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The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.
The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.
Fascinating texts written on small gold tablets that were deposited in graves provide a unique source of information about what some Greeks and Romans believed regarding the fate that awaited them after death, and how they could influence it. These texts, dating from the late fifth century BCE to the second century CE, have been part of the scholarly debate on ancient afterlife beliefs since the end of the nineteenth century. Recent finds and analysis of the texts have reshaped our understanding of their purpose and of the perceived afterlife. The tablets belonged to those who had been initiated into the mysteries of Dionysus Bacchius and relied heavily upon myths narrated in poems ascribed to the mythical singer Orpheus. After providing the Greek text and a translation of all the available tablets, the authors analyze their role in the mysteries of Dionysus, and present an outline of the myths concerning the origins of humanity and of the sacred texts that the Greeks ascribed to Orpheus. Related ancient texts are also appended in English translations. Providing the first book-length edition and discussion of these enigmatic texts in English, and their first English translation, this book is essential to the study of ancient Greek religion.
The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date.
Orphic gold tables are key documents for the knowledge of rites and beliefs of Orphics, an atypical group that configured a highly original creed and that influenced powerfully over other Greek writers and thinkers. The recent discovery of some tablets has forced a noteworthy modification of some points of view and a review ofthe different hypothesis proposed about them. The book presents a complete edition of the texts, their translation and some fundamental keys for their interpretation, in an attempt at updating our current knowledge on Orphic ideas about the soul and the Afterlife stated in those texts. The work is improved with an appendix of iconographic annotations in which some plastic representations in drawings are reproduced related to the universe of tablets, selected and commented on by Ricardo Olmos.
Eurydice (c.410-340s BCE) played a significant part in the public life of ancient Macedonia, the first royal Macedonian woman known to have done so, though hardly the last. She was the wife of Amyntas III, the mother of Philip II (and two other short-lived kings of Macedonia), and grandmother of Alexander the Great. Her career marks a turning point in the role of royal women in Macedonian monarchy, one that coincides with the emergence of Macedonia as a great power in the Hellenic world. This study examines the nature of her public role as well as the factors that contributed to its expansion and to the expanding power of Macedonia. Some ancient sources picture Eurydice as a murderous adulteress willing to attempt the elimination of her husband and her three sons for the sake of her lover, whereas others portray her as a doting and heroic mother whose actions led to the preservation of the throne for her sons. While the latter view is likely closer to historical reality, both the "good" and "bad" Eurydice traditions portray her as the leader of a faction, an active figure at court and in international affairs. Eurydice's activity, sinister or not, directly related to the fact that, at the time of her husband's death, the eldest of her three sons was barely old enough to rule and enemies, foreign and domestic, threatened. Two of Eurydice's sons were assassinated and the third died in battle. Eurydice functioned not only a succession advocate for her sons but she also played a part in the construction of the public image of the dynasty, both because of her own actions and because of the ways in which her son Philip II chose to depict and commemorate her. Drawing on recent archaeological discoveries and all surviving literary evidence, this portrait illuminates the life of a remarkable queen at the birth of a celebrated epoch.
This is the first work to trace the origins of religion to the "Agricultural Revolution." It does so by identifying the enigmatic psychoactive drugs employed by the Indo-European religion. Through the ancient Vedic literature, the archaeological record, and through chemistry, this work identifies the ingredients and the method of preparation employed to produce the Soma of the Rig-Veda, Haoma, and the Kykeon. A contribution to both the history of science and the history of religion, Soma shows that the dawn of civilization was the product of the cultivation of cereals which enabled early man to exchange a nomadic life of hunting and gathering for a sedentary one, giving rise to settlements that would eventually become city-states and nations. The work reveals that this civilizing revolution was not only the origins of science, but also the origins of religion. The author presents literary evidence from the Vedas, Brahmanas, and Vedic ritual texts to identify the source of the ritual sacrament called Soma (or Madhu, "Mead"), and he describes the chemical processes that rendered it non-toxic. In addition, he shows that the ancient literature of the Greeks and the chemistry indicate a similar method was employed to produce the hallucinogenic kykeon of the Greek Eleusinian Mysteries, the center of Greek civilization. The work also explores the ethnographic relationship between the Indo-European priesthood (that included the priests of ancient Greece) and the Indo-Aryan priesthood, a branch of the Indo-Europeans that included the Soma-drinking Vedic priests of India. The identification of Soma is a solution to one of the greatest mysteries in the history of religion. The chemistry is consistent with the chemistry of the Greek kykeon, another important and unsolved question in the history of religion, which like Soma, has appeared to many as unsolvable. Finally, through the Greek and Roman classics the work demonstrates the relationship between the Indo-Aryans and Indo-Europeans as well as the similarities of traditions among the priesthoods extending throughout the great civilizations of the ancient world. The book also contains scientific evidence for the production of the 'Philosopher's Stone' briefly addressed in Shelley?s earlier book, Science, Alchemy and the Great Plague of London.
Examines new methodologies used in the study of these tablets. Includes an updated edition and translation of the tablet texts.