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Maria Louise Ramé (1839-1908) was an English author. She wrote under the pen name Ouida. She wrote more than 40 novels, children's books and collections of short stories and essays. She was an animal rights activist and animal rescuer, and at times owned as many as thirty dogs. Her work went through several phases during her career. In her early period, her novels were a hybrid of the sensationalism of the 1860s and the proto-adventure novels dubbed "muscular fiction" that were emerging in part as a romanticization of imperial expansion. Later her work was more along the lines of historical romance, though she never stopped commenting on contemporary society. Sympathetic portraits of tragic painters and singers fill her later novels.
Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.
This collection includes texts by Henryk Grossman that are primarily concerned with economic theory: monographs, articles, essays, letters and manuscript material. Many have never been published in English before, some in any language. The first in four volumes of Grossman’s works, it provides the basis for a deeper understanding of Grossman’s contributions to Marxist economic theory and critique of bourgeois economics. Rick Kuhn’s introduction explains the contexts in which the texts were written and establishes their contemporary relevance.
Images of the body in ancient Near Eastern civilizations are radically different from body images today, which in turn creates significant consequences for our understanding of the biblical notion of God's human shape and the frequent and widespread misconceptions therein. Andreas Wagner illuminates such frequent and widespread misconceptions, and reveals the sometimes distant pictorial world of ancient body images. He contrasts these with contemporary models and makes the matter of the Old Testament concept of God's human form accessible and clear. Wagner begins by introducing readers to aspects of anthropomorphism, the study of body parts, and Israel's basic understanding of the human body. He then turns specifically to the body of God, analysing why and how certain body parts are emphasized or regularly employed in the biblical text when it tries to describe God. Wagner draws out the theological aspects of the ways in which God's body is described as well as considering the diverse range of ancient Near Eastern perspectives on God, and the ways in which ancient cultures constructed and understood deities. Wagner concludes by looking at how the depiction of God in the Old Testament fits with the concept of mankind made in God's image. Enhanced by over fifty illustrations, God's Body will lead the debate in biblical anthropomorphism for years to come.
This English translation of the second edition of Christian Frevel’s essential textbook Geschichte Israels (Kohlhammer, 2018) covers the history of Israel from its beginnings until the Bar Kokhba revolt (132–135 CE). Frevel draws on archaeological evidence, inscriptions and monuments, as well as the Bible to sketch a picture of the history of ancient Israel within the context of the southern Levant that is sometimes familiar but often fresh and unexpected. Frevel has updated the second German edition with the most recent research of archaeologists and biblical scholars, including those based in Europe. Tables of rulers, a glossary, a timeline of the ancient Near East, and resources arranged by subject make this book an accessible, essential textbook for students and scholars alike.
In this study, Michael Hundley explores the diverse deities of ancient Near Eastern and biblical literature, from deified doors and diseases to the masters of the universe. Using data from Mesopotamia, Hittite Anatolia, Egypt, the Levant, and non-priestly Genesis and Exodus, Hundley explains their context-specific approach to deity, which produces complex and seemingly contradictory portraits. He suggests that ancient deities gained prominence primarily by co-opting the attributes of other deities, rather than by denying their existence or inventing new powers. He demonstrates that the primary difference between biblical and ancient Near Eastern presentations lies in their rhetorical goals, not their conceptions of gods. While others promote divine supremacy, Genesis and Exodus promote exclusive worship. Hundley argues that this monolatry redefined the biblical divine sphere and paved the way for the later development of monotheism and monotheistic explanations of evil.
Winner of the 2020 Verbruggen prize This book provides a comprehensive synthesis of scholarship on Eastern Europe in the Middle Ages. The goal is to offer an overview of the current state of research and a basic route map for navigating an abundant historiography available in more than 10 different languages. The literature published in English on the medieval history of Eastern Europe—books, chapters, and articles—represents a little more than 11 percent of the historiography. The companion is therefore meant to provide an orientation into the existing literature that may not be available because of linguistic barriers and, in addition, an introductory bibliography in English. Winner of the 2020 Verbruggen prize, awarded annually by the De Re Militari society for the best book on medieval military history. The awarding committee commented that the book ‘has an enormous range, and yet is exceptionally scholarly with a fine grasp of detail. Its title points to a general history of eastern Europe, but it is dominated by military episodes which make it of the highest value to anybody writing about war and warmaking in this very neglected area of Europe.’ See inside the book.
The first study in this volume considers the cults of goddesses dedicated to trees and the Earth in the Near East before the Deuteronomistic reform. The 2nd study c onsiders the cult of the moon and its surprising survival in the Hebrew canon. '
In addition to a careful analysis of text, form, and structure, Keel focuses on the metaphorical and symbolic language of this scholarly work, making full use of parallels from Egypt, Palestine, and Mesopotamia, and providing readers with the full symbolism of ancient Near Eastern art. More than 160 illustrations and photos help illuminate the interpretation.