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Building on the pioneering work of Edward Said in fresh and useful ways, contributors to this volume consider both historical contacts and literary influences in the formation of Latin American constructs of the “Orient” and the “Self” from colonial times to the present. In the process, they unveil wide-ranging manifestations of Orientalism. Contributors scrutinize the “other” great encounter, not with Europeans but with Arabic, Chinese, and Japanese cultures, as they marked Latin American societies from Mexico, Central America, and the Caribbean to Peru, Argentina, and Brazil. The perspectives, experiences, and theories presented in these examples offer a comprehensive framework for understanding wide-ranging manifestations of Orientalism in Latin America and elsewhere in the developing world. Orientalism and Identity in Latin America expands current theoretical frameworks, juxtaposing historical, biographical, and literary depictions of Middle Eastern and Asian migrations, both of people and cultural elements, as they have been received, perceived, refashioned, and integrated into Latin American discourses of identity and difference. Underlying this intercultural dialogue is the hypothesis that the discourse of Orientalism and the process of Orientalization apply equally to Near Eastern and Far Eastern subjects as well as to immigrants, regardless of provenance—and indeed to any individual or group who might be construed as “Other” by a particular dominant culture.
This encyclopedia provides an overview of the main religions of Latin America and the Caribbean, both its centralized transnational expressions and its local variants and schisms. These main religions include (but are not limited to) the major expressions of Christianity (Roman Catholicism, Protestantism, Pentecostalism, Mormonism, and Jehovah’s Witnesses), indigenous religions (Native American, Maya religion), syncretic Christianity (including Afro-Brazilian religions like Umbanda and Candomblé and Afro-Caribbean religions like Vodun and Santería), other world religions (Buddhism, Hinduism, Judaism, Islam), transnational New Religious Movements (Scientology, Unification Church, Hare Krishna, New Age, etc.), and new local religions (Brazil’s Igreja Universal, La Luz del Mundo from Mexico, etc.).
"Clear and well documented, this is a very important contribution to the rich, varied work on British imperial activities and to postcolonial studies."--Helen M. Cooper, Stony Brook University Ramirez examines British literary representations of Latin America from the 16th through the 20th centuries, with particular attention to travel writing and fiction published during and after Latin American independence. Locating these representations within the political and economic histories of the countries in which they are set, she places works by Sir Walter Ralegh, Joseph Conrad, Arthur Conan Doyle, Malcolm Lowry, and Graham Greene within a critical context that can best be called "Americanist" and surveys the prominent themes of these works. She also examines their imperialist impulses and their changing master cultural narratives, from Charles Gould's "idea" of empire and his faith in commercial development for Latin America in Conrad's Nostromo to Lowry's Under the Volcano, a story of a failed and alcoholic English Consul in 1930s Mexico. Americanist literature, as Ramirez sees it, manifests mostly informal aspects of imperialism, reflecting the British desire to invest, develop, map, and catalog in countries as varied as Mexico, Panama, Peru, and Brazil. Ramirez argues that British representations of Latin Americareveal an authorial freedom to advance imperial and commercial projects on one hand, while questioning the English self and sense of strangeness in the New World on the other. Especially in the 19th- and 20-century works under consideration, she reveals an acute sense of vulnerability, as British power worldwide had begun to crumble. Expanding on the critical conversation surrounding "Orientalism" and "New World Studies," Ramirez's examination of informal British imperialism and the struggle of motives represented in each of the selected narratives opens a fascinating new terrain of texts reflecting the historical relationship between Britain and Latin America.
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Examines the presence of Arabs and the Arab world in nineteenth- and twentieth-century Argentine literature by juxtaposing works by Argentines of European descent and those written by Arab immigrants in Argentina. Between Argentines and Arabs is a groundbreaking contribution to two growing fields: the study of immigrants and minorities in Latin America and the study of the Arab diaspora. As a literary and cultural study, this book examines the textual dialogue between Argentines of European descent and Arab immigrants to Argentina from the mid-1800s to the mid-1900s. Using methods drawn from literary analysis and cultural studies, Christina Civantos shows that the Arab presence is twofold: “the Arab” and “the Orient” are an imagined figure and space within the texts produced by Euro-Argentine intellectuals; and immigrants from the Arab world are an actual community, producing their own texts within the multiethnic Argentine nation. This book is both a literary history—of Argentine Orientalist literature and Arab-Argentine immigrant literature—and a critical analysis of how the formation of identities in these two bodies of work is interconnected. Christina Civantos is Assistant Professor of Languages and Literatures at the University of Miami.
López-Calvo uses contemporary Nikkei texts such as fiction, testimonies, and poetry to construct an account of the cultural formation of Japanese migrant communities, and in so doing challenges fixed notions of Japanese Peruvian identity.
