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Drawing together the strands of music, sport, and popular culture under the umbrella of 'Ordinary Life, ' this engaging new book takes the reader on an entertaining journey through modern Ireland, celebrating the many unique expressions of 'Irishness.' From the folk roots of popular culture in the song The Night Larry Was Stretched, to the showbands and community building among U2 fans; from the Riddle of Ravenhill and the 1954 Irish Rugby International, to The Lion of Lahinch - an IRA man's appearance at the Walker Cup. Everyday life is explored in Corner Boys in Small Town Ireland, while a historical dimension follows the Irish railroad workers to Cuba in 1835. Bringing it back to the present is a chapter on the fascination with talk radio and its development in Ireland, and the general recycling of Irish popular culture. This lively collection contributes to the study of Irish Cultural Studies, and meets the growing interest in Irish music and sports studies in an entertaining and cutting-edge fashion. Accessible for a wide audience, the book captures the spirit of Irish life with examples of events and emotions shared by everyone
This book examines a number of different interpretations and explanations in the context of historical change, as the Irish grappled with the questions of political independence, economic autonomy, the decline of provincialism, the rise of pluralism, and the unsolved conundrum of Irish nationhood.
"Constance Markievicz had some advice for women activists: 'Leave your jewels in the bank, and buy a revolver.' Most of the women who became involved in the fight for Ireland's freedom did not have jewels to swap for guns, but the change in their circumstances and lives would be just as radical. Setting aside their roles as dutiful daughters, wives, and mothers, they became dispatch carriers, gunrunners, spies. Guns in hand, they fought alongside their male comrades in arms, displaying a courage and resolution that astonished and sometimes offended public opinion of the time." "What they were doing was considered 'unladylike and disreputable' - a notion that explains why their stories became hidden histories; in many cases families were unaware that their great-aunts and grannies had prison records." "But the evidence is there in their prison diaries and autograph books, in the graffiti that remain on the walls of Kilmainham Gaol, and in the archive lists of women prisoners of 1916, the War of Independence, and the Civil War. From this wealth of material and interviews with survivors, Sinead McCoole has produced a portrait of the girls and women whose indomitable spirit overcame hunger strikes, harsh prison conditions, and the tragedy of huge personal loss."--BOOK JACKET.
This book examines how Irishness as national narrative is consistently understood ‘from a distance’. Irish Presidents, critics, and media initiatives focus on how Irishness is a global resource chiefly informed by the experiences of an Irish diaspora predominantly working in English, while also reminding Irish people ‘at home’ that Irish is the 'national tongue'. In returning to some of Ireland’s major expat writers and international diplomats, this book examines the economic reasons for their migration, the opportunities they gained by working abroad (sometimes for the British Empire), and their experiences of writing and governing in non-native English speaking communities such as China and Hong Kong. It argues that their concerns about belonging, loneliness, the desire to buy a place ‘back home’, and losing a language are shared by today’s generation of social network expatriates.
Modernism and the Ordinary overturns conventional accounts of the modernist period as primarily drawn toward the new, the transcendent, and the extraordinary. Liesl Olson shows how modernist writers were preoccupied, instead, with the unselfconscious actions of everyday life, even in times of political crisis and war. Experiences like walking to work, eating a sandwich, or mending a dress were often resistant to shock, and these daily activities presented a counter-force to the aesthetic of heightened affect with which the period is often associated. With attentive and sensitive readings, Modernism and the Ordinary examines works by Joyce, Woolf, Stein, Stevens, Proust, Beckett, and Auden alongside the ideas of philosophers such as Henri Bergson and William James. In doing so, the book reveals the non-transformative power of the ordinary as one of modernism's most compelling attributes.
First published in the year 1919, Irish writer and editor Robert Lynd's 'Old and New Masters' is a collection of biographical sketches of legendary authors as tall as Jane Austen, Wordsworth, Dostoevsky etc by the author. This collection is quite informative and gives a lot of inside stories about the noted English writers.
"It has often been argued that 'modern' leisure was born in the period from the mid-nineteenth century to the outbreak of World War One. Then, it has been suggested, that if leisure was not 'invented' its forms and meanings changed. Despite the recent expansion of the literature on Irish popular cultures - perhaps most strikingly sport - the conceptions, purposes, and practical manifestations of leisure among the Irish during this critical period have yet to receive the attention they deserve. This collection represents an attempt to address this. In twelve essays that explore vibrant expressions of associational culture, the emergence of new leisure spaces, literary manifestations and representations of leisure, the pleasures and purposes of travel, and the leisure pursuits of elite women the collection offers a variety of perspectives on the volume's theme. As becomes apparent in these studies, all manner of activity, from music to football, reading to dining, travel to photography, dancing to dining, visiting to cycling, child's play to fighting and attitudes to these were shaped not just by the drive to pleasure but by ideas of class, respectability, improvement and social control as well as political, social, educational, medical and religious ideologies." --
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Brings literature to life through a combination of fascinating texts, critically up-to-the minute readings and Jacobs' enthusiastic, lively approach.