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"Paper Pools is the most recent major group of works by David Hockney, demonstrating his fascination with new techniques in the service of his passionate pursuit of creative representation. In 1976, Hockney had become obsessed with the technique of coloured etching, which he had been taught by the French print-maker Aldo Crommelynck and which resulted in the Blue Guitar series, among other inventive works. Now Hockney has applied himself with infectious enthusiasm to the making of Paper Pools, in which painting and paper-making are totally fused." --preface.
These two volumes present a selection of the Chinese Ceramics belonging to the celebrated collection of the Far Eastern art established as a museum in Geneva through the bequest of the Swiss collector Alfred Baur in 1964. A full catalogue of these ceramics by John Ayers was published in 4 volumes between 1969-1974, but this mugh-sought after work has long been out of print. The present more condensed choice of 342 of the finest pieces is illustrated wholly in color with many details including marks and inscriptions, and an extensive Introduction discussing recent advances in scholarship. Volume 1 includes Tang, Song, and Ming wares including many masterpieces of the art; Volume 2 is devoted to the incomparable series of Qing porcelains, which features an unparalleled range of monochrome-glazed wares.
Catalog of an exhibition organized by the Los Angeles County Museum of Art in collaboration with the Percival David Foundation of Chinese Art. Many of the porcelains in this volume were once owned by Chinese emperors: all are extraordinary specimens. Ranging from the ninth to the 18th centuries, they opitomize the sophistication of imperial Chinese taste. Five essays by scholars of Chinese art describe the significance of these ceramics and review recent archaeological developments contributing to their study. Fine color plates. No index. Annotation copyrighted by Book News, Inc., Portland, OR
This book probes the causes of and conditions for the preference of the members of the British-Bangladeshi community for a religion-based identity vis-à-vis ethnicity-based identity, and the influence of Islamists in shaping the discourse. The first book-length study to examine identity politics among the Bangladeshi diaspora delves into the micro-level dynamics, the internal and external factors and the role of the state and locates these within the broad framework of Muslim identity and Islamism, citizenship and the future of multiculturalism in Europe. Empirically grounded but enriched with in-depth analysis, and written in an accessible language this study is an invaluable reference for academics, policy makers and community activists. Students and researchers of British politics, ethnic/migration/diaspora studies, cultural studies, and political Islam will find the book extremely useful.
Heavily influenced by Western styles and fashions of the 20's and '30s Japanese graphic designers drew inspiration from Europe's master artists and typographers, enthusiastically importing and assimilating elements of Bauhaus, Constructivism, and Futurism. With striking illustrations of posters, brochures, and match-box labels and more, this singular volume offers a scintillating look at modern Japanese graphic design.
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.