Download Free Oscar Wilde As A Character In Victorian Fiction Book in PDF and EPUB Free Download. You can read online Oscar Wilde As A Character In Victorian Fiction and write the review.

This book documents how Oscar Wilde was appropriated as a fictional character by no less than thirty-two of his contemporaries, including such celebrated writers as Joseph Conrad, Arthur Conan Doyle, Henry James, George Bernard Shaw and Bram Stoker.
This thesis considers the topic of Oscar Wilde as a character in Victorian fiction, with a view to providing new insights into Wilde's contemporary context. Thirty five novels and short stories by Victorian authors such as Joseph Conrad, Arthur Conan Doyle, Henry James, George Bernard Shaw and Bram Stoker are examined and critiqued. This study is intended to demonstrate the value and aptness of biographical and new historical approaches to Wilde.
________________'Emer O'Sullivan has made an indispensable contribution to Wildean literature ... Compelling, informative and fascinating' - Stephen Fry 'Vivid and meticulously researched ... The name of Wilde stands for "what is singular, independent-minded, and fearless". Words that also describe this splendid book *****' - Frances Wilson, Mail on Sunday'O'Sullivan vividly evokes the cultural vitalities Oscar inherited from the house he was born into ... Hugely readable' - John Sutherland, The Times________________Oscar Wilde's father - scientist, surgeon, archaeologist, writer - was one of the most eminent men of his generation. His mother - poet, journalist, translator - hosted an influential salon at 1 Merrion Square. Together they were one of Victorian Ireland's most dazzling and enlightened couples. When, in 1864, Sir William Wilde was accused of sexually assaulting a female patient, it sent shock waves through Dublin society. After his death some ten years later, Jane attempted to re-establish the family in London, where Oscar burst irrepressibly upon the scene, only to fall in a trial as public as his father's. A remarkable and perceptive account, The Fall of the House of Wilde is a major repositioning of our first modern celebrity, a man whose fall from grace marked the end of fin de siècle decadence.
Packed with new evidence, "Making Oscar Wilde" tells the untold story of a local Irish eccentric who became a global cultural icon. This must-read book dramatizes Oscar Wilde's remarkable rise in Victorian England and post-Civil War America. Michele Mendelssohn interweaves biography and social history to reveal a life like no other.
Originally published: Oscar Wilde and the candlelight murders. London : John Murray, 2007.
An innovative new edition of nine classic short stories from one of the greatest writers of the Victorian era. “I cannot think other than in stories,” Oscar Wilde once confessed to his friend André Gide. In this new selection of his short fiction, Wilde’s gifts as a storyteller are on full display, accompanied by informative facing-page annotations from Wilde biographer and scholar Nicholas Frankel. A wide-ranging introduction brings readers into the world from which the author drew inspiration. Each story in the collection brims with Wilde’s trademark wit, style, and sharp social criticism. Many are reputed to have been written for children, although Wilde insisted this was not true and that his stories would appeal to all “those who have kept the childlike faculties of wonder and joy.” “Lord Arthur Savile’s Crime” stands alongside Wilde’s comic masterpiece The Importance of Being Earnest, while other stories—including “The Happy Prince,” the tale of a young ruler who had never known sorrow, and “The Nightingale and the Rose,” the story of a nightingale who sacrifices herself for true love—embrace the theme of tragic, forbidden love and are driven by an undercurrent of seriousness, even despair, at the repressive social and sexual values of Wilde’s day. Like his later writings, Wilde’s stories are a sweeping indictment of the society that would imprison him for his homosexuality in 1895, five years before his death at the age of forty-six. Published here in the form in which Victorian readers first encountered them, Wilde’s short stories contain much that appeals to modern readers of vastly different ages and temperaments. They are the perfect distillation of one of the Victorian era’s most remarkable writers.
In this renowned work and his only novel, Oscar Wilde paints disturbing portrait of the effects of evil and depravity on a young dandy in late-19th-century England. Merging elements of Gothic horror and decadent French fiction, the novel centers on an arresting premise: As Dorian Gray delves deeper into a life of crime and unrefined sensuality, his body retains its flawless youth and vitality while the recently painted portrait of himself becomes more and more a hideous evidence of evil, which he manages to keep hidden from the world. For over a hundred years this spellbinding tale of suspense and horror has enjoyed massive popularity. It is surely one of Wilde's most important writings and among the classic literary achievements of its time. This Victorian Ladies Edition is illustrated with Black and White Sketches from Wilde's own mystical and haunting Victorian Era. Press ADD TO CART now! Press ADD TO CART now! Press ADD TO CART now!
The Picture of Dorian Gray, the only novel by Oscar Wilde, was first published in 1890. A substantially revised and expanded edition was published in April 1891. For the new edition, Wilde revised the content of the novel's existing chapters, divided the final chapter into two chapters, and created six entirely new additional chapters. Whereas the original edition of the novel contains 13 chapters, the revised edition of the novel contains 20 chapters. The 1891 version was expanded from 13 to 20 chapters, but also toned down, particularly in some of its overt homoerotic aspects. Also, chapters 3, 5, and 15 to 18 are entirely new in the 1891 version, and chapter 13 from the first edition is split in two (becoming chapters 19 and 20). The novel tells of a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Dorian is selected for his remarkable physical beauty, and Basil becomes strongly infatuated with Dorian, believing that his beauty is responsible for a new mode of art. The Picture of Dorian Gray is considered one of the last works of classic gothic horror fiction with a strong Faustian theme. It deals with the artistic movement of the decadents, and homosexuality, both of which caused some controversy when the book was first published. However, in modern times, the book has been referred to as "one of the modern classics of Western literature. Oscar Wills Wilde (1854 – 1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his only novel (The Picture of Dorian Gray), his plays and poetry, and the circumstances of his imprisonment and early death.
Examines legal and literary narratives of personhood in the nineteenth centuryWhy would Hawthorne and Eliot grant their fallen women an anachronistic right to silence that could only worsen their punishment? Why did Bronte and Gaskell find gossip such a useful source of information when lawyers excluded it as hearsay? How did Trollope's work as an editor influence his preoccupation throughout his novels with libel?Drawing on a range of primary sources including novels, Victorian periodical literature, legislative debate, case law, and legal treatise, Cathrine O. Frank traces the ways conventions of literary characterisation mingled with character-centred legal developments to produce a jurisprudential theory of character that extends beyond the legal profession. She explores how key categories and representational strategies for imagining individual personhood also defined communities and mediated relations within them, in life and in fiction.This book offers new readings of works by Nathaniel Hawthorne, George Eliot, Anne Bronte, Elizabeth Gaskell, Anthony Trollope, Robert Louis Stevenson, Oscar Wilde and Arthur Conan Doyle. It analyses their literary constructions of character in relation to specific legal cases and doctrines, including the right to silence, libel and privacy.Key Features:* traces the concept of character through related areas of law, cultural discourses of character and the formal structures of the novel* includes new work on Anthony Trollope's topical and editorial interest in libel* includes new coverage of the relationship between libel, the development of privacy rights and emerging modernist aesthetics* presents a transatlantic approach to select works and issues, including the right to silence and privacyCathrine O. Frank is Professor of English at the University of New England, Maine, USA
Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.