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My book is titled, "Oswald?s Trigger Films: The Manchurian Candidate, We Were Strangers, Suddenly?, "and it was published last winter. I would like it to be catalogued/cross-referenced under the subjects of History, Politics, and Film. I also have a 25-word descriptive blurb for it, but am not sure if I should send the blurb to you or to a colleague. Please let me know. Oh, one final matter: originally I may have indicated that the book was 65 pages long, but that was a mistake, since the final version was/is 81 pages long. It has gotten very good comments so far.
For fifty years the truth about the assassination of President John F. Kennedy has been obscured. This book releases us from a crippling distortion of American history. At 1:00 p.m. on November 22, 1963, President John F. Kennedy was pronounced dead, the victim of a sniper attack during his motorcade through Dallas. That may be the only fact generally agreed upon in the vast literature spawned by the assassination. National polls reveal that an overwhelming majority of Americans (75%) believe that there was a high-level conspiracy behind Lee Harvey Oswald. Many even believe that Oswald was entirely innocent. In this continuously absorbing, powerful, ground-breaking book, Vincent Bugliosi shows how we have come to believe such lies about an event that changed the course of history. The brilliant prosecutor of Charles Manson and the man who forged an iron-clad case of circumstantial guilt around O. J. Simpson in his best-selling Outrage Bugliosi is perhaps the only man in America capable of writing the definitive book on the Kennedy assassination. This is an achievement that has for years seemed beyond reach. No one imagined that such a book would ever be written: a single volume that once and for all resolves, beyond any reasonable doubt, every lingering question as to what happened in Dallas and who was responsible. There have been hundreds of books about the assassination, but there has never been a book that covers the entire case, including addressing every piece of evidence and each and every conspiracy theory, and the facts, or alleged facts, on which they are based. In this monumental work, the author has raised scholarship on the assassination to a new and final level, one that far surpasses all other books on the subject. It adds resonance, depth, and closure to the admirable work of the Warren Commission. Reclaiming History is a narrative compendium of fact, forensic evidence, reexamination of key witnesses, and common sense. Every detail and nuance is accounted for, every conspiracy theory revealed as a fraud on the American public. Bugliosi's irresistible logic, command of the evidence, and ability to draw startling inferences shed fresh light on this American nightmare. At last it all makes sense. Some images in this ebook are not displayed due to permissions issues.
In this book, former Warren Commission lawyer Burt Griffin examines anew the Kennedy assassination, its various investigations, its effects on the Cold War and the civil rights movement, and the motives of Lee Harvey Oswald and Jack Ruby. Griffin begins with his own skeptical reaction to the assassination, proceeds to the Dallas police investigation, and continues with the efforts of himself and his colleagues to sift truth from those who concealed, withheld, or exaggerated evidence. After nearly six decades of study, Judge Griffin is satisfied that Oswald acted alone. He concludes that violence in the Cold War and civil rights movement caused Oswald to believe that blame for Kennedy's death might be placed on followers of rightwing activist and former U.S. Army general Edwin Walker. Walker was an outspoken enemy of Oswald's idol, Cuban president Fidel Castro, and a firm opponent of racial integration--and Oswald had already attempted to murder Walker in April 1963. The author gives the Walker movement a more prominent place in the assassination story and traces the conflicting ambitions of Walker, Oswald, Kennedy and Ruby as they collided in October and November 1963. This book will help serious readers separate truth from fiction and to become examiners of how insignificant, unsuspected, powerless people driven by very personal needs and fears can, with the help of a firearm, alter the course of history.
Reporting new and never-before-published information about the assassination of John F. Kennedy, this investigation dives straight into the deep end, and seeks to prove the CIA’s involvement in one of the most controversial topics in American history. Featuring intelligence gathered from CIA agents who reported their involvement in the assassination, the case is broken wide open while covering unexplored ground. Gritty details about the assassination are interlaced throughout, while primary and secondary players to the murder are revealed in the in-depth analysis. Although a tremendous amount has been written in the nearly five decades since the assassination, there has never been, until now, a publication to explore the aspects of the case that seemed to defy explanation or logic.
