Download Free Oriental Art Treasures From Charles Stewart Smith Collection Book in PDF and EPUB Free Download. You can read online Oriental Art Treasures From Charles Stewart Smith Collection and write the review.

New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately).
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The “lives” of objects are considered, along with the categories of “sacred” and “profane”, “religious” and “secular”. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.
The social life of New York at this period was invested with a peculiar charm. Wealth and refinement, money-making and good-breeding, were blended as never before. -from Chapter XLVI: The Final Struggle From the exuberance of post-Revolutionary Manhattan to the great debate over incorporating the independent municipality of Brooklyn into the City of New York, this final volume of an extraordinary three-volume history of New York remains an informative and entertaining resource today. Volume 3 relates tales of social elegance and bustling commerce, of the founding of Alexander Hamilton's newspaper and Broadway theaters, of grand civic projects of park creation and library building... of the modern foundations of one of the planet's most influential cities. Numerous captivating illustrations depict: .Fifth Avenue at Madison Square .bird's eye view looking south from General Grant's tomb .police parade .Cathedral of St. John the Divine .the Plaza Hotel and Metropolitan Club .bridge at Canal Street in 1800 .Washington Arch .and dozens more. Originally published from 1877 to 1881, this is a delight to browse-for history buffs and lovers of the grand metropolis alike. Also available from Cosimo Classics: Martha J. Lamb's Wall Street in History. American historian MARTHA J. LAMB (d. circa 1892) was a prolific author, publishing children's books, novels, short stories, and magazine articles, as well as serving as editor of the Magazine of American History. Active in charitable organizations, she founded Chicago's Home for Friendless and Half-Orphan Asylum, and was secretary of the city's first Sanitary Fair in 1863. MRS. BURTON HARRISON, ne Constance Cary (1843-1920), was the wife of BurtonNovell Harrison, personal secretary to Jefferson Davis. Recollections Grave and Gay (1911), her autobiography, relates her childhood in pre-Civil War Virginia and her experience as a young adult there during the war.
Winifred E. Howe's 1913 account of The Metropolitan Museum of Art's history, its founders, and trustees communicates the remarkable circumstances that led to the Museum's transformation into one of the most prestigious art museums in the world. The history begins with an account of the earliest art institutions of New York City (such as the Tammany Society and the New York Academy of Fine Arts) and goes on to describe the Museum's period of organization following the end of the Civil War. Howe details the movement of the Museum from its original downtown building to its current location in Central Park, the museum building's construction and subsequent additions, the organization of the museum's administration, and the continued expansion of the museum through the presidency of J. Pierpont Morgan.