In recent decades in Spain and Latin America, transnational voices, typically stereotyped, alienated or co-opted in the Western world, have been gaining increasing presence in cultural texts. The transnational representation of the “Oriental” subject, namely Arabs and Jews, Chinese and other ethnic groups that have migrated to Spain and Latin America either voluntarily or forcefully, is now being seen anew in both literature and cinema. This book explores Orientalism beyond literature, in which it has already garnered attention, to examine the new ways of seeing and interpreting both the Middle East and the East in contemporary films, in which many of the immigrants traditionally omitted from the dominant narratives are able to present the trauma, memories and violence of their exile and migration. As such, this volume explores the representation of those single and doubly marginalized groups in contemporary Spanish and Latin American cinema, analysing how films from Spain, Mexico, Chile, Brazil and Argentina portray transnational subjects from a wide spectrum of the “Orient” world, including Maghrebs from North Africa, and Palestinian, Jewish, Chinese, and Korean peoples. Once vulnerable to the dominant culture of their adopted homes, facing ostracism and marginalisation, these groups are now entering into the popular imagination and revised history of their new countries. This volume explores the following questions as starting points for its analysis: Are these manifestations the new orientalist normative, or are there other characterizations? Are new cinematic scopes and understandings being created? The old stereotypical orientalist ways of seeing these vulnerable groups are beginning to change to a more authentic representation, although, in some cases, they may still reside in the subtext of films.
With a Foreword by José David Saldívar Since its first publication in Spanish nearly a decade ago, Julio Ramos’s Desenucuentros de la modernidad en America Latina por el siglo XIX has been recognized as one of the most important studies of modernity in the western hemisphere. Available for the first time in English—and now published with new material—Ramos’s study not only offers an analysis of the complex relationships between history, literature, and nation-building in the modern Latin American context but also takes crucial steps toward the development of a truly comparative inter-American cultural criticism. With his focus on the nineteenth century, Ramos begins his genealogy of an emerging Latin Americanism with an examination of Argentinean Domingo Sarmiento and Chilean Andrés Bello, representing the “enlightened letrados” of tradition. In contrast to these “lettered men,” he turns to Cuban journalist, revolutionary, and poet José Martí, who, Ramos suggests, inaugurated a new kind of intellectual subject for the Americas. Though tracing Latin American modernity in general, it is the analysis of Martí—particularly his work in the United States—that becomes the focal point of Ramos’s study. Martí’s confrontation with the unequal modernization of the New World, the dependent status of Latin America, and the contrast between Latin America’s culture of elites and the northern mass culture of commodification are, for Ramos, key elements in understanding the complex Latin American experience of modernity. Including two new chapters written for this edition, as well as translations of three of Martí’s most important works, Divergent Modernities will be indispensable for anyone seeking to understand development and modernity across the Americas.
In this important new book Jorge Larrain examines the trajectories of modernity and identity in Latin America and their reciprocal relationships. Drawing on a large body of work across a vast historical and geographical range, he offers an innovative and wide-ranging account of the cultural transformations and processes of modernization that have occurred in Latin America since colonial times. The book begins with a theoretical discussion of the concepts of modernity and identity. In contrast to theories which present modernity and identity in Latin America as mutually excluding phenomena, the book shows their continuity and interconnection. It also traces historically the respects in which the Latin American trajectory to modernity differs from or converges with other trajectories, using this as a basis to explore specific elements of Latin America's culture and modernity today. The originality of Larrain's approach lies in the wide coverage and combination of sources drawn from the social sciences, history and literature. The volume relates social commentaries, literary works and media developments to the periods covered, to the changing social end economic structure, and to changes in the prevailing ideologies. This book will appeal to second and third-year undergraduates and Masters level students doing courses in sociology, cultural studies and Latin American history, politics and literature. .
Comparative philosophy is an important site for the study of non-Western philosophical traditions, but it has long been associated with “East-West” dialogue. Comparative Studies in Asian and Latin American Philosophies shifts this trajectory to focus on cross-cultural conversations across Asia and Latin America. A team of international contributors discuss subjects ranging from Orientalism in early Latin American studies of Asian thought to liberatory politics in today's globalized world. They bring together resources including Latin American feminism, Aztec teachings on ethics, Buddhist critiques of essentialism, and Confucian morality. Chapters address topics such as educational reform, the social practices surrounding breastfeeding, martial arts as political resistance, and the construction of race and identity. Together the essays reflect the philosophical diversity of Asia and Latin America while foregrounding their shared concerns on issues of Eurocentrism and coloniality. By bringing these critical perspectives to bear on the theories and methods of cross-cultural philosophy, Comparative Studies in Asian and Latin American Philosophies offers new insights into the nature and practice of philosophical comparison.