Making sense of Lee Harvey Oswald's politics is not easy and has understandably resulted in quite varied interpretations. In the aftermath of the assassination, the immediate reaction of many who knew him or knew about him was that Oswald could never have shot the president for political reasons. Oswald's Politics traces the political thought and behaviour of the historical Lee Harvey Oswald before the events of November 22, 1963. It presents an alternative explanatory model of Oswald to the psycho-historical one used by the Warren Commission and argues that his ideas and actions resulted more from environmental and intellectual influences than attitudinal factors. It examines the impact the political culture of the American South and events of the Cold War had on his outlook and places Oswald within the political world of the New Left. The book concludes with a discussion as to his possible involvement in the JFK assassination and motives, and provides a compendium of all his known political writings and other key documents. Such analysis is integral to any speculation about his possible guilt or innocence and the most important question of all, which the physical evidence is unlikely ever to answer: why was JFK killed?
For many intelligent people, the stuff of history does not consist of the kind of dry-as-dust investigations of diplomatic, economic, or political history that most university historians research and write about, but the famous topics of “history’s mysteries”- who was Jack the Ripper? Was there a conspiracy to kill President Kennedy? Did Richard III murder the Princes in the Tower? What are the mysteries of the ancient Pyramids? Not only have a great many books and articles been written on these and similar topics by so-called “amateur historians,” but they have generated societies, conferences, newsletters, and television programmes. Many people who are not academic historians take a keen interest in these topics, and have in some cases made themselves real experts on them, with interesting theories of their own. Despite all of this, however, these topics are virtually ignored by academic historians and can be treated with contempt. In Shadow Pasts, William D. Rubinstein a well-known and widely published history professor, examines seven of the most famous and interesting topics which have been discussed, debated, examined, and written about by “amateur historians. Each of these mysteries and the theories surrounding them are examined in detail, with Professor Rubinstein presenting his own original and sometimes surprising conclusions about what really happened.
An original and illuminating narrative revealing John F. Kennedy's lasting influence on America, by the acclaimed political analyst Larry J. Sabato.
The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.
This historical study is “a compelling demonstration that the science of memory . . . is both a product of and an influence on the culture from which it springs” (Bookforum). Think about a birthday you remember well. Now step back and ask: how clear are those memories? Is there a chance you’re remembering incorrectly? And what about the details you can no longer recall? Are they hidden in your brain, or are they gone forever? Such questions have fascinated scientists for ages, and, as Alison Winter shows in Memory: Fragments of a Modern History, the answers have changed dramatically in just the past century. Tracing the cultural and scientific history of our understanding of memory, Winter explores early metaphors that likened memory to a filing cabinet and, later, a reel of film. Those models were eventually replaced by one in which memory results from an extremely complicated, brain-wide web of cells and systems that together assemble our pasts. Winter introduces us to innovative scientists and sensationalistic seekers, and, drawing on evidence ranging from scientific papers to diaries to movies, explores the way that new understandings from the laboratory have seeped out into psychiatrists’ offices, courtrooms, and the culture at large. Along the way, she investigates the sensational battles over the validity of repressed memories that raged through the 1980s and shows us how changes in technology—such as the emergence of recording devices and computers—have again and again altered the way we conceptualize, and even try to study, the ways we remember.
The classic thriller about a hostile foreign power infiltrating American politics: “Brilliant . . . wild and exhilarating.” —The New Yorker A war hero and the recipient of the Congressional Medal of Honor, Sgt. Raymond Shaw is keeping a deadly secret—even from himself. During his time as a prisoner of war in North Korea, he was brainwashed by his Communist captors and transformed into a deadly weapon—a sleeper assassin, programmed to kill without question or mercy at his captors’ signal. Now he’s been returned to the United States with a covert mission: to kill a candidate running for US president . . . This “shocking, tense” and sharply satirical novel has become a modern classic, and was the basis for two film adaptations (San Francisco Chronicle). “Crammed with suspense.” —Chicago Tribune “Condon is wickedly skillful.” —Time