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This work visually presents some of India's great architectural achievements viewed by a Westerner as an art form. Strong black and white photographic details of existing buildings, starting with the second century B.C. stupa at S ch and concluding with the Indo-Muslim architecture of the Moghul period, are presented.
The richness of the arts of India is overwhelming, and perhaps most noticeably so in its architecture. This innovative volume reveals the exquisite detail of the decorative compositions, their finesse, precision, and creativity. It also highlights the skill, patience, and pictorial imagination of the many thousands of craftsmen and their patrons. The timeline runs for almost two thousand years, from the Buddhist stupa at Sanchi of the first century BC/AD to Rajput palace interiors of c. 1900. Hundreds of atmospheric photo- graphs are juxtaposed with graphic transpositions of the designs, patterns, and ornamentation to reveal the nature of the architectural detail, where stone, wood, mirror work, and plaster are transformed into masterworks of decorative art.
This book presents a comprehensive overview of the historical and cultural linkages between India and Iran in terms of art and architectural traditions and their commonality and diversity. It addresses themes such as early connections between Iran, India and Central Asia; study of the Qutb Complex in Delhi; the great immigration of Turks from Asia to Anatolia; the collaboration of Indian and Persian painters; design, ornamentation techniques and regional dynamics; women and public spaces in Shahjahanabad and Isfahan; the noble-architects of emperor Shah Jahan's reign; development of Kashmir’s Islamic religious architecture in the medieval period; role of Nur Jahan and her Persian roots in the evolution of the Mughal Garden; synthesis of Indo-Iranian architecture; and confluence of Indo-Persian food culture to showcase the richness of art, architecture, and sociocultural and political exchanges between the two countries. Bringing together a wide array of perspectives, it delves into the roots of connection between India and Iran over centuries to understand its influence and impact on the artistic and cultural genealogy and the shared past of two of the oldest civilizations and regional powers of the world. With its archival sources, this book will be useful to scholars and researchers of medieval history, Indian history, international relations, Central Asian history, Islamic studies, Iranian history, art and architecture, heritage studies, cultural studies, regional studies, and South Asian studies as well as those interested in the study of sociocultural and religious exchanges.
Through lucid visual analysis, accompanied by drawings, this book will allow readers to appreciate the concepts underlying designs that at first sight often seem bewilderingly intricate. The book will be divided into six parts that cover the history and development of the design and architecture of Indian temples.
The vibrant tradition of Temple decoration in India.
Exceptionally comprehensive, easy-to-use guide surveys the evolution of historic ornament in architecture and the applied arts-from primitive ornaments of Oceania, Egypt, and Assyria to a Gothic doorway in Amiens, the tomb of Lorenzo de Medici, and a classic early-nineteenth-century sofa by Thomas Hope. Hundreds of the author's line illustrations depict designs typical of many periods of style. Unabridged reprint of the 6th edition (1948) of A Manual of Historic Ornament, originally published in 1899 by B. T. Batsford, Ltd., London. Over 700 b/w illustrations. 16 plates of photographs.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.