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John Keats was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work having been in publication for only four years before his death. Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century, he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life. The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature.
OTHO THE GREATis a play written by John Keats in 1819, in collaboration with his friend Charles Brown, who planned its construction. Brown could claim a half-right in Keats's longest work, intended for Edmund Kean at Drury Lane in London. Keats was convinced that this play would have made both his name and a tidy sum if it was ever performed. OTHO THE GREAT was never performed in Keats' lifetime and rarely if ever since. This historical drama is written in exact iambic pentameter, more exact than the verse that appears so frequently in the plays of William Shakespeare. It is based on the life of Otto I (November 23, 912 - May 7, 973), also known as Otto the Great. He was a German king from 936 and emperor of the Holy Roman Empire from 962 until his death in 973. The oldest son of Henry I the Fowler and Matilda, Otto was the first of the Germans to be called the emperor of Italy.
First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.
A reassessment of the historical dimension of Keat's poetry that addresses the influence on his work of the immediate post-Waterloo period and traces his source materials. A new reading of Keat's major poems is presented, as well as of many less-studied pieces.