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Tacky the penguin does not fit in with his sleek and graceful companions, but his odd behavior comes in handy when hunters come with maps and traps.
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Making Silver is a beautiful new book conceived by Richard Tuttle and published by Bergen Kunsthall.Featuring new texts and comprehensive installation photos from his exhibition Slide (2012), it documents the sculptural works Richard Tuttle made on site in Bergen, as well as including full colour reproductions of 121 drawings.These 'notebook drawings' cover the artist's entire artistic output of a single year (2010).The unique concept for the book includes an inserted 'book within a book' pop-out details, and an extensive fold out cover.Published retrospectively after the exhibition Richard Tuttle: Slides at Bergen Kunsthall, 3 November - 16 December 2012.In 2014/15 TATE Modern hosted a major exhibition of Tuttle's new work in its iconic Turbine Hall.
This catalogue accompanies the exhibition of the same name, on view at the Georgia Museum of Art June 13-Sept. 13, 2015. It includes full-color images of every work in the exhibition and many supplementary works produced by the Mexican printmaking workshop, as well as essays by Deborah Caplow, Elizabeth Kathleen Mitchell, Helga Prignitz-Poda, collector Michael T. Ricker, Arturo García Bustos and Pablo Méndez, each addressing a different aspect of the workshop. Catalogue entries provide more information on the individual works. It is the most comprehensive and most completely illustrated publication on the workshop and is an essential reference work as well as a handsome publication for the layperson. --! From publisher's description.