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Otherness and Power: Michael Jackson and His Media Critics is an innovative study of the cultural impact of Michael Jackson. Jackson had millions of ardent fans around the world, but from the early days of his adult career many in the media mocked and reviled him. How did such divergent attitudes come about? This book examines the origins and psychological underpinnings of the media's hostility by closely analyzing some of the most harshly critical writings about Jackson. While racism and discomfort with Jackson's "otherness" have previously been recognized as the elements that fueled media criticisms, Susan Woodward reveals another important factor: the perception that Jackson was extraordinarily powerful, in ways that went beyond celebrity and wealth. Through research and careful analysis, Woodward explores the ways in which Jackson's power was seen, the largely unconscious response to his power, the functions of the media's criticisms and the origins of the perceptions of Jackson's power.
An essential companion to Michael Jackson's music, films, and books, this work offers 21 original, academic essays on all things Jackson-from film, music, and dance to fashion, culture, and literature. Going well beyond the average celebrity biography, this comprehensive book looks at why Jackson is regarded as one of the most important musicians of our time, offering insights into every facet of his art, life, and artistic afterlife. It looks at the methods by which his work was created, presented, received, and appropriated; discusses Jackson's varied personas along with his public and private appearances, albums, conceptual art, short films, and dance; and considers his use of costume, makeup, and reinvention. To help readers understand the phenomenon that was-and is-Michael Jackson, the book focuses on Jackson's historical context through an analysis of his films, songs, and books, examining him as an artist and shedding light on the political and ideological debates that surrounded him. Not shying away from the controversial aspects of Jackson's life and legacy, it also tackles questions of sexuality and racism, gender, and class, comparing Jackson to artists ranging from J. S. Bach to Andy Warhol. Through its examination of Jackson's entire catalog, the work connects all the aspects of his art and life to exemplify-and explain-the performer's unparalleled influence in the 20th and 21st centuries.
Michael Jackson challenged the power structure of the American music industry and struck at the heart of blackface minstrelsy, America’s first form of mass entertainment. The response was a derisive caricature that over time Jackson subverted through his art. In this expanded, all-new edition, Michael Jackson and the Blackface Mask argues for the tangible relationship between Jackson and blackface minstrelsy. It reveals the dialogue at minstrelsy’s core and, in its broader sense, tracks a centuries-long pattern of racial oppression and its resistance and how that has been played out in popular theatre. Michael Jackson and the Blackface Mask explores Jackson’s early talent and fame and the birth and escalation of ‘Wacko Jacko’. In relation to all this, the book examines Jackson’s dynamic art as it evolved, from his live performances and short films to the very surface of his own body. Scholarly and interdisciplinary, this work is suitable for readers across a diverse spectrum of academic fields, including African American studies, popular music studies and cultural theory, media and communication, gender studies and performance and theatre studies. Academic but accessible, this book will also be an engaging read for anyone interested in Michael Jackson and especially in his role as an icon of difference, in America’s dynamics of race and his mass media image.
The renowned Pulitzer Prize–winning cultural critic brilliantly unravels the complexities of one of the most enigmatic figures of our time in this passionate, incisive, and bracing work of cultural analysis. Who is Michael Jackson and what does it mean to call him a “What Is It”? What do P. T. Barnum, Peter Pan, and Edgar Allan Poe have to do with our fascination with Jackson? How did his curious Victorian upbringing and his tenure as a child prodigy on the “chitlin’ circuit” inform his character and multiplicity of selves? How is Michael Jackson’s celebrity related to the outrageous popularity of nineteenth-century minstrelsy? What is the perverse appeal of child stars for grown-ups and what is the price of such stardom for these children and for us? What uncanniness provoked Michael Jackson to become “Alone of All His Race, Alone of All Her Sex,” while establishing himself as an undeniably great performer with neo-Gothic, dandy proclivities and a producer of visionary music videos? What do we find so unnerving about Michael Jackson’s presumed monstrosity? In short, how are we all of us implicated? In this stunning book, Margo Jefferson gives us the incontrovertible lowdown on call-him-what-you-wish; she offers a powerful reckoning with a quintessential, richly allusive signifier of American society and popular culture.
