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This publication of two major Lydian excavation sectors at Sardis is the first in-depth presentation of the architecture, pottery, and other artifacts belonging to the inhabitants of this native Anatolian kingdom. The two-volume book catalogues nearly 800 objects, illustrated by more than 300 color plates of photos and detailed drawings.
Reproduction of the original: The Boys' Book of Famous Rulers by Lydia Hoyt Farmer
This exceptionally well-illustrated text explores Roman art in the traditional historical manner -- with a focus on painting, sculpture, architecture, and minor arts. It assumes no prior acquaintance with the classical world, and explains the necessary linguistic, historical, religious, and political background needed to fully understand Roman art. In-depth information, historical photographs, drawings, engravings, and illustrations of architectural monuments, sculptures, paintings and decorative arts in all areas. Chronological presentation of material features: the Villanovan and Etruscan Forerunners 1000-200 BC.; the Roman Republic 200-27 BC; Augustus and the Imperial Idea 27 BC-AD 14; The Julio-Claudians AD 14-68; The Flavians: Savior to Despot AD 69-98; Trajan, Optimus Princeps AD 98-117; Hadrian and the Classical Revival AD 117-138; The Antonines AD 138-198; The Severans AD 193-235; The Soldier Emperors AD 235-284 AD; The Tetrarchs AD 284-312; Constantine AD 307-337 and the Aftermath.
The Achaemenid Persian Empire (550–330 BCE) was a vast and complex sociopolitical structure that encompassed much of modern-day Turkey, Syria, Jordan, Israel, Egypt, Iraq, Iran and Afghanistan and included two dozen distinct peoples who spoke different languages, worshipped different deities, lived in different environments and had widely differing social customs. This book offers a radical new approach to understanding the Achaemenid Persian Empire and imperialism more generally. Through a wide array of textual, visual and archaeological material, Elspeth R. M. Dusinberre shows how the rulers of the Empire constructed a system flexible enough to provide for the needs of different peoples within the confines of a single imperial authority and highlights the variability in response. This book examines the dynamic tensions between authority and autonomy across the Empire, providing a valuable new way of considering imperial structure and development.
In The Archaeology of Lydia: From Gyges to Alexander, Christopher Roosevelt provides the first overview of the regional archaeology of Lydia in western Turkey, including much previously unpublished evidence as well as a fresh synthesis of the archaeology of Sardis, the ancient capital of the region. Combining data from regional surveys, stylistic analyses of artifacts in local museums, ancient texts, and environmental studies, he presents a new perspective on the archaeology of this area. To assess the importance of Lydian landscapes under Lydian and Achaemenid rule, roughly between the seventh and fourth centuries BCE, Roosevelt situates the archaeological evidence within frameworks established by evidence for ancient geography, environmental conditions, and resource availability and exploitation. Drawing on detailed and copiously illustrated evidence presented in a regionally organized catalogue, the book considers the significance of evidence of settlement and burial at Sardis and beyond for understanding Lydian society as a whole and the continuity of cultural traditions across the transition from Lydian to Achaemenid hegemony.
Out of a lifetime of study of the ancient Near East, Professor Olmstead has gathered previously unknown material into the story of the life, times, and thought of the Persians, told for the first time from the Persian rather than the traditional Greek point of view. "The fullest and most reliable presentation of the history of the Persian Empire in existence."—M. Rostovtzeff
Table of contents
Friedrich Hölderlin's only novel, Hyperion (1797-99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin's language to an English-speaking reader.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.