers a charming glimpse of the evolving city. The photographs have been chosen both for their historical importance and their quality as visual art. They show a cross-section of life in the developing capital from the formality of Rideau Hall to working people selling wood and straw in Byward Market. This art, among the best from Canada’s early photographers, has been culled from major collections in the National Archives of Canada and Ottawa’s city archives. Many of the photographs have never been published before.
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.