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You are holding, to date the only critical study of the works by William of Ockham regarding his perception and teaching of the Corpus Christi. Within these pages are the main corpus of works which have been carefully screened from all extant works. The era is the early 1300's and the Christian Church is under siege of by the gradual infiltration of the writings of Aristotle into the West was not without profound repercussions on the speculative thought of the day. This was true not only in the field of natural philosophy but in an even more marked degree in the field of logic. Philosophy gained for itself more of an autonomous position without, however, becoming completely divorced from theology, the queen of the sciences. The great speculative minds of the day began to inquire more earnestly as to just which truths the human mind could demonstrate with certainty. The field of positive theology became more and more distinct from that of speculative theology.
Aristotle's highly influential work on the soul, entitled De anima, formed part of the core curriculum of medieval universities and was discussed intensively. It covers a range of topics in philosophical psychology, such as the relationship between mind and body and the nature of abstract thought. However, there is a key difference in scope between the so-called "science of the soul," based on Aristotle, and modern philosophical psychology. This book starts from a basic premise accepted by all medieval commentators, namely that the science of the soul studies not just human beings but all living beings. As such, its methodology and approach must also apply to plants and animals. The Science of the Soul discusses how philosophers from Thomas Aquinas to Pierre d'Ailly dealt with the difficult task of giving a unified account of life and traces the various stages in the transformation of the science of the soul between 1260 and 1360. The emerging picture is that of a gradual disruption of the unified approach to the soul, which will ultimately lead to the emergence of psychology as a separate discipline.
Giacomo Zabarella (1533-1589) was a Renaissance Aristotelian who enjoyed extraordinary prestige in life, especially in the fields of logic and natural philosophy. The De rebus naturalibus libri XXX was completed by Zabarella at the very end of his life: the dedicatory letter to Pope Sixtus V is dated just a month before his death. This writing had great impact and a large influence, as its editorial success in Italy and abroad (especially in Germany) reflects. It represents a massive effort to collect all the issues that come under the heading of “natural philosophy” and that had been taking shape from antiquity to the time of Zabarella within the vast and multifarious field of Aristotelianism: hence its encyclopedic character and extraordinary extension.
A series of essays on the development of medicine in the century of the Enlightenment, illustrating the decline in the role of religion in medical thinking, and the increased use of reason.
In recent decades, there has been much scholarly controversy as to the basic ontological commitments of the philosopher Gottfried Wilhelm Leibniz (1646-1716). The old picture of his thought as strictly idealistic, or committed to the ultimate reduction of bodies to the activity of mind, has come under attack, but Leibniz's precise conceptualization of bodies, and the role they play in his system as a whole, is still the subject of much controversy. One thing that has become clear is that in order to understand the nature of body in Leibniz, and the role body plays in his philosophy, it is crucial to pay attention to the related concepts of organism and of corporeal substance, the former being Leibniz's account of the structure of living bodies (which turn out, for him, to be the only sort of bodies there are), and the latter being an inheritance from the Aristotelian hylomorphic tradition which Leibniz appropriates for his own ends. This volume brings together papers from many of the leading scholars of Leibniz's thought, all of which deal with the cluster of questions surrounding Leibniz's philosophy of body.
An analysis of the history and methodology of the pre-Bach baroque fugue.
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.