As fans of entertainers our voice is often overlooked. We are passed off as simple fans who really don't know to much. The media, with all their experts, reports, opinions, and speculations are often times not the truth. For the first time the fans of Michael Jackson will speak out. False reports and rumors are exposed in this book and the Author provides in indepth look at the media theories and speculations. The fans finally have a book that expresses what they know to be the truth about The Icon of Music Michael Jackson. The Author takes you through Michael Jackson life from the viewpoint of a fan. Backed by intense research and interview from noted film-maker and defense witness for Michael Jackson Larry Nimmer who also wrote this about the book. "You've done excellent research and there were some things that I learned that I didn't know. It was interesting what you had to say about the accusers and about his dad, Joe Jackson. I liked your comparison that Americans will sleep with animals in their bed but they are not accused of bestailiaty... good comparison... You've presented a convincing story about people who fabricated stories for personal gain, including the media, at the expense of Michael Jackson... great job and very interesting." Larry Nimmer
The King of Style: Dressing Michael Jackson is a fascinating look at the intersection of music and fashion, as well as an homage to Michael Jackson’s brilliant fusing of costume, personality, and performance to create his iconic image. Through his music, dance, and fashion, Michael Jackson created a mystique that was unique to him and recognized as such throughout the world. For five decades he mesmerized audiences—and for twenty-five of those years Michael Bush was there as Jackson’s designer, stylist, and friend, accompanying the King of Pop on his journey to becoming the King of Style. While paying homage to the original Billie Jean, Beat It, and Thriller looks that put Jackson on the fashion map, The King of Style also traces their evolution over several decades. Jackson’s penchant for the military silhouette is explored in detail, along with the trade secrets behind the sequined glove and the fencing uniform that he, Michael Bush, and Dennis Tompkins reinvented to make stage magic. It was Bush who dressed Jackson for the final time, before he was buried. Dozens of garments were left unfinished by his shocking death. The legacy of Michael Jackson lives on. An artist like none other, he transformed everything he touched—from the fabric of his clothes to his legions of fans around the world.
For half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in nearly every corner of the world, however, they have rarely been given serious critical attention. The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with the collaborators, engineers, producers, and songwriters who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals the inspirations, demos, studio sessions, technological advances, setbacks and breakthroughs, failures and triumphs, that gave rise to an immortal body of work.
A comprehensive collection of the writings of Mark Fisher (1968-2017), whose work defined critical writing for a generation. This comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade. Edited by Darren Ambrose and with a foreword by Simon Reynolds.
An Inside View into the Dark Side of a Music Icon He was the King of Pop, a superstar without equal, the idol of millions of young people around the world. But was Michael Jackson also a sexual predator without equal, someone who preyed on the very fans who adored him? Bad is the revelatory untold true story of the strange and larger-than-life career of Michael Jackson, the King of Pop. In the wake of the controversial two-part documentary Leaving Neverland, which told the stories of two young boys who were befriended by the singer and have claimed they suffered years of agonizing abuse, Dylan Howard set out to investigate Jackson’s life and death in unprecedented depth, to determine—as one lawyer suggested—that the pop star ran “the most sophisticated child sexual abuse procurement and facilitation operation the world has known.” After all the highly publicized trials and unfounded accusations, stunning new information has finally come to light: irrefutable evidence that one of the best-known, best-loved figures in the world was a monster behind closed doors—a foul-mouthed, abusive, drug-sodden freak whose deeds and the reasons for those deeds are revealed now for the first time. A dramatic narrative account based on dozens of interviews, Howard shares Jackson’s own riveting personal journal—obtained exclusively for this book—interviews with family members, multiple first-person sources—some of whom have asked to remain anonymous—as well as thousands of pages of court documents. What he uncovers is a man who was both naive and Machiavellian, unorthodox, a devoted father, shrewd businessman, and drug addict whose life was cut short but whose sound and style have influenced artists of various genres and generations. Remarkably though, in death, there remains two portraits of Michael Jackson: the reigning King of Pop, and a pedophile whose pattern of abuse ruined his reputation. Fans and individuals alike will forever be asking if the insidious claims being made about MJ are true. This is the new narrative and the sad legacy of one of the best-selling music artists of all time. Here is his life story, told for the first time with stories and testimony that will leave you shaken.