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Explores notions of personal and cultural identity, and offers an introduction to the work of women in literature, film, dance, and visual art in Germany.
Drawn from theatre events variously described as documentary, post-dramatic, and live art, the texts collected here seldom look or read like plays-some comprise rules for improvisation; others could best be described as theatrical scenarios; a few are transcripts; one includes a soup recipe. Yet amid these dramaturgical tests and trials, one finds poetry: heartbreaking stories of disability and triumph as well as strange, disjointed fairy tales interrupted by communist songs. This volume is an extension of the original theatrical experiments.
Features letters written (but never posted) by a 60 year-old woman, to her children living abroad, about the experience of living in Hamburg during the war. Discovered in a drawer in the 1970s, they were translated by her daughter, the late Ruth Evans, and first published in England and Germany in 1979.
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During the occupation of West Germany after the Second World War, the American authorities commissioned polls to assess the values and opinions of ordinary Germans. They concluded that the fascist attitudes of the Nazi era had weakened to a large degree. The author and his colleagues, who returned in 1949 from the United States, were skeptical. In their view, public opinion is not simply an aggregate of individually held opinions, but is fundamentally a public concept, formed through interaction in conversations and with prevailing attitudes and ideas "in the air." In this book, they published their findings on their group discussion experiments that delved deeper into the process of opinion formation.
Military officers are often the first to be considered politically dangerous when a state loses its authority. Overnight, actions once considered courageous are deemed criminal, and men once praised as heroes are redefined as villains. In Fallen Elites, Andrew Bickford examines how states make soldiers and what happens to fallen military elites when they no longer fit into the political spectrum. Gaining unprecedented entry into the lives of former East German officers in unified Germany, Bickford relates how these men and their families have come to terms with the shock of unification, capitalism, and citizenship since the fall of the Berlin Wall. Often caricatured as unrepentant, hard-line communists, former officers recount how they have struggled with their identities and much-diminished roles. Their disillusionment speaks to global questions about the contentious relationship between the military, citizenship, masculinity, and state formation today. Casting a critical eye on Western triumphalism, they provide a new perspective on our own deep-seated assumptions about "soldier making," both at home and abroad.
Using previously classified documents and original interviews, The Other Alliance examines the channels of cooperation between American and West German student movements throughout the 1960s and early 1970s, and the reactions these relationships provoked from the U.S. government. Revising the standard narratives of American and West German social mobilization, Martin Klimke demonstrates the strong transnational connections between New Left groups on both sides of the Atlantic. Klimke shows that the cold war partnership of the American and German governments was mirrored by a coalition of rebelling counterelites, whose common political origins and opposition to the Vietnam War played a vital role in generating dissent in the United States and Europe. American protest techniques such as the "sit-in" or "teach-in" became crucial components of the main organization driving student activism in West Germany--the German Socialist Student League--and motivated American and German student activists to construct networks against global imperialism. Klimke traces the impact that Black Power and Germany's unresolved National Socialist past had on the German student movement; he investigates how U.S. government agencies, such as the State Department's Interagency Youth Committee, advised American policymakers on confrontations with student unrest abroad; and he highlights the challenges student protesters posed to cold war alliances. Exploring the catalysts of cross-pollination between student protest movements on two continents, The Other Alliance is a pioneering work of transnational history.
The unique perspective of the "other witnesses" included here--that of immigrant outsiders, foreigners who wrote primarily for a minority-language group in the United States--provides the reader with a new understanding of this important period of America's growth and development. Included are works by Christian Essellen, Reinhold Solger, Mathilde Franziska Anneke, Theodor Kirchhoff, Udo Brachvogel, Robert Reitzel, Julius Gugler, Edna Fern, Lotte Leser, and others: plays, short stories, and poems, as well as selections from novels, essays, and memoirs. Some of the texts have never appeared in book form, and still others are published here for the first time. Introductory essays to each chapter provide background information and point the way for further research. The volume will be a welcome addition to the collections of institutional libraries, historians, and Germanists alike.
Welcome to Germany, a country where you should always wait at the red man, show up on time for your wedding, and be extremely suspicious if anyone offers you a doughnut. 'German men sit down to pee' is a tongue-in-cheek guidebook to German culture that highlights the rules Germans consciously and unconsciously follow, while trying to make a little sense of it all along the way. Why, for example, mowing your lawn on a Sunday will mean getting an earful from your neighbour, but lie naked in the middle of a public park and nobody will bat an eyelid. Ideal for anyone visiting or moving to Germany, 'German Men Sit Down to Pee' offers a collection of insights into German culture while at the same time highlighting rules and cultural norms that those visiting Germany will not only find humorous but useful for avoiding any cultural faux-pas.